SKU: FG.55011-642-9
ISBN 9790550116429.
Kalevi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Brahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.
SKU: HL.50511996
ISBN 9790080146064. Bach (23 x 30,2 cm) inches. Daniel Csengery.
Daniel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.
SKU: HL.49016786
ISBN 9790001144131. 9.25x12.0x0.225 inches.
Finnish composer Mustonen (b. 1967) wrote his Triple Concerto for three highly virtuosic solo violins and a colorfully orchestrated string orchestra. Arranged here for 3 violins and piano reduction.
SKU: HL.48022729
Bertold Hummel composed the Concerto for Bassoon and String Orchestra first with the basset horn as solo instrument before arrangingit for bassoon at the suggestion of Eberhard Buschmann. The piece is characterized by the use of French folk-song melodies which areintegrated into their own thematic material. In the first movement, Prologue, the solo instrument stands out while declaiming in a recitative-like manner. The second movement, Concerto, follows the meaning of the word 'concertare' = 'compete' by combining the soloist and the string ensemble 'competitively' to form a unified whole. The short epilogue is a fading away, with strictly alternating solo instrument and strings. Bassoon with piano reduction.
SKU: FG.55011-633-7
ISBN 9790550116337.
Victoria Yagling (1946-2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition. Yagling won the first prize in the Gaspar Cassado Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions. Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich. Yagling was a skillful pianist, able to master works of such a level as Chopin's Etudes. The amount of her piano works surpasses five hours of music.
SKU: FP.FSS09
ISBN 979-0-57050-285-1.
The albums in Forsyth's Silhouette Series are widely acknowledged to provide as some of the finest piano arrangements of the works of the great composers available to the player of intermediate ability. These albums provide excellent teaching material, as well as superb recreational pieces for the adult player.
SKU: HL.49046026
ISBN 9790001205719. UPC: 842819103165. 9x12 inches.
Yürüyen Kösk traces a well-known episode that shows Mustafa Kemal Atatürk, the founder of modern Turkey, as a progressive nature lover: In 1930 he had a house moved by several meters to save a plane tree.The work is also available as a piano quintet or accompanied by string orchestra or chamber orchestra.
SKU: BT.WA-4094-401
English.
Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899, he was considered a 'provincial' composer - and a largely self taught one at that.In the earlier part of Elgar's career as a composer, he wrote several short pieces which became very popular indeed. Chanson de Matin is one such, the second of a pair (the other being Chanson de Nuit), which carried his name far and wide before his larger orchestra works appeared. It was published in several versions at once: for string orchestra, for small orchestra, for violin and piano and so on - so it is almost impossible to say, with any degree of certainty, which was theoriginal version. This arrangement makes a useful addition to the repertoire for piano.
SKU: BT.WA-4095-401
Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899, he was considered a 'provincial' composer - and a largely self taught one at that.In the earlier part of Elgar's career as a composer, he wrote several short pieces which became very popular indeed. Chanson de nuit is one such, the second of a pair (Chanson de Matin the other being), which carried his name far and wide before his larger orchestra works appeared. It was published in several versions at once: for string orchestra, for small orchestra, for violin and piano and so on - so it is almost impossible to say, with any degree of certainty, which was theoriginal version. This arrangement makes a useful addition to the repertoire for piano.
SKU: FG.55011-554-5
ISBN 9790550115545.
Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. I don't write children's music. Stylistically I write in the same way as for professionals; technically, the pieces just have to be easier to play. Concertino No. 2 for piano and chamber orchestra was commissioned by a Finnish press house Yhtyneet Kuvalehdet Oy for the inauguration of their new office building in 1987. According to the original plan the concertino was to be used in an advertising film of the company. A melody with wide arch which can be heard in the midpoint of the piece, first played by the orchestra and then repeated with the piano, was intended to be the theme song of the film. The 10 minutes duration and small orchestra (flute, oboe, clarinet and strings) makes this one movement piece suitable also for young orchestra players.
SKU: HL.48011548
UPC: 073999740639.
Session Time is an album of solos that expand to create opportunities for exciting group music-making. Each piece can be played as a solo or as a group piece. The optional ensemble parts extend the harmonic and musical structure of each piece, enabling each performer to play an important part in the group.
SKU: HL.50488963
UPC: 884088013943. 8.25x11.75x0.123 inches.
For Oboe, Strings and cembalo (piano reduction).
SKU: CF.CY2358PS
ISBN 9780825885365. UPC: 798408085360. 11 x 14 inches.
SKU: PR.460000190
UPC: 680160097760. 9 x 12 inches.
SKU: HL.14033619
This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano Concerto in D minor. In its early form this work lends itself more readily to a modern piano adaptation than in the later Concerto form. Wir mussen durch viel trubsal in das reich Gottes eingehen.
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