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HARMONICA
Marching band
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Clavecin (94)
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Choral CD (92)
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4 Cellos (46)
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2 Trompettes Sib 1 Cor en Fa 1… (44)
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Xylophone or Marimba or Vibrap… (43)
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Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
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Viola, Cello (duet) (38)
Lyrics only (37)
Lecture Chantée/Formation de … (37)
Woodwind Quartet: any 4 woodwi… (37)
Flute, Violin, Keyboard (basso… (37)
Soprano Saxophone and Piano (37)
Choeur SATTB et Basse Continue… (37)
Saxhorn and Piano (37)
Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
Flûte Traversière et Quatuor… (36)
Petit Ensemble Contemporain (36)
Lute (36)
String Trio: 3 violins (36)
Medium Voice (36)
Voix et Instruments Divers (35)
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Quatuor A Cordes Et Orchestre … (35)
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Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
Solistes SATB, Choeur SATB, Ha… (33)
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Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
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Piano Trio: Violin, Viola, Pia… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
Trio A Cordes (32)
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Choeur de Femmes (32)
DVD Opera and Ballets (32)
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Orchestre Scolaire (29)
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Bugle (29)
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Duos (29)
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Book (29)
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2 Clarinettes, 2 Violons, Orgu… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversière Violon et … (28)
Flûte à Bec Alto et Basse Co… (28)
2 Flûtes Traversières et Vio… (28)
Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
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Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Clarinette, 2 Violons, Alto et… (26)
Ensemble Instrumental Et Petit… (26)
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Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
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Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
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Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
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Baritone Horn and Piano (22)
Flute and Strings Trio (22)
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Voice, Clarinet, Piano (21)
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Violon, Ensembles de Cordes et… (21)
Sextuor (21)
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Clavecin Et Instruments A Cord… (21)
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inSpire Editions: Wonders of Nature: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Beriato Music
Cette ?uvre fut commandée par la Fanfare Sint-Willibrordus Wintelre des Pays-Ba...
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Cette ?uvre fut commandée par la Fanfare Sint-Willibrordus Wintelre des Pays-Bas et décrit la puissance et les merveilles de la nature en quatre mouvements atmosphériques : Birth Battle Silence et Water. Wonders of Nature fut composé comme bande sonore pour un film sur la nature mais séduira les interprétateurs et leur public même sans ces images. Elle stimulera leur fantaisie et leur imagination alors qu?ils essaieront de visualiser l?imagerie qui inspira la musique.
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O Christmas Tree: Fanfare Band: Score
Marching band
Gobelin Music Publications
The tradition of the Christmas tree in Western Europe dates back to a time long ...
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The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to ?kill? nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These ?living? trees said to be the work of benign spirits were brought into people?s houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ?s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ?O Tannenbaum? the melody being a well-known folk song. Next to ?Stille Nacht? ?O Tannenbaum? is the most famous German Christmas song now known throughout the world. In the United States of America the melody of ?O Tannenbaum? has even been used in four States (among which the State of Maryland) for their State song. In David Well?s arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
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O Christmas Tree: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
The tradition of the Christmas tree in Western Europe dates back to a time long ...
(+)
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to ?kill? nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These ?living? trees said to be the work of benign spirits were brought into people?s houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ?s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ?O Tannenbaum? the melody being a well-known folk song. Next to ?Stille Nacht? ?O Tannenbaum? is the most famous German Christmas song now known throughout the world. In the United States of America the melody of ?O Tannenbaum? has even been used in four States (among which the State of Maryland) for their State song. In David Well?s arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
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Hans Aerts: Three Evocations: Fanfare Band: Score
Marching band
Beriato Music
Ces trois évocations ont un point commun elles réunissent le même matériau ...
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Ces trois évocations ont un point commun elles réunissent le même matériau thématique. Chaque mouvement de la suite est écrit dans un style différent pour permettre à vos musiciens d?illustrer toutes les facettes de leur art. Three Evocations s?adresse à la fois aux formations complètes et/ou incomplètes (voix dédoublées).
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Hans Aerts: Three Evocations: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Beriato Music
Ces trois évocations ont un point commun elles réunissent le même matériau ...
(+)
Ces trois évocations ont un point commun elles réunissent le même matériau thématique. Chaque mouvement de la suite est écrit dans un style différent pour permettre à vos musiciens d?illustrer toutes les facettes de leur art. Three Evocations s?adresse à la fois aux formations complètes et/ou incomplètes (voix dédoublées).
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Willy Fransen: Karachi Boulevard: Fanfare Band: Score
Marching band
Beriato Music
Karachi Boulevard est une oeuvre inspirée de la ville pakistanaise de Karachi. ...
