Karl Aage Rasmussen's Etudes And Postludes (1989-90) for Piano solo.Programme NoteThe title suggests two kinds of music: something which is far away maybe almost out of reach but which you nevertheless try to embrace; and something close and familiar which you are taking leave of. Thus in a sense the pieces form a diary. The Postludes allude to other musics former music of my own and of others. The Etudes open new doors – they make use of working strategies and mind models that were quite new to me at the time. Piecesrelated to Charles Ives Igor Stravinsky and Friedric Chopin (together with a ragtime and a mournful melody) form the basis for a music pointing backwards – the Postludes. The Etudes are all based on different kinds of multiplication where a few notes or a tiny musical module repeatedly twists back on itself and closes a loop. The general name for this is self-reference and the Etudes reflect themselves endlessly the way a mirror mirrors another mirror. The result is that rhythmic and melodic patterns emerge unpredictably like gifts from unknown muses. Etudes and Postludes was commissioned by the late Yvar Mikhashoff and they are dedicated to his memory and to their first performer Erik Kaltoft. And between lines also to György Ligeti the re-discovered and sophisticated master of the classic etude for piano. The pieces can be played in any number and in any order. It is left to the discretion of the player to group pieces in suites respecting simple rules of variety.Karl Aage Rasmussen

Description Featuring songs by the renowned composer and master of the prepared Piano Volker Bertelmann, AKA Hauschka, Solo Pieces is a wonderful compilation of some of his most beautifully engrossing and hypnotic compositions, as well as some fantastic illustrations and writings. A unique figure in the contemporary classical world, Hauschka's works defy categorisation while remaining uniquely effective. Known for his prepared Piano pieces, Hauschka writes that he considers the Piano a keyboard, string and percussion instrument, thereby opening its sonic possibilities to include diverse timbres, tones and textures. Some songs in Solo Pieces are for natural Piano, but others include instructions on how to prepare your own Piano, using everyday materials like foil, greaseproof paper, rubber wedges or erasers. The spirit of Solo Pieces is experimentation, something that Hauschka has always embraced. You don't need to prepare your Piano, or you could use different materials to create a unique performance of the work. Some of the pieces like One Wish feature wonderfully metallic buzzing sounds that complement the changing dynamics of the piece, while others like Early In The Park have unique tinkling percussive effects, adding completely new facets to the already evocative melodies. Far from being simply a collection of Hauschka sheet music, this book is a wonderfully inviting publication, featuring introductory words from Hauschka on his inspirations and processes, as well as notes on his favourite materials throughout. Also included are interesting pieces like short stories, letters and fantastic sketches that are fitting for a personality and artist like Hauschka. This book of Hauschka sheet music is ideal for fans of the inventive composer, but also pianists who looking for some new and unique music to play. Solo Pieces by Hauschka is both a collection of excellent Piano pieces and an aesthetically pleasing publication that celebrates great music. Brooklyn Chat Noir Early In The Park Femme Assise Flingern Heimat Mount Hood One Wish Sehnsucht Zahnlücke

With its highly attractive full-colour age-appropriate layout Poco Piano For Young Children encourages young children to take the first steps on a difficult but thoroughly rewarding journey. Together with the Music Theory for Young Children books the Poco Piano For Young Children series leads the child from the very beginning to grade 1 level. Poco Piano for Young Children includes exercises to help the child develop technique rhythm and reading and it involves the child in activities such as pasting colouring tracing circling and clapping. Book 1 introduces the child to thekeyboard staves clefs simple time signatures note values and rests. Reading encompasses notes to a 5th above and a 5th below Middle C. The notes A and E are introduced first played by a braced 3rd finger of each hand. This encourages free movement of the whole arm from the shoulder and develops a natural balanced hand position before the 5-finger position is gradually mastered. The first line of the treble stave and the fifth line of the bass stave are highlighted and further lines are similarly treated as the child learns more notes. Staccato slurs ties upbeats and repeat signs are all experienced in Book 1. Tempo and dynamic markings encourage musical playing and are in English in order to avoid ?knowledge overload?.

Nyman is one of the most commercially successful composers of the 20th century and his music has struck a chord with audiences the world over. His award-winning scores have graced countless significant films including ThePiano Detroit: Ruin Of A City and Gattaca.This special collection of Nyman's Piano music includes previously unpublished works from Nyman's 2005 CD The Piano Sings. All works have been transcribedand restored to solo Piano arrangements offering his most successful and best-loved pieces in one superb volume.