Par . 'Time & Rhythm' contains easy dances and folksongs from various countries and in a variety of styles all beautifully arranged by Viktor Fortin and retaining their spirited and lively qualities. The lyrics of the songs have been included and contain important hints about breathing patterns and phrasing. Information regarding the origin and character of the historic dances, as well as their social role, is a welcome and informative addition. The percussion part can be used as a preparatory exercise, helpful in acquiring the rhythmic feel at the given tempo. Additionally, it emphasizes the unique accentuations that characterize each piece. The first volume is made up of easy pieces with a limited tonal range, manageable keys and simple rhythmic divisions no smaller than quavers (eighth-notes). The new edition is intended as a useful supplement for recorder lessons offering students an enjoyable opportunity for ensemble playing and musical interpretation. • Contains easy dances and folksongs from various countries and in a variety of styles all beautifully arranged by Viktor Fortin • The lyrics of the songs have been included and contain important hints about breathing patterns and phrasing • Information regarding the origin and character of the historic dances, as well as their social role, is a welcome and informative addition • The percussion part can be used as a preparatory exercise, helpful in acquiring the rhythmic feel at the given tempo / Date parution : 2023-03-21/ Recueil / 2 Flûtes à Bec (SS ou SA) et percussion ad lib.

Joannes Collette: 12 Melodic Exercises for Descant Recorder Advanced players of the descant recorder will make a great find of this sheet music edition on their search for melodic studies for their instrument. Contents - 12 Melodious Exercises for descant recorder Legato and portato with expression / Ausdrucksvolles Legato und Portato Interval leaps and triads with single tongueing / Intervallsprünge und Dreiklänge mit einfachem Zungenstoß Difficult rhythm with soft tongueing slurring and study in tone production / Schwierige Rhythmen mit weichem Zungenstoß Bindungen und Übung in der Tongebung Mixed rhythms / Verschiedene Rhythmen Combination of different types of tongueing / Kombination verschiedener Arten von Zungenstoß Single tongueing and ornaments / Einfacher Zungenstoß und Verzierungen Movement of the thumb / Beweglichkeit des Daumens Legato playing (slurring) / Legatospiel (Bindungen)

16 short and easy compositions with strong melodies. Par DEHNHARD TILMANN. Colours that mix, shades that change and rhythms that develop are just some of the aspects that make Dehnhard's compositions so special. The short, light miniatures are small, self-contained works of art with great melodic expressiveness, which are not only fun to work on in class, but also convincing on the concert stage. In gentle images that tell of our world's treasures, positive feelings, quiet experiences or silent moments, each piece traces moments that show themselves with each breath in a new light and change from all sides. Whether it is the spray of the waves, the sparkle of a gemstone or a dragon in the sky, there are always new nuances in color and sound, and thus infinite possibilities that are composed kaleidoscopically before our eyes. As if by itself, it carries on one piece by piece, creating moods and igniting images in front of the inner eye. In addition to their inspiring melodies, the miniatures focus on a characteristic rhythm whose timing, in combination with the jazzy harmonies, turns them into little pearls of modern flute literature. They almost exclusively use traditional playing techniques and rarely exhaust the range of the recorder in the high register. The enclosed CD of full, play-along recordings supports and completes the edition./ Répertoire / Flûte à Bec Soprano et Piano

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a “hands-on” tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:• the bass recorder – construction instrument types historical background• technical foundations of bass recorder playing posture fingering sound and articulation• practise and rehearsal techniques intonation in ensemble playing• stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Comtents: Paix Jakob: Ungaresca Petruschka (Volkslied aus

Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers des airs sont en ligne à www.shermusic.com afin de musiciens peuvent entendre les chansons pour eux-mêmes / Instruments En Do

Learn Bass Recorder in Ensemble Playing Partitur und Stimmen - Mit Playback CD vom Ensemble Dreiklang Berlin - Anleitung zum Bassblockflötenspiel - for 3-5 recorders (sa(a)tb) and cd arranger: Ripper, Martin arranger: Rosin, Sylvia C. arranger: Beutler, Irmhild The bass recorder brings a deep, rich timbre to the recorder ensemble. Nevertheless, when beginning with the bass recorder, even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a ?hands-on? tutor, which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality, rhythm and technical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: ? the bass recorder ? construction, instrument types, historical background ? technical foundations of bass recorder playing, posture, fingering, sound and articulation ? practise and rehearsal techniques, intonation in ensemble playing ? stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line, which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher.

This volume has been specially designed to be taken by Recorder players who have been learning for a few terms. Built into it are all the sort of skills they will be developing at this stage such as a sense of pitch and rhythm controlled and even playing accuracy and quality of tone.

