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HARMONICA
Conducteur
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Symphony For Brass (Score) (ARNOLD MALCOLM)
Conducteur
[Sheet music]
-
Easy
Faber Music Limited
Par ARNOLD MALCOLM. Hugo Cole says '. . .a serious and substantial work. . .The ...
(+)
Par ARNOLD MALCOLM. Hugo Cole says '. . .a serious and substantial work. . .The slow movement, based on a dramatic unison, reminds us that Berlioz is one of Arnold's favourite composers. With the art that conceals art, Arnold makes us forget the limitations of the medium, and exploits these players' particular skills in ways that make it seem as though the skills must have been acquired to do justice to the piece'. The Guardian, 10th July 1979 / Niveau : Assez Facile / Répertoire / Conducteur
184.80 EUR - Sold by LMI-partitions
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Die Feen Wwv 32
Conducteur
[Score]
Schott
The Richard Wagner Complete Edition presents the composer's entire output for th...
(+)
The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions - these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. / Conducteur
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American Games. Wind Band (Score) (MAW NICHOLAS)
Conducteur
[Sheet music]
Faber Music Limited
Par MAW NICHOLAS. '. . . a sequence of dances which make up a vigorous rhythmic ...
(+)
Par MAW NICHOLAS. '. . . a sequence of dances which make up a vigorous rhythmic romp, brilliantly written for the instruments.'Edward Greenfield, The Guardian, 25th July 1991/ Répertoire / Conducteur
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Catone In Utica
Conducteur
[Score]
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Conducteur
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Requiem Op. 89 (DVORAK ANTONIN)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the...
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Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Conducteur
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Double Bass Concerto (VANHAL JOHANN BAPTIST)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass ...
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Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well./ Répertoire / Conducteur
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Pata Pata
Français
Conducteur
[Score]
-
Easy
Martin, Robert
/ Conducteur / niveau : Or:2+ / Partition
27.96 EUR - Sold by LMI-partitions
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Pata Pata
Français
Conducteur
[Score]
-
Easy
Martin, Robert
/ Conducteur / niveau : Or:2+ / Partition
27.96 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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