Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Par ROBERDAY FRANCOIS / FERRARD. French Baroque organist and composer, François Roberday (1624-1680) is best known today for his Fugues And Caprices collected and published in a superb volume by Le Pupitre. Roberday 's Fugues And Caprices are four-part contrapuntal Organ pieces. Each Fugue is paired with a Caprice on the same subject, and with an exciting 12 Fugues and Caprices included in the collection, Roberday 's compositions cannot be missed. Moreover, with a preface in English, French and German, Fugues And Caprices are essential to the repertoire of all Baroque organists./ Répertoire / Orgue

Par GLAZOUNOV ALEXANDER. Glazunov' s compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master, all of which bear the characteristic traits of the Russian symphonic style: epic breadth and monumentality as well as a close proximity to folk music, all combined with supreme contrapuntal skill. This Urtext edition contains not only the well-known Prelude and Fugue in D major op. 93 (1906), Prelude and Fugue in D minor op. 98 (1914) and Fantasy op. 110 (1935) but also the Prelude and Fugue in D minor op. 62 (1899), an expressive piano piece presented here in a revised transcription for symphonic organ by B. L. Sabaneyev (1909). - New Urtext edition of the complete organ works plus a historic transcription - Detailed Foreword (Russ/Ger/Eng) and a Critical Commentary (Eng)/ Répertoire / Orgue

21 Chorals du Dogme, Prélude et Fugue en Mib. Par BACH JOHANN SEBASTIAN / DUPRE. As one of the most famous contributors to classical music ever to have lived, Johann Sebastian Bach 's (1685-1750) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. When French organist, Marcel Dupre (1886-1971) compiled the series of Bach 's Complete Organ Works, it was well-received, and to this day remains popular with all organists. The eighth volume includes a favoured selection of Bach 's works, including 21 chorales, and his Prelude and Fugue in E flat. In addition, Dupre 's annotations in CompleteOrgan Works comprise fingerings, rules on technique and instructions on ornamentation, among other aspects. This compilation of J. S. Bach 's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument./ Répertoire / Orgue

A treasure house with organ pieces by female composers – new edition in the series 'Frauen komponieren'. Content: Elisabeth Stirling (1819-95), Movement - Elfrida Andrée (1841-1929), Andante and Larghetto - Cécile Chaminade (1857-1944), Marche funèbre - Ethel Smith (1858-1944), Prelude and Fugue on 'O Traurigkeit, o Herzeleid' - Nadia Boulanger (1887-1979), Prélude, Petit Canon and Improvisation - Elsa Barraine (1910-1999), Prélude et Fugue - Ruth Zechlin (geb. 1926), Laudate - Emma Lou Diemer (geb. 1927), Fiesta - Sieglinde Ahrens (geb. 1936), Invocation and many more. / Répertoire d'Examen / Recueil / Orgue

Syncretic Version. Par LISZT FRANZ. In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work./ Répertoire / Orgue

À Therése. Par VAUGHAN WILLIAMS RALPH. The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's alternation of chordal grandeur and rapid imitative sections recalls Bach's C minor Prelude and Fugue, while the rhythmically complicated Fugue displays great ingenuity in its counterpoint./ Répertoire / Orgue

 Cette oeuvre débute sur un Tutti énergique au rythme entraînant, utilisant de subtiles prolongations harmoniques,La Toccata se poursuit dans une tessiture claire jusqu'à un accord final abrupte qui amène directement la fugue,Celle-ci, à 4 voix, s'articule sur le thème exposé à la basse, d'un caractère lyrique, Le développement se poursuit, plus calme et méditatif, Après un crescendo où le sujet est traité en augmentation, la fugue s'achève sur un tutti puissant et majestueux, / Orgue

Par BACH JOHANN SEBASTIAN. Bach's towering musical achievement was to present in its final shape, the 'fabric of polyhony' (Grove Dictionary). This is no more axiomatic than in his Preludes and Fugues for Organ. Regarded as the world's greatest composer for organ, Bach coupled mastery of the instrument with his genius for composition to produce some of the richest and most beautiful music of all time. This comprehensive volume - reproduced directly from the authoritave Bach-Gesellschaft edition - reprints 25 sets of preludes and fugues, i. e compositions written as fugues. Individual Preludes and Fugues composed over the years are not included./ Répertoire / Orgue

La partition Prelude Et Fugue En Mi Majeur Clas N061/Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

En 1953, l'année de la création mondiale, la presse résumée l'essentiel de le oeuvre d'orgue du compositeur alors pas encore-30-ans comme suit: ' les patrons de corde monumentale puissant, atonal dans l'introduction, un arioso linéairement lyrique et une fugue extraordinairement witty, présenté avec virtuosité absolue, make cette oeuvre musicale d'un jeune compositeur moderne accessible aux écouteurs de manière convaincante et impressionnante - même sur ce petit orgue. ' / Orgue

Voici une partition musicale pour Orgue que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Fugue En Mi Mineur Clas N003/Orgue. C'est l'éditeur Leduc sous la référence AL27756 qui a les droits pour éditer cette partition. / Orgue / Partition

La partition Prelude Et Fugue En Mi Mineur Grand/Clas N042/Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition