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HARMONICA
Orchestra, Violin
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Philip Glass: Violin Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who prese...
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This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who presented the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo) two oboes E-flat clarinet two clarinetsand bass clarinet two bassoons four horns three trumpets three trombones tuba timpani percussion (snare drum bass drum triangle cymbal woodblock) harp and strings.Presented here in full score.
54.99 GBP - Sold by Musicroom UK
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Joachim Joseph - Fantasy On Hungarian Themes (1850) / Fantasy On Irish (scottish) Themes (1852) - Vi
Orchestra, Violin
Barenreiter
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] ...
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Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim?s ?Fantasies on Hungarian and Irish [Scottish] Themes? was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the ?Fantasy on Hungarian Themes? in German cities met his need for self-display as the ?Hungarian lad?, to use Mendelssohn?s jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.
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Theme And Variation On Volver
Orchestra, Violin
Advance Music
Volver was originally composed by the man whose name is more closely associated ...
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Volver was originally composed by the man whose name is more closely associated than any other with the tango genre, singer/composer Carlos Gardel (1887/1890 - 1935). His birthplace and birthdate are both uncertain and are fiercely debated between France and Uruguay, but he grew up in the Abasto section of Buenos Aires and subsequently became an Argentine citizen. He introduced tangos into his repertoire in 1917, and during his career he composed some of the best-loved of them such as Soledad, Por Una Cabeza, El Dia Que Me Quieras, and, of course, Volver. As a singer he interpreted and recorded literally hundreds of tangos, and he enjoyed enormous world-wide popularity. Gardel died tragically in an airplane accident in Medellín, Colombia, in 1935, a death that plunged all of Latin America into deep mourning. The present author has attempted to modernize Volver by giving it a kind of Afro-Cuban rhythmic structure in its 6/8 time scheme, and he has provided a significant technical and musical challenge to the soloist. / Violon Et Orchestre A Cordes
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Jonathan Harvey: Scena: Orchestra
Orchestra, Violin
Faber Music Limited
Scena is a quasi-operatic scene either for singer and ensemble or for a singer-l...
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Scena is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case of the latter the solo Violin proceeds through several dramatic events roughly signaled in the score as Lament Mystical Event (the arrival of woodwind) Romantic Event Dream (slow tremolando swells) and Metamorphosis (which takes and transforms a melody).
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Peter Maxwell Davies: A Spell For Green Corn - The MacDonald Dances: Violin:
Orchestra, Violin
[Sheet music]
Chester
A work for solo violin and orchestra commissioned by Donald McDonald for the 21...
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A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.'Davies's dancing concerto imagines the fiddler following a route from field to field from dance to dance accompanied by a bunch of companions in the form of an orchestra. As the music goes on so it gets brighter and livelier moving from the dark colouring of clarinets bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion as if the dancers as much as the fields were beginning to glow with new life.Score(miniature). Duration c. 20mins.
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Haflidi Hallgrímsson: Poemi For Violin And String Orchestra (Full Score):
Orchestra, Violin
[Sheet music]
Chester
Poemi is based on three allegorical paintings by Marc Chagall each of which is ...
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Poemi is based on three allegorical paintings by Marc Chagall each of which is a masterly depiction of a well-known text the Old Testament: The Dream of Jacob The Sacrifice of Isaac and Jacob in Combat with the Angel. Hallgrimsson's intention in writing the work was to compose a virtuoso piece for violin and string orchestra which would recreate in music the poetic essence of Chagall’s paintings.The soloist is at the centre of the ‘musicalstage’ throughout with the orchestra providing a constantly changing ‘scenery’. The music progresses from the tranquillity of the Dream in the first movement through the drama of the Sacrifice in the second to the fast andtense Combat with the Angel which forms the final movement.'Poemi' was awarded the Nordic Council Prize in March 1986.
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Anders Hillborg: Violin Concerto No.1: Orchestra: Score
Orchestra, Violin
Faber Music Limited
Full Score-Hillborg’s first Violin Concerto composed in the early 90s i...
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Full Score-Hillborg’s first Violin Concerto composed in the early 90s is a pivotal work in his oeuvre. Composed in the wake of his highly experimental Clang & Fury and Celestial Mechanics both of which employ complex and unconventional tuning systems the concerto displays a more pragmatic approach though the drama it sets up is far from conventional with a very fluid soloist-orchestra relationship. Esteemed conductor and composer Esa-Pekka Salonen who has recorded the concerto in 2002 has described it as one Hillborg’s best pieces.