Book 1-Designed for the classroom and private study the FJH Recorder For Everyone series addresses the National Standards for Music Education.With this series the beginning Recorder student will learn to perform both solos and duets. Lyrics are provided for many recognisable songs and singing along with the group is encouraged. Reading music notating music conducting and basic composition skills are introduced and all new concepts are clearly explained with interesting musical examples.The level 1 Recorder books develop rhythm up to eighth notes and dotted quarters. The keys of C Am G and F are introduced.This first method bookcomes complete with a play-along CD containing recordings of all of the featured tracks played by a professional Recorder player with Piano accompaniment. The CD contains a Piano-only part and a bonus track is also included - featuring a professional Recorder ensemble performing on four different types of Recorders.The FJH Recorder Method For Everyone: Book 1 features a wonderful variety of music including classical themes folksongs and multi-cultural melodies.Three informative icons are used throughout the books in the FJH Recorder Method For Everyone series:Know Your Recorder Provides historical and interesting information on the recorder. Includes lists of popular music that use recorders.Music Master Gives the student insights on the bigger picture of music and music performance.Recorder Tip Useful performance tips to help the student to progress easier and faster.This book also includes an informative Glossary on the last page.

Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by J. S. Bach. Initially composed for Cello between 1717 and 1723 it was transcribed by Jean-Claude Veilhan and features the Suites I II and III. The transcription keeps the original key and only some passages have to be played one octave higher than in the original sheet. The first suite BWV 1007 is in G major and contains a Prelude an Allemande a Courante a Sarabande two Minuets and a Guigue. Its Prelude is the most famous movement of the whole set of Suites consisting mainly of only arpeggiated chords. It can be heard in manyfilms and is highly recognisable. The second one BWV1008 is in D minor and held the same movements' organisation. Its prelude in two parts features a cadenza which leads to other cadenzas in the Allemande. The Minuet part is quite technical to play. Finally the third one BWV 1009 in C major sees the Minuets being replaced by Bourrées which are often played together as a solo material. The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one. These suites also exist arranged for Piano for Trombone and for many other instruments.

10 progressive pieces for descant recorder electronic keyboard percussion and voice suitable for the classroom and for concerts. Each piece has a recorder part lyrics for singing along rhythm patterns and keyboard diagramsfor playing the auto-accompaniment.Professionally recorded demonstration and backing tracks are available to purchase and download here .

Some light composers are specialists in the sense that they write for one particular instrument. An example is Brian Bonsor to whom recorder ensembles are very much in debt for the many arrangements he makes for them and the catchy dance movements he has composed: such things as Beguine Rumba Tango Hoe-Down and Fiesta. Rumba is exhilarating but demands precise rhythm and neat articulation.

The magic continues: Valentina, the little witch, and her friend Chebby the Fox have returned, bringing with them many things for the little musicians to discover and to learn in Vol. 2 of the recorder method Flötenzauber. Following up on the first volume, the method has been designed carefully and in a manner suitable for children, gradually involving the right hand and extending the tonal range to the low C. The lovely illustrations can be coloured by the children, e.g. during a short break from learning, and serve as guidance in this volume. The teacher is again given opportunities to motivate the children and recognize their performance of individual pieces with a smiley, for example.The edition is available with or without CD. It contains both a slow and a faster version of the pieces in order that the children can improve their performance and not get discouraged by a fast tempo. The first verse of each song is sung by the children. This helps the little recorder players to find the right entrance and better understand melody and rhythm.Volume 3 in preparation. / Flûte A Bec Soprano

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out etude solos that traverse the changes in a way that familiarizes you with the sound of each harmonic setting. Each etude is modeled after ideas---such as melodic and rhythmic patterns that create continuity---and singable melodies that he recommends using when improvising through the chord changes. Using the TNT 2 software, listen to and analyze the etudes, and by removing Mintzer's saxophone from the mix, you can then practice and play these harmonic exercises on your own with a stellar rhythm section. The amazing TNT 2 software allows you to slow down the tempo, too! / Instruments En Do

24 Pieces from 5 Centuries. The Easy Concert Pieces series has the right pieces ready for the first concerts. Easy to intermediate original compositions and arrangements for descant recorder and piano provide a cross section of the different epochs, from the Renaissance to the modern era. The enclosed CDs contain all pieces as full versions and as piano accompaniment for playing along. In Vol. 2, the tonal range is extended to a'', including a few semitones. The works are rhythmically more complex and, with regard to fingering technique and melodic expression, more demanding than the pieces in Vol. 1. / Niveau : 2-3 / Recueil / Flûte à Bec et Piano