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Flute solo
HARMONICA
Guitar
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Pyotr Ilyich Tchaikovsky: Nutcracker Suite for Solo Classical Guitar: Guitar
Guitar
Classical guitar
[Sheet music + Audio access]
Hal Leonard
Nutcracker Suite a two-act ballet choreographed by Petipa Marius and Ivanov L...
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Nutcracker Suite a two-act ballet choreographed by Petipa Marius and Ivanov Lev composed by Pyotr Ilyich Tchaikovsky and here beautifully arranged by classical guitarist D'Addono Tony for solo classical guitar.This fantastic songbook contains all of the movements from the suite including Overture Dance Of The Sugar Plum Fairy Waltz Of The Flowers and many more. Play along to the expertly recorded backing CD also included with the book.
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Free to Solo: Guitar: Instrumental Album
Guitar
[Sheet music + CD]
-
Intermediate/advanced
Schott
Free To Solo is a unique publication designed to be a fun play-along book for st...
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Free To Solo is a unique publication designed to be a fun play-along book for students who want to enjoy soloing freely instead of having to cope with too many scale changes. With interesting heads and long open sections the tunes encourage creativity over the inspiring contemporary material. Free to Solo is suitable for intermediate students seeking a challenge as well as more advanced players requiring additional material to explore.On the included CD there are 'minus one' tracks to play along with as well as complete performance versions of all the instruments in the series (Alto / Tenor sax Flute / Violin Clarinet Trumpet Guitar andTrombone) so that the reader can draw upon different interpretations of the improvised material.
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Antonio Vivaldi: Sonata In E Minor - Solo Guitar: Guitar: Instrumental Work
Guitar
Classical guitar
[Score]
Spartan Press
This Sonata by Antonio Vivaldi (1678 - 1741) was originally in the key of D mino...
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This Sonata by Antonio Vivaldi (1678 - 1741) was originally in the key of D minor and written for Flute & Guitar (plus continuo). John Zaradin has played his own flute & guitar duo version for many years (in D minor) but found that as a guitar solo the key of E minor suits the instrument best.
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The Classical Guitarist's Gig Book Volume 2
Guitar
Classical guitar
[Sheet music]
Mel Bay
Creative Transcriptions for Today's Guitarist. Par . This second volume of The C...
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Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by AgustÃn Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare
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The Best Of Mauro Giuliani
Français
Guitar
-
Intermediate
Durand
Mauro Giuliani is considered today to have been the most important guitarist-com...
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Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà , diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)
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10 Brazilian Choros (GUERRA STEPHEN)
Guitar
[Sheet music + Audio access]
-
Intermediate/advanced
Mel Bay
arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instr...
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arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players?in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom.This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: ?Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist?Biographical and performance notes regarding the selected composers and compositions.?Insightful suggestions for further reading, listening, and study. ?Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil?s early flute virtuoso, Patápio Silva.Includes access to online audio. / Date parution : 2022-04-26/ Recueil / Guitare Classique
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Garth Baxter: Spanish Dances Opus 12: Guitar: Instrumental Work
Guitar
Classical guitar
[Sheet music]
-
Intermediate
Mel Bay
The Three Spanish Dances from Opus 12 by Moritz Moszkowski (1854-1925) were or...
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The Three Spanish Dances from Opus 12 by Moritz Moszkowski (1854-1925) were originally written for piano in 1875. These were among his most popular works. Arranged here for flute and guitar these pieces are melodic works thatare fun to play and thoroughly enjoyable to listen to. Arranger Garth Baxter is noted for his modern traditionalist style of writing. This is a style that combines the traditions of form and clear melodic writingwith the use of contemporary approaches to harmonies and other elements. Upper-intermediate to advanced in difficulty. A free solo flute part plus audio downloads are available for use with this title.
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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Barrientos C. - Periwinkle Memories - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: For years, my fellow guitarists have been asking me to compo...
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The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes
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Mason Williams: Classical Gas(Mason): Guitar: Artist Songbook
Guitar
Alfred Publishing
Mason Williams emerged in the late 1960???s as a strong force in television and ...
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Mason Williams emerged in the late 1960???s as a strong force in television and music circles. He is most widely known as composer and recording artist of mega hit Classical Gas which won three Grammy Awards. Recent honors include an Honorary Doctorate of Music from Oklahoma City University and in 2000 Mason was officially designated the Musician Laureate for the State of Oregon.This celebratory folio features a bumper selection of the classical guitar star's all-time favourite arrangements and compositions. Not only does the collection offer some sumptuous solos for the accomplished classical guitarist but seven further pieces have been included for guitarduet guitar trio and guitar with flute or violin.Every piece included in this anthology has been presented on an accompanying CD performed by the man himself! Furthermore fans of Mason Williams will be delighted to discover a biography of the virtuoso alongside countless details concerning his awards performances other projects TV appearances and much more.
