From among Reinecke?s abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the sobriquet ?Undine?, composed in 1882 and inspired by the eponymous fairy tale by Friedrich de la Motte-Fouqué about the ill-fated love of a mermaid. It is not, however, meant programmatically, but rather, like Schumann?s poetic titles, as a framework of associations for this highly romantic, in places very virtuoso sonata in traditional, four-movement form. As the autograph is lost, the printed editions form the basis for the new critical edition of this sonata, which is solidly anchored in the flute repertoire and is now finally available as a Henle Urtext edition.

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Flute with a Piano accompanimentsuitable for Grade 2-5 students as well as teachers. With a Piano score separate Flute part and performance hints and tips these fun pieces will hone your skills and develop ensemble playing.Thesepieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classics like Simon & Garfunkel's Bridge Over TroubledWater and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and Katy Perry's Firework. These 10 songs can be played in instrumentallessons in the classroom and of course on stage. The separate booklet with the Flute part features tips by professional musicians with some fingering guidance while the Pianoscore also includes the tips along with chord symbols and helpful fingering suggestions. 

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.        Edward Gregson

Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Flute in 1910. However it has not been possible to locate any copy of this publication. That the Flute version of Franck’s Sonata has found a permanent place in the chamber musicrepertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic Violin techniques to overcome and the cantabile solo part with its broadly arched melodies seems perfectly natural on a wind instrument. The present Flute arrangement largely adopts the original Violin part unchanged merely transposing those passages that go beneath the Flute’s range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) Piano accompaniment remains intact.The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng).

With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

14 Popular Works-14 popular works for Flute with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by Trevor Wye.

Flute and Piano With Online Accompaniments. This collection features intermediate-level arrangements for flute and piano accompaniment in a range flattering to the flute. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.

Arrangeur: Vilmos Bántai_Éva B. Sipos. Par BARTOK BELA. This book contains arrangements of piano pieces written by Béla Bartók (1881-1945) in his youth for piano pupils (Ten Easy Piano Pieces, For Children, The First Term at the Piano). Most are arrangements of Hungarian or Slovak folk songs, while the rest are based on the composer's own melodies. The pieces appear in order of difficulty, but even the simplest can be used as effective performance pieces. The album is recommended for the first three years of flute learning, and the first four pieces are playable within the first year. A piano accompaniment for each piece and a full performance by noted Hungarian musicians is provided on the accompanying CD to facilitate practice at home and help in developing a suitably styled performance of Bartók's music. / Niveau : Facile / Répertoire / Flûte Traversière et Piano

Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists  Les Méandres De Viviane is made up of four sections which tell the story of the fairy Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around three minutes.Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances.

La série année par année s'appuie sur la Boosey and Hawkes catalogue riche et varié du répertoire classique, contemporaine et de l'éducation , en soulignant compositeurs dont Serge Prokofieff , Dmitri Chostakovitch , Karl Jenkins , Carol Barratt et Christopher Norton , à côté des arrangements de musique traditionnelle du monde entier par Peter Wastall , Vera Gray et autres .Soigneusement sélectionnées par Janet Way , cette anthologie pratique est la ressource de répertoire complet pour le joueur de saxophone aspirant Grade 1 alto et crée le forfait idéal pour l'enseignement , la préparation de l'examen et de la performance .Chaque volume contient :19 pièces et des études courtes , chacune complétée par une pratique utile et la pointe de la performanceles gammes et arpèges qualité approprié liés au répertoire à travers le texte sur mesure et des exercicesactivités de lecture à vue nouvelle marquetâches de sensibilisation auditive nouvellement commandéesun livret accompagnement pianoLivré avec un CD de démonstrations de performance complet , titres de piano d'accompagnement , et des ressources de sensibilisation auditive de qualité approprié . / Flûte Et Piano

Twelve fine Sonatas by the Italian virtuoso.-Throughout his 30-year career as principal flautist of the opera orchestra of La Scala Milan Rabboni came in close contact with opera repertoire and singers of the time and thereby gained a priviliged insight into the belcanto style. It is clear that Rabboni composed his Sonatas to explore different sonorities and phrasings as well as to establish a better overall technique for the flute. Although at first they appear to bestraightforward these sonatas encourage the flautist to look beyond merely playing the notes and to strive towards creating shapes and lines within the music an approach which is often disregarded in favour of developingtechnique.