Par CALMES KEITH. Une merveilleuse collection de simples accords classiques de certains des plus aimés favoris Evangile conçus pour le guitariste classique intermédiaire. Comprend des chansons bien-aimé comme The Old accidenté Cross, Rock of Ages, si vous sont lavés dans le sang ? et beaucoup plus. L'inclusion des symboles de la corde et l'utilisation de la bonne gamme vocale pour la mélodie en font une excellente source pour un petit ensemble ou un soliste. / Niveau : Intermédiaire / Gospel-Old Time - Solos / Recueil / Guitare Classique

Stefan Grossman's Guitar Workshop-Many southern blues musicians performed and recorded gospel songs; spirituals or church songs as they were called. Some like Blind Willie Johnson and Edward W. Clayborn strictly adhered to a religious message earning them the handle 'guitar evangelists' while others like Fred McDowell and Charlie Patton blurred the socially imposed lines and mingled gospel with the blues.In this anthology of Bottleneck Gospel Guitar Tom Feldmann highlights the fervent and aggressive slide playing of Fred McDowell Robert Wilkins Muddy Waters Bukka White Blind Willie Johnson Edward W. Clayborn and Charlie Patton. Each player offers a distinct style and Tom breaks down theirtechniques allowing you to imitate the masters as well as build a repertoire of classic bottleneck gospel blues.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original old recordings of all the tunes are included.Titles include: OPEN D TUNING: FRED McDOWELL Jesus Is On The Mainline ? ROBERT WILKINS Wished I Was In Heaven ? MUDDY WATERS Why Don't You Live So God Can Use You ? BUKKA WHITE I Am In The Heavenly Way ? BLIND WILLIE JOHNSON It's Nobody's Fault But Mine ? BLIND WILLIE McTELL I Got To Cross That River of JordanOPEN G TUNING: EDWARD W. CLAYBORN Gospel Train Is Coming and There'll Be Glory ? CHARLIE PATTON Lord I'm Discouraged and I'm Going Home

My First Gospel Guitar Picking Songs is an ideal book for beginners interested in learning country-style guitar and basic reading skills. Author Steve Kaufman uses his award-winning method to teach principles of flatpicking basicchord fingerings and notation within the context of classic country songs. This book emphasizes the versatility of the gospel guitarist as a lead instrumentalist and rhythm accompanist from lyrical melodies to swinging strummingtechniques. The book comes with accompanying audio.

Par BAY WILLIAM. A collection of all time Gospel favorites scored for guitar melody. Chords, tablature and lyrics are included along with a companion CD. A Glorious Church - All the Way My Savior Leads Me - Angel Band - Blessed Assurance - Blessed Quietness - Death as No Terrors - Drifting too Far from the Shore - Every Bridge is Burned Behind Me - Every Day and Every Hour - Glory to His Name - Hallelujah, We Shall Rise - He Abides and many more. / Niveau : Débutant à Intermédiaire / Gospel-Old Time - Solos / Recueil / Guitare

Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River? · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

Par GROSSMAN STEFAN. In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The online audio recordings teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as 'Holy Blues.' Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world. Includes access to online audio. / Niveau : Intermédiaire / Tablatures / Guitare

Par ANDREWS DREW. Dernière série de Mel Bay, revues de guitare, est le guide de référence ultime des études et des solos dans plusieurs genres différents. Sont inclus dans ce journal fingerstyle merveilleux une myriade d'airs dans de nombreux styles : facile, Blues, Gospel, Classic, Fiddle Tunes, Thumbpicking, patriotique, ballades, Jazz au début, Latin, celtique, DADGAD, Ragtime et contemporain. Parfait pour l'étudiant de musicien professionnel, ce merveilleux livre contient des airs qui peuvent être réexaminées tous les jours. Toute la musique en notation et tablature. Couverture rigide, couvert de reliure spirale et papier stock premium en font un volume si joliment imprimés et lié et contenant beaucoup d'informations précieuses que vous chériront pour les années à venir ! -Guide ultime de fingerstyle tunes parfait pour un usage quotidien - facile, blues, gospel, classique, violon, thumbpicking, patriotique, ballades, jazz au début, latine, celtique, Ragtime, DADGAD et styles contemporains tout en vedette - Excellent musicien professionnel - belle couverture rigide avec l'étudiant... / Niveau : Intermédiaire / All Styles - Solos / Recueil / Guitare

The best way to learn a musical instrument is to play it as much as possible and the most enjoyable way is with other musicians in a band setting. Trading songs interacting with other instrumentalists and building anensemble sound help you learn much faster than approaching a new instrument on your own.Parking Lot Picker's Play-Along: Guitar promotes a fun way of learning by providing you with a band to play alongwith. You can practice chords and rhythm singing and lyrics melodies solos licks and back-up playing along with a real band.The accompanying audio includes Dix Bruce on the Guitar Mandolin and Vocals Bill Evans on theBanjo and Vocals Julie Cline on Vocals and Cindy Browne on the String Bass.The songs are recorded just as they would be played at a jam session or performance with introductions (kickoffs) vocals and solos. By playing(back-up/melody) and singing along you will have a lot of fun while you learn.Open solo spaces in the recordings allow you to play the chords and solos from the book create your own improvised solos or sing the lyricswhile the band provides accompaniment.The book includes fifteen of the most popular Bluegrass Old-Time and Gospel songs recorded at slow and regular tempos in the audio. No matter what your ability level is on the Guitar you can enjoy playing along with the band.

You can get ringing notes rich tones and textures simply by retuning your guitar to an open chord. On this easy exploration for novice players Mary Flower teaches some tunings that will help you play beautiful sounding songs and instrumentals almost immediately. An expert player and an experienced instructor Mary helps you work out well-known songs or instrumentals for each tuning. She starts with a simple one - dropping the bass E string to D - and teaches a basic but lovely fingerpicking version of the folk hymn I'll Fly Away. You'll then learn how to get into open G G6 D and D minor tunings. Along the way Mary shows how to embellish your guitar workusing various chord positions scales harmony lines hammer-ons pull-offs and other essential techniques. Songs include the traditional instrumental Spanish Fandango; the powerful folk tune John Henry; a 'carnivalesque' tribute to Bo Carter; and gospel/spiritual songs Amazing Grace I Shall Not Be Moved Do Lord and Jesus is on the Main Line.

For Guitar-Andrew D. Gordon has created 30 12 bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create yourown improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the blues.

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopaedic memory driving passion deep faith araunchy and gracious sense of humour. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this book and accompanyingaudio Ernie Hawkins has transcribed 9 of Rev. Davis' best known rags minstrel shows tunes and novelty instrumentals. These are challenging and very rewarding to master. Included are: Buck Dance Devil's Dream Sally Where'd You Get Your Liquor From Fast Foxtrot St. Louis Tickle Darktown Strutter's Ball and his tour de forces Twelve Sticks and SoldiersMarch. The unique bottleneck/slide tune Whistlin' Blues is also presented played in an open D6 tuning.The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to