22.95 GBP - Sold by Musicroom UK
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Grossman: World Of Celtic Fingerstyle Guitar: Guitar: Instrumental Album
Guitar
[Sheet music + DVD]
-
Intermediate
Mel Bay
This collection of traditional music from Ireland and Scotland arranged for solo...
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This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman thisbook includes arrangements by Pierre Bensusan El McMeen Martin Simpson Pat Kirtley Duck Baker Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle pipes button accordion flutes and whistles in solo and ensemble settings but never guitar even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve theunique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droninginstruments á la the bagpipes and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand there are guitar tunings which lend themselves easily to the melodic steps and fullness found in thediatonic Celtic harp such as DGDGBD (open G tuning) and the CGDGAD.
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Easy Concert Pieces Band 1: Guitar: Instrumental Album
Guitar
[Sheet music + CD]
Schott
For use in lessons or for your first concert performances - Easy Concert Pieces ...
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For use in lessons or for your first concert performances - Easy Concert Pieces for Guitar contains easy and well-known solo pieces carefully selected according to technical and musical demands: Volume 1 EasyBesides original guitar pieces by Aguado Mertz Diabelli Carulli Sor or Carcassi there are readily playable arrangements of classical masterpieces such as Vivaldi's Four Seasons Handel's Firework Music Mozart's Magic Flute or Verdi's Chorus of the Hebrew Slaves. These arrangements are designed to give access to masterpieces of the concert repertoire and to promote enjoyment of classicalmusic. All the pieces are included on the accompanying CD.
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Classical Guitar Tunes - Songs of Faith (MIDDLETON OWEN)
Guitar
[Sheet music + Audio access]
Mel Bay
Par MIDDLETON OWEN. Composer/arranger Owen Middleton delivers the goods in these...
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Par MIDDLETON OWEN. Composer/arranger Owen Middleton delivers the goods in these intermediate-level, idiomatic arrangements of 21 traditional hymns and patriotic songs for solo classic guitar. The book includes optional parts for cello and flute in supporting and lead roles. Written in standard notation only, a few tunes feature altered tunings. Light left-hand fingering is provided for the more challenging passages as well as access to online audio for each piece.Middleton?s years of experience as a choral singer and composer for the guitar and piano shine through in these tasteful settings; his awareness of voice-leading concepts, inner parts, and basslines often gives these time-honored melodies a modern twist. / Date parution : 2022-07-20/ Recueil / Guitare
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Easy Concert Pieces
Guitar
Classical guitar
[Sheet music + CD]
Schott
Whether for lessons or the first little concerts - 'Easy Concert Pieces' for gui...
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Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music. All pieces are recorded on the accompanying CD. / Guitare
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Easy Concert Pieces Vol. 1
Guitar
[Sheet music + Audio access]
-
Easy
Schott
Par . For use in lessons or for your first concert performances - Easy Concert P...
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Par . For use in lessons or for your first concert performances - Easy Concert Pieces for Guitar contains easy and well known solo pieces carefully selected according to technical and musical demands: Volume 1 Easy, Volume 2 Intermediate. Besides original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi there are readily playable arrangements of classical masterpieces such as Vivaldi\'s \'Four Seasons\', Handel\'s \'Firework Music\', Mozart\'s \'Magic Flute\' or Verdi\'s \'Chorus of the Hebrew Slaves\'. These arrangements are designed to give access to masterpieces of the concert repertoire and to promote enjoyment of classical music. With recordings of all pieces for download. / Date parution : 2022-10-12/ Recueil / Guitare
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100 Ultimate Smooth Jazz Riffs for Guitar (GORDON ANDREW D)
Guitar
[Sheet music + Audio access]
ADG productions
Par GORDON ANDREW D.. With the continued worldwide success of the book series Ul...
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Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and R
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André Jolivet: Chant de Linos: Vocal: Score and Parts
Guitar
[Sheet music]
Leduc, Alphonse
André Jolivet (1905-1974) composed Chant de Linos for the Solo de Concours at t...
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André Jolivet (1905-1974) composed Chant de Linos for the Solo de Concours at the Paris Conservatoire in 1944. Written for Flute Harp and String Trio this version contains the full score. This piece is quite difficult to execute but will stand out in a competition or a recital. Inspired from what is called a Chant de Linos a threnody (or lament to the dead) in the Greek antiquity this piece is also about Linos son of Apollo. A brilliant musician Linos taught Orpheus the Lyre and got killed by Heracles for excessive criticism. André Jolivet is a French composer whowas greatly inspired by the Antiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.
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Astor Piazzolla: Histoire Du Tango and Other Latin Classics: Guitar and Accomp.:
Guitar
[Sheet music + Audio access]
Music Minus One
for Guitar
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100 Basic Repertoires Band 2
Guitare
Zen-on
/ Guitare
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