For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Schonwandt Koncerthuset DR 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes 3rd doubling Piccolo3 Oboe 3rd doubling Cor Anglais3 Clarinets in Bb 3rd doubling Bass Clarinet In Bb3 Bassoons 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle Mark Tree Tubular Bells TamTam (Large) Glockenspiel Snare Drum Lion's Roar.2 - TamTam (Large) Chinese Cymbal Spring Coil (Mounted) TamTam (Large) Reco-Reco.3 - Bass Drum (Large) Antique Cymbals (full range) Spring Coil (mounted) TamTam (large) Cymbal (suspended) Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)

The first of Joaquin Rodrigo's attempts at composition for the concerto genre Concierto De Aranjuez quickly became the most popular and recognizable of his works. Written for Solo Guitar and Orchestra it reveals the composer's great affinity for those two mediums as well as his reverence for the long-standing traditions of Spanish Classical music. It was composed in 1939 after Rodrigo's return to Madrid from France (where he had fled to escape the Spanish Civil War) and premiered to great success in 1940.The Concierto De Aranjuez is notable for the way in which Rodrigo managed to wed unusual instrumentation of the relatively small voice ofthe solo guitar to that of the full orchestra. With a nod to Spanish folk music and straightforward lyrical disposition it is an extremely imaginative piece with meandering melody and distinctive colour throughout.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Par HILL WILLIE DR.. Jazz Improvvisation série pour la peur de la ' intrépide, ' approchant les normes est une approche novatrice et conviviale à l'improvisation jazz. Conçu pour l'individu ou gr oup, chaque livre et le long de jeu CD contient huit airs de jazz classiques. Tous les trois volumes fea groupe de jazz démo enregistrée par les meilleurs professionnels de l'informatique dans un concert de jazz typique setti ng, écrit clairement les exemples de l'improvisation, jazz vocabulaire, possibilités de transcription, insight compositeur et une discographie. Le livre de Rhythm Section et chef d'orchestre comprend ce qui précède, plus voicings et rythmes comping, basse et tambour des pièces avec les cadres de guitare et chef d'orchestre notes. / Méthode / Répertoire / Orchestre

Erstdruck. Par WERNER GREGOR JOSEPH. Die Sonatinen a tre und die Symphonia da chiesa sind nach Manuskripten aus dem Besitz der Budapester Nationalbibliothek Széchényi als Erstdrucke im Gemeinschaftsverlag Doblinger, Wien – München, und Editio Musica, Budapest, erschienen./ Répertoire / Orchestre

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook Music Festival Committee Oakland University Rochester Michigan. Dedicated to the Meadow Brook Festival the work was premiered on August 16 1966 by the Detroit Symphony Orchestra with Sixten Ehrling as Musical Director.'Through verse prose music dance - or whatever may be - drama is a performed event involving intense conflict of forces. Effect action artifice and contrasts are part of it. To give the feeling of drama a theatrical trend is not compulsary. Pure melorhythmic music (and its orchestral technique) may have the power to express dramaticemotions without yielding to human deeds or stage stituations'. - Carlos SurinachThe seven Melorhythmic Dramas: 1. Fervid 2. Festive 3. Poignant 4. Tragic 5.Voluptuous 6. Vehement 7. Mournful

Par TURNAGE MARK-ANTHONY. Détails de la formation instrumentale: 3(2a Flûte Traversière, pic).3 (ca).3 (2bcl).2s Saxophone (2barsax).2.cbn-4.4.3 (euph).1-5 Percussion (timp.,sn.dr. (with brushes), large b.d., large pedal b.d., large sus.cym., large w.bl., tamb., large ratch., large gng, large c.b., mar., vib., hand bells, tub.bell, boobams, cong., large metal bar)-pno (cel).hp-Strings (16.16.12.12.8) - Durée: 22' -/ Répertoire / Orchestre

Full Score-The first feature film collaboration between Peter Greenaway and Michael Nyman made in 1983 following a major series of short/independent films they made together - including The Falls and A Walk throughH. A draughtsman is commissioned by a landowner in the late 17th century to make 12 drawings of his property. Every note of the score was derived from the music of Purcell and was written for the Michael NymanBand. This concert suite which was made in 2001 and first performed in Hanover was specially revised for an all-Nyman concert given by the composer and the BBC Concert Orchestra at the Royal Festival Hall Londonin June 2003. Written for Orchestra and Harpsichord the suite lasts approximately 16 minutes.

Ouvertüre. Autograph: Biblioteka Jagiellonska Kraków-An enchanted night virtually fragrant dreams floating fairies – the sensory associations evoked and fashioned by the music of Mendelssohn’s overture “A Midsummer Night’s Dream” are almost inexhaustible.Written by the composer in 1826 in a carefree summer spent between the summerhouse and his siblings this is without doubt Mendelssohn’s most popular concert overture.The renowned musicologist Friedhelm Krummacher shows in the introduction how finely Mendelssohn interwove motifs and themes. He also looks into the origins of the work especially a conjectural firstsketch which is reproduced in facsimile in the appendix.To mark the 200th anniversary of Mendelssohn’s birth B?renreiter in cooperation with the Biblioteka Jagiellonska Krak?w published a high-quality facsimile designed for the bibliophile vividly bringing the composer’s delicate handwriting to life.

Per Orchestra - Partitura. Par GUARNIERI ADRIANO. / Musique contemporaine / Répertoire / Orchestre

Der Schatz Der Sierra Madre-A Media Luz by Edgardo Donato and Der Schatz Der Sierra Madre by Manuel Pinto arranged by Rene Mense for Salon Orchestra. Parts are included for the following instruments:C instrument (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text) Supplements: 3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Saxophone; Cello.

You'll thrill in the joyful sounds of Christmas with this colorful 6-minute suite of the beloved Alfred Burt Carols. Whether performed with piano alone or with the sparkling orchestration you'll create a holiday celebration towarm the heart and delight the senses! Songs include: We'll Dress the House The Star Carol This Is Christmas (Bright Bright the Holly Berries).

Hundrad HardingtonarSuite 2 Opus 151 No. 16 - 301958Edited by Per DrierOrchestration: 3(3pic).2+ca.2+bcl.2+cbn/4.3.3.1/timp.perc/hp/cel(pf)/strDuration 38 min.Parts are for hire: hire@ewh.dk

Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre