| Music from the Star Wars Saga Orchestra [Score] Hal Leonard
(Deluxe Score). By John Williams. For Full Orchestra. John Williams Signature Ed...(+)
(Deluxe Score). By John Williams. For Full Orchestra. John Williams Signature Edition Orchestra. 110 pages. Published by Hal Leonard
$95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music from the Star Wars Saga Orchestra [Score and Parts] Hal Leonard
(Score and Parts). By John Williams. For Full Orchestra. John Williams Signature...(+)
(Score and Parts). By John Williams. For Full Orchestra. John Williams Signature Orchestra. Published by Hal Leonard
$995.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasy on a Theme of John Field Orchestra Faber Music Limited
By Malcolm Arnold (1921-2006). Orchestra. Full Orchestra; Masterworks. Faber Edi...(+)
By Malcolm Arnold (1921-2006). Orchestra. Full Orchestra; Masterworks. Faber Edition. Form: Fantasia. 20th Century; Masterwork. Published by Faber Music
$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite from Jane Eyre Orchestra [Score] Hal Leonard
(Deluxe Score). By John Williams. For Full Orchestra. John Williams Signature Or...(+)
(Deluxe Score). By John Williams. For Full Orchestra. John Williams Signature Orchestra. Published by Hal Leonard
$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suite from Jane Eyre Orchestra [Score and Parts] Hal Leonard
(Score and Parts). Composed by John Williams. For Full Orchestra. John Williams ...(+)
(Score and Parts). Composed by John Williams. For Full Orchestra. John Williams Signature Edition Orchestra. Published by Hal Leonard
$755.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Silent Cities Orchestra Schott
Study Score Orchestra SKU: HL.49003318 Orchestra Study Score. Comp...(+)
Study Score Orchestra SKU: HL.49003318 Orchestra Study Score. Composed by Mark-Anthony Turnage. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1998. 86 pages. Duration 20'. Schott Music #ED 12678. Published by Schott Music (HL.49003318). ISBN 9790220119774. UPC: 073999780741. 8.25x11.75x0.277 inches. The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Anthony Turnage). 'The grim frenzy, the waste and the futility of war are all embedded in Silent Cities.' (The Times). $62.00 - See more - Buy online | | |
| Midnight Christmas Eve Orchestra - Easy Alfred Publishing
Orchestra - Grade 3 SKU: AP.48062 As Performed by Trans-Siberian Orche...(+)
Orchestra - Grade 3 SKU: AP.48062 As Performed by Trans-Siberian Orchestra. Composed by John Olivia and Paul O'neill. Arranged by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Christmas; Rock; Winter. Score and Part(s). 140 pages. Duration 4:05. Alfred Music #00-48062. Published by Alfred Music (AP.48062). UPC: 038081556826. English. Imagine the quiet, the anticipation, the tree, and all the lights as Christmas Eve becomes Christmas, and you will have the feel of this beautiful rock ballad, Midnight Christmas Eve. As seen in the Trans-Siberian Orchestra stage show The Christmas Attic, this lyric piece, arranged by Bob Phillips, will add depth to any holiday or winter concert. Though an easy piece for high school orchestras, the optional electric violin and guitar parts provide the perfect chance to feature an electric instrument and a more advanced player. If you haven't seen TSO, check it out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects.
Listen to the original recordings of TSO to decide which distortion effects to use with the electric violin or electric guitar. This is a great listening exercise for the kids. (4:05) This title is available in MakeMusic Cloud. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Midnight Christmas Eve Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 3 SKU: AP.48062S As Performed by Trans-Siberian Orch...(+)
Orchestra - Grade 3 SKU: AP.48062S As Performed by Trans-Siberian Orchestra. Composed by John Olivia and Paul O'neill. Arranged by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Christmas; Rock; Winter. Score. 24 pages. Duration 4:05. Alfred Music #00-48062S. Published by Alfred Music (AP.48062S). UPC: 038081556833. English. Imagine the quiet, the anticipation, the tree, and all the lights as Christmas Eve becomes Christmas, and you will have the feel of this beautiful rock ballad, Midnight Christmas Eve. As seen in the Trans-Siberian Orchestra stage show The Christmas Attic, this lyric piece, arranged by Bob Phillips, will add depth to any holiday or winter concert. Though an easy piece for high school orchestras, the optional electric violin and guitar parts provide the perfect chance to feature an electric instrument and a more advanced player. If you haven't seen TSO, check it out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects.
Listen to the original recordings of TSO to decide which distortion effects to use with the electric violin or electric guitar. This is a great listening exercise for the kids. (4:05) This title available in MakeMusic Cloud. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moeran Serenade In G For Orchestra (Study Score) Orchestra Music Sales
Orchestra SKU: HL.14029705 Composed by Ernest John Moeran. Music Sales Am...(+)
Orchestra SKU: HL.14029705 Composed by Ernest John Moeran. Music Sales America. Classical. Studyscore. Music Sales #NOV890045. Published by Music Sales (HL.14029705). ISBN 9780853605263. 8.25x11.75 inches. Considered as a whole, Moeran's music has a strong individuality and a very personal flavour. The recipe is the composer's own, and there is none other like it. Yet, though he has amply covered the field of orchestral music, chamber music, concertos, and smaller vocal works, one would not describe Moeran's as a varied talent. He keeps to his centre, which is a purely musical one. $43.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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