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Deutsche Gesangstraktate Des 17. Jahrhunderts
Orchestra, Violin
[Sheet music]
Barenreiter
Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et O...
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Daniel Friderici, Johann Andreas Herbst, Johann Crüger. / Recueil / Violon et Orchestre
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Camille Saint-saens Danse Macabre And Havanise Orch - Violin
Orchestra, Violin
[Sheet music]
Kevin Mayhew
Description Two of Saint-Saens most popular works appear together in this aff...
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Description Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volume contains the full score for violin and orchestra of both these magnificent pieces.
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Oliver Knussen: Violin Concerto: Orchestra: Study Score
Orchestra, Violin
Faber Music Limited
The study score for Knussen's Violin Concerto Op.30 composed in 2002 by commiss...
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The study score for Knussen's Violin Concerto Op.30 composed in 2002 by commission from the Pittsburgh Symphony Orchestra. The piece was first performed by Pinchas Zukerman with the Pittsburgh Symphony Orchestra at Heinz Hall Pittsburgh in April 2002.
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Peter Maxwell Davies: Concerto For Violin And Orchestra: Violin: Miniature Score
Orchestra, Violin
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...
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This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.
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Ludwig van Beethoven: Romances In F And G For Violin And Orchestra: Violin:
Orchestra, Violin
Barenreiter
Beethoven's 'Romances' are performed all over the world yet how many conductors...
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Beethoven's 'Romances' are performed all over the world yet how many conductors performers and listeners are aware that op. 50 which was incidentally composed before op. 40 comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer.Bärenreiter?s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven?s autograph with editorial markings clearly indicated the second score has beenedited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.In addition to the Urtext solo part a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction.- Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing- The score to op. 50 available in two versions- Detailed critical commentary (Eng)Barenreiter no. BA9026A
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Konzert Für Violine Und Orchester (Erste Fassung 1844 Und Zweite Fassung 1845)
Orchestra, Violin
[Sheet music]
Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partiti...
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Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre Konzert für Violine und Orchester (erste Fassung 1844 und zweite Fassung 1845) et pour compositeur Mendelssohn Bartholdy Felix. / Violon Et Orchestre / Partition
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Francisco Coll: Four Iberian Miniatures: Orchestra: Instrumental Work
Orchestra, Violin
Faber Music Limited
Full score-Francisco Coll’s Four Iberian Miniatures glitter with sharp An...
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Full score-Francisco Coll’s Four Iberian Miniatures glitter with sharp Andalusian light.Premiered by Pekka Kuusisto and the Britten Sinfonia under Coll’s mentor Thomas Adès this dazzling 12-minute work sees the flamboyant soloist dancing through lucid textures which filter flamenco through Coll’s own fractured and surreal musical voice.
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
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E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Per Nørgård: Helle Nacht - Violin Concerto No. 1: Violin: Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 19...
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Per Nørgård's Helle Nacht (Light Night) - Violin Concerto No. 1 dating from 1986-87. Programme note: This is my third work for solo string instrument and orchestra the other two being 'Between' for cello and 'Remembering Child' for viola. The title 'Light Night' refers to the caracteristics of each of the four movements. The 'light' translucent quality of the melody sound and rhythm woven into a fine filigree; the Night revealed in the multi-layered possibilities of interpretation like/constantly/changing the aspect of a turning prism with each performing appearing differntly to the listeners. Ofcourse this is more or less the case with every musical work but in HELLE NACHT the ambiguity is made innermost principle. The first and last movements form a symphonic frame for the inner two more static interludes though even in these light is constantly breaking through. I wrote the concerto during 1986-87 at the request of Anton Kontra. Per Nørgård
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Ludwig van Beethoven: Concerto For Violin In D Op.61: Mixed Ensemble: Study
Orchestra, Violin
Barenreiter
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in...
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Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions none of which have up to now done justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven?s solo and tutti markings has also been clarified for the first time. Following the publication of the full score Piano reduction and orchestral parts (BA 9019) in the autumn of 2009 Bärenreiter is now publishing a study score of this pioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history of this concerto is included for the first time. Del Mar?s edition clarifies Beethoven?s solo and tutti markings for the first time.
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Wolfgang Amadeus Mozart: The Mozart Violin Concerti: Facsimile
Orchestra, Violin
Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...
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A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
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