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Karachi Boulevard est une oeuvre inspirée de la ville pakistanaise de Karachi. Elle a été composée suivant le principe des variations autour d?un thème.Le thème principal se compose d?une série de notes donnant d?emblée une touche orientale à l'?oeuvre. Le thème se décline au travers de brèves parties qui s?enchaînent de manière pratiquement imperceptible. La présentation compacte du matériel thématique est suivie d?un allegro rythmé sur une mesure 7/8 interprété par le piccolo. Vient ensuite une cadence à la clarinette avec accompagnement vocal par quelques 'natifs' de Karachi. Un andante impressionniste d?ambiance vient alors rompre l?agitation un solo à la flûteconférant un caractère nouveau au thème. Cette variation est suivie d?une danse populaire entraînante sur une mesure 3/4 pour déboucher à nouveau sur un vaste grandioso où le thème réapparaît dans toute sa simplicité cette fois accompagné d?ornements rythmiques au hautbois.Le plus frappant dans cette oeuvre est que malgré les nombreuses variations les différentes parties s?enchaînent de manière logique pour un résultat puissant et hautement musical.
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Willy Fransen: Karachi Boulevard: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Beriato Music
Karachi Boulevard est une oeuvre inspirée de la ville pakistanaise de Karachi. ...
(+)
Karachi Boulevard est une oeuvre inspirée de la ville pakistanaise de Karachi. Elle a été composée suivant le principe des variations autour d?un thème.Le thème principal se compose d?une série de notes donnant d?emblée une touche orientale à l'?oeuvre. Le thème se décline au travers de brèves parties qui s?enchaînent de manière pratiquement imperceptible. La présentation compacte du matériel thématique est suivie d?un allegro rythmé sur une mesure 7/8 interprété par le piccolo. Vient ensuite une cadence à la clarinette avec accompagnement vocal par quelques 'natifs' de Karachi. Un andante impressionniste d?ambiance vient alors rompre l?agitation un solo à la flûteconférant un caractère nouveau au thème. Cette variation est suivie d?une danse populaire entraînante sur une mesure 3/4 pour déboucher à nouveau sur un vaste grandioso où le thème réapparaît dans toute sa simplicité cette fois accompagné d?ornements rythmiques au hautbois.Le plus frappant dans cette oeuvre est que malgré les nombreuses variations les différentes parties s?enchaînent de manière logique pour un résultat puissant et hautement musical.
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Jan Van der Roost: Amazonia: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
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This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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Jan Van der Roost: Amazonia: Fanfare Band: Score
Marching band
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
(+)
This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score
Marching band
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
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The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
(+)
The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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Timothy Travis: Jamaica: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Jamaica is an island in the Caribbean. In 1494 it was discovered by Christophe...
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Jamaica is an island in the Caribbean. In 1494 it was discovered by Christopher Columbus who used it as private property until 1509. After some skirmishes it fell under British rule and the sugar trade on the island flourished. After the abolition of slavery in 1834 it was only granted Home Rule in 1944 but it remained a member of the British Commonwealth of Nations. Whereas the export of cane sugar used to be Jamaica’s main export product for many years nowadays music has taken over this role. At first American music used to be very popular on the island. Later however Jamaican musicians started to experiment and thus in the end created their ownmusical style called Reggae. Well-known Reggae musicians are Bob Marley and Peter Tosh. The most important instruments used in Reggae are the bass and the drums. Together they form the base for the style: the riddim. A bass drum accent on the second and fourth beat are characteristic of a typically reggae drum beat. To this syncopic patterns are often added. The rhythm guitarist plays chords in a characteristic Reggae rhythm not on but between the beats.
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Timothy Travis: Jamaica: Fanfare Band: Score
Marching band
Gobelin Music Publications
Jamaica is an island in the Caribbean. In 1494 it was discovered by Christophe...
(+)
Jamaica is an island in the Caribbean. In 1494 it was discovered by Christopher Columbus who used it as private property until 1509. After some skirmishes it fell under British rule and the sugar trade on the island flourished. After the abolition of slavery in 1834 it was only granted Home Rule in 1944 but it remained a member of the British Commonwealth of Nations. Whereas the export of cane sugar used to be Jamaica’s main export product for many years nowadays music has taken over this role. At first American music used to be very popular on the island. Later however Jamaican musicians started to experiment and thus in the end created their ownmusical style called Reggae. Well-known Reggae musicians are Bob Marley and Peter Tosh. The most important instruments used in Reggae are the bass and the drums. Together they form the base for the style: the riddim. A bass drum accent on the second and fourth beat are characteristic of a typically reggae drum beat. To this syncopic patterns are often added. The rhythm guitarist plays chords in a characteristic Reggae rhythm not on but between the beats.
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John Emerson Blackstone: Gate 11: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
‘Music’ by John Miles was one of Blackstone’s favourite numb...
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‘Music’ by John Miles was one of Blackstone’s favourite numbers. With completely different notes but holding on to the same form and atmosphere the latter has tried to write an attractive composition for both young and old.Gate 11 refers to the ever agitated and noisy scenes at an airport especially during check-in. Yet there are also passengers who wait patiently letting their thoughts range at will looking forward to meeting a loved one at the end of their journey.
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Bert Appermont: Catedrales: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...
(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
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Bert Appermont: Catedrales: Fanfare Band: Score
Marching band
Beriato Music
Cathedrals have always appealed to the imagination. Hundreds of years of manpow...
(+)
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work ?Catedrals? opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme ?Salve Regina? which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
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