Beautiful American Airs and Ballads. Par DIEHL MARCIA. This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages. / Date parution : 2022-10-12/ Recueil / Flûte à Bec

The fun and exciting way to learn the recorder-Discover just how simple learning the Recorder can be by taking it just one note at a time! The Razzamajazz method introduces you to the instrument beginning with your first note and some simple exercises graduallyprogressing to full melodies as your vocabulary expands. However you will need just a little previous experience of basic music-reading. In true Razzamajazz style the pieces are full of swing and swagger taking away the pains the practice hours. Furthermore a CD of specially-recorded backing tracks is included for you to play along with and test your skills. By the end of the book you will have a host of funky tunes at the tipsof your fingers!

Qui veut jouer avec l'enregistreur des aigus non seulement la musique classique mais aussi des chansons pop, pour lesquels cette question est juste la chose! Les arrangements sont spécialement arrangées pour l'instrument, qui est, ils sont faciles à jouer et sonnent bien. Ils sont adaptés à la fois pour l'enseignement et pour le jeu et la pratique, seul ou en duo, parce que, pour toutes les pièces il ya une seconde Voix.Tous les titres sont (enregistré avec flûte alto) dans une version complète et de jouer avec une version inclus sur le CD. / 1 Ou 2 Flûte(s) A Bec Soprano / 40 pages / niveau : Facile / Intermédiaire / Partition Cd

The music of Mozart has an enduring appeal and students of today enjoy playing his works just as much as pupils from previous centuries. This publication provides selections from his best known compositions such as Symphony No.40 and the Clarinet Quintet together with other lesser known pieces. These attractive arrangements are equally suitable as teaching or performance material.Includes CD.

Qui veut jouer avec la flûte à bec alto non seulement des pièces classiques, mais aussi des chansons pop, car ce livre est juste le billet! Les arrangements sont édités spécialement pour l'instrument, ce qui signifie qu'ils sont faciles à jouer et un bon son. Ils sont adaptés pour l'enseignement ainsi que pour jouer et pratiquer, seul ou en duo, parce que, pour toutes les pièces, il ya une deuxième Voix.Tous les titres sont (enregistré avec flûte à bec alto) dans une version complète et un jeu-avec-version sur le CD.Ainsi, la pratique et l'audition encore plus de plaisir! / 1 Ou 2 Flûte(s) A Bec Soprano

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

Par FRANCES-HOAD CHERYL. Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memory by Charles Fernyhough, and it struck me that a work inspired by memories and how they are created in our brains would be very appropriate for a group of musicians celebrating such a wonderful milestone. A quote by Nabokov in particular provided ideas for both the rapid, rhythmic music that starts and ends the piece and the slow, 'light-filled' chords of the middle section: [In Nabokov's autobiography, Speak, Memory, he sees] 'the awakening of consciousness as a series of spaced flashes, with the intervals between them gradually diminishing until bright blocks of perception are formed, affording memory a slippery hold.' In addition, this work has really been shaped by the recorders themselves: before writing, I spent several hours with Ian Wilson (a member of the group) learning about the myriad different types of instrument I could write for. The renaissance instruments particularly appealed due to their fabulous timbre, despite the fact that, due to their open hole design, diatonic music works much better than anything chromatic. I became rather obsessed with the idea of writing chromatic music for diatonic instruments, and so in this piece I use recorders at both modern (A440) and baroque (A415, a semi-tone lower) pitch. This allowed me to write a piece that uses all twelve semitones of the scale throughout, whilst never writing a note for any individual recorder that falls outside its particular diatonic major scale: a compositional device that pleased me greatly! —Cheryl Frances-Hoad, 2019 / Date parution : 2022-09-07/ Répertoire / 4 Flûtes à Becs

Liederzeit' is a collection of songs from all around the world which are suitable for making music in any season and at any time of the day - whether together with friends, at parties and celebrations or just in private for your own relaxation and entertainment. The selected folk songs and gospels shall motivate you to make music in your spare time: by means of easy arrangements, play-along CD and, not least, through the beauty of the melodies. All songs can even be mastered by beginners of every age and be performed by one of two players with the CD. Take your time for these songs! / 1 Ou 2 Flûte(s) A Bec

Playing and Learning Soprano Recorder – Volume 1 by Michel Sanvoisin is the first book of an anthology of classical pieces. Written for beginners this method in English German and French will enable them to acquire the seventeen notes most commonly played on the recorder. The additional notes are covered in a second book that also includes some revision work. It features pieces inspired by G. Gastoldi Le Clerc Pierre Attaingnant William Byrd John Dowland and G. P. Telemann among others. It is a great way to learn while playing nice pieces instead of just working on basic exercises. In addition to thismethod Michel Sanvoisin also wrote one for Alto Recorder.

109 chansons de George et Ira Gershwin. Format Real Book / Instruments En C / Partition

Cette collection rassemble 100 super-classiques des Beatles pour les débutants à jouer. Les arrangements sont dans la clé de C, et les gravures sont toutes nouvelles et plus grandes que la notation livre le plus faux. / Piano/Vocal/Guitare (PVG) / 224 pages / Partition

Dispose de 72 classiques Motown: ABC - Ain't No Mountain High Enough - Baby Love - Ben - Come See About Me - Dancing in the Street - Do You Love Me - facile - une fois dans ma vie - - Heatwave Higher Ground - Puis-je 't - Help Myself I Hear a Symphony I - Il appris par la rumeur - I Second That Emotion - I'll Be There - Jimmy Mack Mercy -, Mercy Me (The Ecology) - My Cherie Amour - Ma fille bébé Ooo Baby - Stop! Au nom de l'amour - Three Times a Lady - - Guerre Where Did Our Love Go - plus! Des lignes mélodiques, accords et paroles, ainsi qu'une section de diagrammes d'accords guitare. / Instruments En Do / 256 pages / Partition

Music Medals Recorder Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets forming a smashing collection of fun pieces and arrangements in various styles to provide much needed diversity and enjoyment. This exciting range is suitable for lessons concerts or as Part of a Music Medal and forms ideal group-teaching material for the development of ensemble playing. For descant or soprano and treble or alto recorders.