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Concert band
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James Horner: Avatar Soundtrack Highlights: Concert Band: Score
Concert band
Hal Leonard
Sorti en France en décembre 2009 Avatar le film d'aventure fantastique en 3-...
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Sorti en France en décembre 2009 Avatar le film d'aventure fantastique en 3-D de James Cameron est devenu après seulement six semaines d?exploitation le plus gros succès de l?histoire du cinéma. Élément central du film la musique d?Avatar a bénéficié d?une attention toute particulière. Elle a été confiée à l?oscarisé James Horner (Titanic 1997). Partagée entre titres orchestraux et morceaux aux sonorités plus futuristes cette bande son développe une émotion réellement palpable. Bienvenue sur l?exo-lune Pandora...
10.99 GBP - Sold by Musicroom UK
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Richard L. Saucedo: Concerto No. 1 (for Wind Orchestra): Concert Band: Score
Concert band
Hal Leonard
Commissioned for the 2016 South Carolina All-State High School Band Concerto No...
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Commissioned for the 2016 South Carolina All-State High School Band Concerto No. 1 is a spectacular showcase for the entire ensemble rather than just a single soloist. Throughout this dynamic work the entire ensemble is featured although there are also concerto type moments for solo instruments as well as chamber groups. The horns are also featured prominently throughout the piece. Dur: c. 8:45 (Recorded by the 2016 South Carolina Senior All-State Band Richard L. Saucedo conducting)
19.99 GBP - Sold by Musicroom UK
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Richard L. Saucedo: Concerto No. 1 (for Wind Orchestra): Concert Band: Score &
Concert band
[Score and Parts]
-
Advanced
Hal Leonard
Commissioned for the 2016 South Carolina All-State High School Band Concerto No...
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Commissioned for the 2016 South Carolina All-State High School Band Concerto No. 1 is a spectacular showcase for the entire ensemble rather than just a single soloist. Throughout this dynamic work the entire ensemble is featured although there are also concerto type moments for solo instruments as well as chamber groups. The horns are also featured prominently throughout the piece. Dur: c. 8:45 (Recorded by the 2016 South Carolina Senior All-State Band Richard L. Saucedo conducting)
134.99 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Symphony Nr. 91 E-flat major Hob. I:91: Orchestra: Parts
Concert band
Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...
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Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
46.50 GBP - Sold by Musicroom UK
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Pawel Szymanski: Appendix: Orchestra: Score
Concert band
[Study Score / Miniature]
Chester
Scored for Piccolo Horn Trombone 2 Violas 2 Cellos and 2 Percussionist
19.99 GBP - Sold by Musicroom UK
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André Waignein: Dunamis: Concert Band: Score & Parts
Concert band
Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...
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Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
194.99 GBP - Sold by Musicroom UK
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Karel Husa: Concerto for Wind Ensemble: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-Commissioned by the Michigan State University Alumni Band this three move...
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Score-Commissioned by the Michigan State University Alumni Band this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983.Previously available only in rental we are proud to offer this important work for publication.A note from the composer: Divided into three movements this work is a display of virtuoso passages given to solo instrumentsas well as to the groups of the ensemble. In the Fanfare of the first movement the brass section “concertizes” in groups of four brass quintets (2 trumpets horn trombone and tuba or baritone) spread from left toright in back. The saxophones (S A T B) are placed in front of the brass quintets and the woodwinds occupy the front of the stage with percussion on the left and right side. These groups like the brass quintets play in theconcertante style particularly in the first and last movements. At the same time each movement contains individual solo passages (for example timpani and flute in Movement I – “Drum Ceremony” andEnglish horn and other low woodwinds in Movement II – “Elegy”). The composition of this piece was prompted by the excellence of wind and percussion players today and by the incredible growth of wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.
25.99 GBP - Sold by Musicroom UK
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André Waignein: Alternances: Concert Band: Score & Parts
Concert band
[Score and Parts]
Scherzando
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competiti...
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In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event André WAignein composed 'Alternances for Symphonic Band' a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the firstmovement. The musical development is here dominated by exuberance virtuosity and rhythm.
144.99 GBP - Sold by Musicroom UK
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sa...
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Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK
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Jan Van der Roost: Et in terra Pax: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
This piece was commissioned by the ‘Concert Band Vlamertinge’ and i...
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This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D E G A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro the broad almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more this time broadly while the words ‘Et In Terra... Pax’ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life too.
163.50 GBP - Sold by Musicroom UK
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André Waignein: Rhapsody for Flugelhorn: Concert Band: Score & Parts
Concert band
[Score and Parts]
Scherzando
As a trumpet player André Waignein has composed many pieces for this instrument...
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As a trumpet player André Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players and more demanding works for professionals.With his rhapsody André Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity andoffers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.
119.99 GBP - Sold by Musicroom UK
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 2 in Eb (Alto Saxophone Alto Horn)-Flexible Praise has been designed with ...
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Part 2 in Eb (Alto Saxophone Alto Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK
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Melvin L. Shelton: Elegy: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
A touching and intense memoriam piece the mechanics are on the easy side of Gra...
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A touching and intense memoriam piece the mechanics are on the easy side of Grade 4 but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The 'Adagio e Rubato' tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 3 in F (F Horn)-Flexible Praise has been designed with the sacred ensemble ...
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Part 3 in F (F Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK
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Flexible Praise: Concert Band: Part
Concert band
Curnow Music
Part 3 in Eb (Alto Clarinet Alto Saxophone Alto Horn)-Flexible Praise has been...
