Over 500 great standards and jazz classics for all 'C' instruments. Includes Take Five, Lullaby Of Birdland, Ain't Misbehavin' and I'm Beginning To See The Light plus many more. / Jazz / Partition /

Listen Learn and Play-Tilmann Dehnhard the writer of the successful ?Jazz Studies for Flute? (UE 33703) now turns his expertise to the alto recorder. In ?Easy Jazz Studies for Recorder? he offers ten easy to intermediate compositions that help with melodic style and articulation as they relate to jazz. Some of the pieces are based on the same chord progressions as well known jazz standards and may therefore sound tantalizingly familiar!Useful hints on swing articulation and ornamentation are provided. The accompanying CD provides recordings at various tempos with the demonstrational soloist before the player is ready to take on the full solo role with the backing track. Suitable forgrades 2-5.

Flauto dolce solo 7 Stücke PRELUDE (Nächtliche Vision) HARLEKINS SERENADE UND TANZ TOCCATA (Schlaflied für einen Kolibri) MINIMAL MUSIC VIVA VIVALDI (Encore mit Streifen) NOCTURNO (Hommage á D. Sch.) TAKE FIVE (A vocal-percussive Finale)

Step One Series-This complete music instruction package includes a book CD and DVD: Read the easy-to-understand instruction book designed to get you playing right away play along with professional backing tracks from the CD and see an expertteacher explain and demonstrate techniques and songs on the video. Never before has there been an easier way to master the basics of music while having a great time playing your instrument. The Step One: Teach Yourself series willget you playing right away and learning as you play. If you are ready to teach yourself take your first step today with Step One: Teach Yourself!

With the Playalong 20/20 Recorder sheet music songbook you get an incomparable collection of 20 of the best pop songs topping the charts of today as well as demonstrations and backing tracks for each songfor you to download. All 20 tunes are beautifully arranged in melody line format for the Recorder. Featuring some of the best pop hits from the current charts this pop sheet music selection makes these catchyand upbeat songs accessible for the Recorder. Including tunes like 22 by Taylor Swift Right Place Right Time by Olly Murs and One Direction's What Makes You Beautiful this book proves thatthe Recorder is not just for classical music but can also be a brilliant way to get a unique sound out of popular music. The Playalong 20/20 Recorder book will help recordists of all ages andabilities play some truly perfect pop songs. Not only are there many uptempo and fun pop songs included in this collection but you'll also get the slower ballads whose melodies will will sound just asbeautiful on the Recorder. Tunes like Frozen's Let It Go Adele's wonderful Someone Like You Wrecking Ball by Miley Cyrus as well as John Legend's huge heartfelt song All Of Me. Whether you're apop-loving recordist or you're just looking to reinvigorate and freshen up your repertoire Playalong 20/20 Recorder sheet music is the collection for you.  Not only do youget these 20 pieces of pop Recorder sheet music you'll also receive an enclosed download card giving you instant online access to demonstration and backing tracks of every single song. Using the demonstration tracks with Recorder played by Louise Bradbury you can hear exactly how songs like Jar Of Hearts and Make You Feel My Love should sound. Then using the backing tracks you can take the lead role

The original and still popular recorder method can be used by people of no great musical ability who may be unable to take a music lesson by means of any other medium and can thus discover music together with their pupils. The various elementary technical difficulties of learning to play the recorder are dealt in this book.

Sonata in D major TWV 41:D9 - Sonata in G major TWV 41:G9-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations

?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James Contact Magazine)A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts) country dance tunes and excerpts from the standart treble repertoire - Bach Barsanti Corelli Händel Telemann etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give in only a few minutes concentrated practice on the more usual leaps to andfrom each new note and instant recognition of random notes.Quickly emulating the outstanding success of the descant tutors these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)These two tutors with accompanying teacher's books are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James Contact Magazine)The edition is part of the Trinity syllabus 2007 (grade 1 2 3)

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

Recorder performed by Marion Verbruggen Viola de gamba performed by Mary Springfels Harpsichord perfromed by Arther Haas. A collection of 23 pieces mainly composed by Suzuki or taken from folk and traditional songs.