Par SANVOISIN MICHEL. Playing and Learning Soprano Recorder & Volume 1 by Michel Sanvoisin is the first book of an anthology of classical pieces. Written for beginners, this method in English, German and French will enable them to acquire the seventeen notes most commonly played on the recorder. The additional notes are covered in a second book that also includes some revision work. It features pieces inspired by G. Gastoldi, Le Clerc, Pierre Attaingnant, William Byrd, John Dowland and G. P. Telemann among others. It is a great way to learn while playing nice pieces instead of just working on basic exercises. In addition to thismethod, Michel Sanvoisin also wrote one for Alto Recorder. / Pédagogie / Méthode / Flûte à Bec Soprano

Music from the Disney Motion Picture Soundtrack-Easy arrangements for Recorder of 8 selections from this hit Disney movie inspired by the classic fairy tale featuring compositions by Patrick Doyle who also penned the music for Disney's Brave.The film was released in the UK in March 2015 and earned $29.2 million in the UK Ireland and Malta.

Par FRANCES-HOAD CHERYL. Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memory by Charles Fernyhough, and it struck me that a work inspired by memories and how they are created in our brains would be very appropriate for a group of musicians celebrating such a wonderful milestone. A quote by Nabokov in particular provided ideas for both the rapid, rhythmic music that starts and ends the piece and the slow, 'light-filled' chords of the middle section: [In Nabokov's autobiography, Speak, Memory, he sees] 'the awakening of consciousness as a series of spaced flashes, with the intervals between them gradually diminishing until bright blocks of perception are formed, affording memory a slippery hold.' In addition, this work has really been shaped by the recorders themselves: before writing, I spent several hours with Ian Wilson (a member of the group) learning about the myriad different types of instrument I could write for. The renaissance instruments particularly appealed due to their fabulous timbre, despite the fact that, due to their open hole design, diatonic music works much better than anything chromatic. I became rather obsessed with the idea of writing chromatic music for diatonic instruments, and so in this piece I use recorders at both modern (A440) and baroque (A415, a semi-tone lower) pitch. This allowed me to write a piece that uses all twelve semitones of the scale throughout, whilst never writing a note for any individual recorder that falls outside its particular diatonic major scale: a compositional device that pleased me greatly! —Cheryl Frances-Hoad, 2019 / Date parution : 2022-09-07/ Répertoire / 4 Flûtes à Becs

Winter with all its moods has always been captured by composers in their music: Inspired by romantic walks in winter, dancing snowflakes, a look out of windows covered with ice-ferns, or an adventurous sleigh-ride, such musical winter dreams often became well-known and popular classics.The edition Winter Dreams contains a large number of these works, like the famous melodies from J.S. Bach's Christmas Oratorio or Handel's Messiah as well as evergreens from Winter Wonderland to the soundtrack of the cult film Three Wishes for Cinderella. / 3 Flûtes A Bec (SSA)

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

Par STEEN KAREL VAN. Les Néerlandais Karel van Steenhoven (né en 1958) a écrit plusieurs compositions pour le célèbre Quatuor Amsterdam Loeki Stardust qui a été co-fondée par lui. Mais il a ensuite écrit d'autres ouvrages pour le compte rendu: Dans 'Nachtzang' ('Chant de la nuit ') voix de soprano et flûte à bec alto effectuer les uns avec les autres. Van Steenhoven a été inspiré par un poème de Adriaan Roland Holst Dans laquelle la dernière Décrit un chant rituel. La voix chantée et une partie instrumentale sont imbriqués, instrumentations d'autres (peut-être en duo flûte à bec) sont possibles. Une machine à mouvement perpétuel avec 'choral' une flûte à bec soprano est suivie d'une section du milieu dans lequel par des gestes jusqu'à ce que, en raison du retour au début, la boucle est bouclée. Une composition qui exige l'inventivité et le courage d'expérimenter des deux interprètes - avec la liberté d'une partie d'improvisation étant de la performance./ Répertoire / Flûte à Bec Alto et Soprano

