(A Tribute to The Beatles )-Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving All YouNeed Is Love Blackbird Can't Buy Me Love Come Together Day Tripper Here Comes The Sun If I Fell Lady Madonna Let It Be Ob-La-Di Ob-La-Da Something and Yesterday.

Love from a Stranger was a 'thriller' starring Ann Harding and Basil Rathbone based on an Agatha Christie short story Philomel Cottage. As well as Britten's score the film also included excerpts from Grieg'sPeer Gynt music and a contemporary dance band. Not all of the present score was used - No. 3 Brighton was omitted and cuts were made in nos. 5 and 6. In the latter a savage cut deleted the references to themusic of the other numbers in bars 13-20 including the trombone's scale which alludes to a scene in which a child practices the piano unseen. Britten was not happy with the way his music was used and this was to remain hisonly work for the commercial cinema composed in 1936.

Sea Of Love-Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste and George Khoury. Arranged by Rene Mense for the following instruments:Cast - Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

Words based on 1 Corinthians 13Here is the international sensation that has become a standard in Korea and throughout Europe. James Stevens and Joseph Martin's confident affirmation of love has become an evergreen forAsian weddings and now it is available to choirs everywhere. Beautifully delivering the words of Paul this piece will soon be a standard for your group as well. The absolutely stunning melody is orchestrated by Brant Adams and isavailable in two versions on the accompaniment track to capture the exact vernacular of your worship style.

The familiar and well-loved words of Robert Burn's poem “My Love Is Like a Red Red Rose ” are set to the Irish folk song “The Salley Gardens ” creating this lovely and moving choral work by Joseph Martin.The orchestration lifts this choral to new heights and allows the singer to fully understand the depth of the poem and appreciate a melody often lost in familiarity. Truly breathtaking!

Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.

From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented.Using new music and beloved hymnody Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering forHoly Week. Highly recommended!Includes: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.

Master arranger Bob Krogstad has crafted a brilliant showcase of some of Broadway's most beloved songs. Orchestras everywhere will love his creative treatments as he takes us on a musical journey through stage history spotlighting many of the enduring songs of our time. Includes: There's No Business like Show Business Phantom of the Opera One Don't Rain on My Parade If He Walked into My Life and Everything's Coming Up Roses.

This is the original orchestral version of Vaughan Williams´ famous fantasia which first appeared in his opera 'Sir John in Love'. Apart from the main folk-tune 'Greensleeves' the centre section uses another folk-tune entitled 'Lovely Joan'. This version adapted and arranged by Ralph Greaves has been popular in the concert hall and in recordings since it first appeared.Now out of print in the Oxford University Press catalogue this work has been newly engraved and reissued in this Goodmusic edition but otherwise unaltered.

In a self-inflicted narcotic haze a lovesick musician is overcome by extraordinary bizarre visions of his beloved expressed in musical imagery. Berlioz drew upon his own obsessive infatuation with actress Harriet Smithson. This work appears in full score with original instrumentation and bar numbered movements.