SKU: CA.9229453
ISBN 9790007237943. Language: Latin.
Score available separately - see item CA.9229400.
SKU: CA.9237600
ISBN 9790007119812. Language: all languages.
SKU: CA.9229451
ISBN 9790007237929. Language: Latin.
SKU: CA.9229452
ISBN 9790007237936. Language: Latin.
SKU: VD.ED20760
ISBN 9790202007600. 9 x 12 inches.
SKU: CA.9187300
ISBN 9790007126421. Key: G major. Language: Latin.
SKU: CA.313760
ISBN 9790007152635. Key: B flat major. Language: Latin.
SKU: HL.49006301
ISBN 9790001068352.
Als Sonderdruck aus der Festschrift fur einen Verleger wird dieses experimentelle Stuck der Gattung musikalische Aktion vorgelegt. Die Aktionen werden ausschliesslich mit Texten beschrieben, die Realisierung genau fixiert. Es erfordert zur Realisierung der einzelnen Kunststuckchen neben den Instrumenten verschiedene andere Requisiten, u.a. zur Herstellung von Beleuchtungseffekten.
SKU: HG.GH-11429
ISBN 9790202810361.
SKU: CA.9237500
ISBN 9790007119805. Language: all languages.
SKU: HH.HH241-SOL
ISBN 9790708059837.
The second instalment of the three volume collection of Zinck’s complete keyboard music contains the printed sonatas which followed his enormously successful 1783 set together with the first appearance in print of two sonatas from a manuscript source in the Royal Library, Copenhagen. The published sonatas show Zinck’s mastery of the styles of both C.P.E. Bach (his teacher) and Haydn, while the manuscript works are simpler in their technical demands, but include original fingering from the composer. All the sonatas in this volume would be effective on either clavichord or fortepiano.
SKU: HH.HH300-SOL
ISBN 9790708092490.
Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.
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