A Thomas Hardy suite for Pipes or Recorders by Betty Roe. This set of pieces takes its inspiration from Hardy's Novel Under The Greenwood Tree and incorporates three dance-tunes current and popular in Hardy's time

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition SONATE EN SOL MINEUR BWV 1034 qui a été écrite pourFlûte A Bec Et Piano. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB8168. / Flûte A Bec Et Piano / Partition

14 Tangos for Soprano Recorder-C?est en Argentine que naît le mondialement célèbre tango une danse qui séduit et réussit à pénétrer dans les profondeurs de l?âme. Sa sensualité épouse le parfum des danseurs tandis que l?éclat des grandes salles de bal cotoîe l?atmosphère des bas-fonds et des vieux cafés d?Argentine. Le tango est une danse universelle. Tango Time! rassemble onze tanguitos (petits tangos) et trois milongas s?adressant aux flûtistes à bec ayant plusieurs années de pratique instrumentale et sachant interpréter le tango avec verve et inspiration. Sa sensualité garantit un plaisir de jeu infini que ce soit en soliste ou avec l?accompagnement sur disque compact.

16 Pieces. Par JOHOW JOACHIM. Les joueurs de flûte à bec n'ont plus à regarder avec envie les instruments klezmer typiques : la clarinette et le violon. Inspiré par de vieilles mélodies klezmer, Joachim Johow a écrit 16 compositions sur mesure pour la flûte à bec et a reconstitué des scènes d'une ville juive, dont 'Am Morgen in der Gasse' [Le matin dans la ruelle], 'Auf dem Jahrmarkt' [À la foire], 'Schlittenfahrt' [Balade en traîneau], 'Tanz der Großeltern' [Danse des grands-parents], ' Am Abend' [Le soir]. Un vrai enrichissement du répertoire ! Jouable avec accompagnement de piano ou de guitare. De plus, une partie de basse est disponible en téléchargement. Tous les morceaux sont disponibles au format mp3 en version complète et en version play-along. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte à Bec Alto et Piano

Short easy pieces of traditional music from around the world.Compiled from titles across our popular World Music Series and edited by acclaimed folk musicians Vicki Swan and Jonny Dyer, this book features tunes from the British Isles to the USA, from Eastern Europe to Asia and beyond, arranged for solo recorder with optional piano accompaniment. Ideal for beginner grades, Easy Folk Recorder is a round-the-world ticket for musical inspiration. The title includes a CD of all tunes plus optional PDF piano accompaniments. / Flûte A Bec

Arrangeur: Ursula Schmidt-Laukamp. Par BLAVET MICHEL. Michel Blavet (1700-1768) était un musicien très célèbre et populaire de son vivant. Bien qu'il soit un autodidacte sur de nombreux instruments, son instrument principal était la flûte traversière dont il jouait de la main gauche. Ses compositions mêlent les styles italiens et français. Formellement, ses sonates sont des suites et ont souvent des titres programmatiques. La sonate op. 2 #4 est aussi appelé 'La Lumague'. Marie de Lumague (1599-1657) a fondé le mouvement Caritas en France sous le règne de Louis XIII. Il est supposé que les deux cette femme et son Blavet travail inspiré pour écrire cette sonate belle ./ Répertoire / Flûte à Bec Alto et Piano

Recorder Magic Descant Tutor Book 2 builds on what was learnt in Book 1. This book introduces the notes D F# and high D and develops the Recorder player's ability to read more complex music. As with book 1 the melodies are a combination of popular traditional and new inspiring melodies written by the authors Jane Sebba and David Moses. The melodies are fun as are the illustrations in the book - it makes learning the Recorder really enjoyable!

Superb collection of real bebop solos based on standard jazz repertoire tunes. Exciting and inspiring sight-reading for treble clef instruments. Solos can be played with Jamey Aebersold Play-A-Long Volumes 6 14 and 36. Learn the secrets of bebop lines!