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Part 3 in Eb (Alto Clarinet Alto Saxophone Alto Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
5.99 GBP - Sold by Musicroom UK
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Good Swing Wenceslas: Concert Band: Score and Parts
Concert band
[Score and Parts]
Hal Leonard
From the king of swing Sammy Nestico brings his inimitable symphonic jazz style...
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From the king of swing Sammy Nestico brings his inimitable symphonic jazz style to the concert stage. Originally written for the Boston Pops Orchestra Sammy has re-worked this marvelous holiday setting for winds featuring the classic carol Good King Wenceslas in a variety of jazz-flavored styles. The horn solos are cued and the piano part is optional. Sure to be a holiday favorite for years to come.
74.99 GBP - Sold by Musicroom UK
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Kevin Houben: Lux Futura: Concert Band: Score and Parts
Concert band
[Score and Parts]
Scherzando
Lux Futura. Lux Futura (Light of the Future) was commissioned by the Royal Wind ...
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Lux Futura. Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters ?D-E-L-F-T? using the letter notation system by Béla Bartók. In this ?Delft? cell, there is referral to the ?Trinitas?, the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the ?Agneta March?, which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the cor anglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle.
209.99 GBP - Sold by Musicroom UK
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Boudewijn Cox: Suite: Concert Band: Score & Parts
Concert band
[Score and Parts]
Beriato Music
Suite for symphonic wind band is a rich orchestral piece that taxes the musician...
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Suite for symphonic wind band is a rich orchestral piece that taxes the musicians to the utmost. The first part starts with a lyric melody in the French horn section to be taken over by the full orchestra ending in a kind of 'anarchistic entrada'. The second part starts with a transparently orchestrated polyphonic web slowly passing into a richly arranged wave like movement that stops suddenly leading to the third part's 'attaca' start. This third part is a fragile 'adagio con tenerezza'. The finale is extremely virtuous and feriocious. It is a musical expression of anger fear and despair.
206.99 GBP - Sold by Musicroom UK
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Symphonic Rhythms & Scales: Concert Band: Score
Concert band
Hal Leonard
Two-Part Etudes for Band and Orchestra Conductor-Written in a wide range of keys...
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Two-Part Etudes for Band and Orchestra Conductor-Written in a wide range of keys this comprehensive collection of 46 etudes is divided into four sections based on time signatures. Individual part books contain both Part A and B so players can switch back and forth at any time.The conductor's score provides detailed notes and rehearsal. Available for:25318010 Conductor / $12.9525318020 Flute / $4.9525318030 Oboe / $4.9525318040 Bassoon / $4.9525318050 Bb Clarinet;Bb Bass Clarinet / $4.9525318060 Eb Alto Clarinet / $4.9525318070 Eb Alto Saxophone; Eb Baritone Saxophone / $4.9525318080 Bb Tenor Saxophone / $4.9525318090 Bb Trumpet; Baritone T.C. /$4.9525318100 F Horn / $4.9525318110 Trombone; Baritone B.C. / $4.9525318120 Tuba / $4.9525318130 Percussion / $4.9525318140 Mallet Percussion / $4.9525318150 Timpani /$4.9525318151 Violin / $4.9925318152 Viola / $4.9925318153 Cello; String Bass / $4.99
13.99 GBP - Sold by Musicroom UK
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Boudewijn Cox: Suite: Concert Band: Score
Concert band
Beriato Music
Suite for symphonic wind band is a rich orchestral piece that taxes the musician...
(+)
Suite for symphonic wind band is a rich orchestral piece that taxes the musicians to the utmost. The first part starts with a lyric melody in the French horn section to be taken over by the full orchestra ending in a kind of 'anarchistic entrada'. The second part starts with a transparently orchestrated polyphonic web slowly passing into a richly arranged wave like movement that stops suddenly leading to the third part's 'attaca' start. This third part is a fragile 'adagio con tenerezza'. The finale is extremely virtuous and feriocious. It is a musical expression of anger fear and despair.
28.99 GBP - Sold by Musicroom UK
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Philip Sparke: Exultation: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Exultation is a short and energetic concert opener that is similar to a palindro...
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Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work juxtaposing 3/4 and 6/8 reminiscent of Latin-American music.The main theme is first heard on the euphonium horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in.The second theme reappears which leads back to the ‘blues’ melody which leads back to the opening fanfare. Palindromic!
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Franco Cesarini: Symphony Nr. 3 Urban Landscapes Op. 55: Concert Band: Score
Concert band
for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Fra...
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for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
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Franco Cesarini: Symphony Nr. 3 Urban Landscapes Op. 55: Concert Band: Score
Concert band
[Score and Parts]
for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesa...
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for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
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Franco Cesarini: Symphony Nr. 3 Urban Landscapes Op. 55: Concert Band: Score
Concert band
for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chica...
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for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.. Edition Franco Cesarini
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Hankus Netsky: Nonantum Bulgar: Concert Band: Score & Parts
Concert band
BandQuest
“I wrote The Nonantum Bulgar in response to a request for a klezmer-style ...
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“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky
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John Wasson: Festival Fanfare for Christmas (for Wind Band): Concert Band: Score
Concert band
Hal Leonard
Originally created for full orchestra this version for advanced level bands an...
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Originally created for full orchestra this version for advanced level bands and recorded by the acclaimed Dallas Wind Symphony conducted by Jerry Junkin is a magnificent and powerful setting for the holidays. Starting with abrilliant fanfare for brass the piece then blossoms into a showcase for the entire ensemble incorporating the familiar carols O Come All Ye Faithful and Joy to the World. An impressive way to open a holidayconcert! Dur: 3:45Recorded by the Dallas Wind Symphony – Jerry Junkin conductorOn “Horns For the Holidays ” Reference Recordings RR-126
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