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Choir
HARMONICA
Soli, Mixted choir and accompaniment
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Choral SATB (10349)
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Choral (747)
Children choir (527)
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Voice solo (127)
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Choral CD (93)
Organ (73)
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Travaux Pour Choeurs (64)
String Quartet: 2 violins, vio… (55)
Chant (53)
Chorale (52)
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Piano solo (48)
Divers (43)
String Orchestra (42)
Soli (SATB), Choeur Mixte (SAT… (40)
A Cappella (38)
Musical course - Solfege (34)
Flute ensemble (31)
Choral, Orchestra (29)
Madrigaux (28)
Clarinet Ensemble (26)
Partition de Poche (25)
Children choir, Instruments (25)
Marching band (22)
Piano Accompaniment (21)
2 Choeurs Mixtes (SATB Et SATB… (20)
Voix Mixtes (20)
Brass Quintet: 2 trumpets, hor… (19)
Solistes (SATB), Choeur Mixte … (18)
Gemischter Chor (SATB) und Orc… (18)
Concert band, Choral (18)
Voix Mixtes SAB et Piano (17)
High voice, Piano (16)
Choral, Organ (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Violin (15)
SB, 4 Parties Mixtes et Orches… (14)
Choral Soprano solo, SATB, Key… (14)
Choral SSATBB (14)
Choeur d'Hommes et Guitare (14)
Lyrics and Chords (14)
Cello (13)
Solistes SBar, Choeur SSATB, 2… (12)
Choeur d'Enfants à 2 Parties … (12)
Choral SSAB, Piano (12)
Voice and Orchestra (12)
Guitar (12)
Soli (STB), Choeur Mixte (SSAT… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Gemischter Chor (SSAATBB) und … (11)
SATBasse (2 Grands Choeurs Mix… (11)
Melody line, (Lyrics) and Chor… (11)
Brass Quartet (10)
Solistes SATB, Choeur SATB, 2 … (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Soli (SSATB), Choeur Mixte (SS… (9)
Viola (9)
Choeur SATB, 2 Flûtes Travers… (9)
Solistes S (A) TB, Choeur SATB… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Soli (T (Evangelist), B (Jesus… (9)
Harp (9)
Saxophone (9)
Pocket, Study conductor (9)
Solistes SATB, Choeur SATB/SAT… (8)
Choeur SATB, 2 Cors, Violon So… (8)
Solistes SS, 2 Altos, 2 Violon… (8)
Solistes ST, Choeur SSAATB, 2 … (8)
Soli (SAB), Choeur Mixte (SATB… (8)
Solo Baryton, Choeur SATB, 2 H… (8)
Choeur De Femmes (SA) Et Piano… (8)
Soli (SATB, Soprano Aussi Chor… (8)
Soli (SAB), Choeur Mixte (SATB… (8)
Choeur SSA, 2 Flûtes Traversi… (8)
Petit Orchestre: Récitant, So… (8)
Piano Quintet: piano, 2 violin… (8)
Flute and Piano (8)
Choral SAATTBB A Cappella (8)
Ensemble De Contrebasse (7)
Quatuor de Cuivres, Orgue et V… (7)
Choeur Mixte (SATB) Et Instrum… (7)
Soli (STB), Gemischter Chor (S… (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
2 Parties Voix Aigues Et Piano… (7)
2 Choeurs Mixtes Et Orchestre … (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Choeur Mixte (SATB), Instrumen… (7)
Soli (SATB), Chor (SATB/SATB) … (7)
Choeur SSATB, 2 Cornets à Bou… (7)
Choral SSAB a cappella (7)
Flute (7)
Basson ensemble (7)
Conducteur (7)
Matériel D'Orchestre (7)
Soli (SATB), Chor (SATB) und K… (6)
Solo S, Choeur SATB, 2 Violons… (6)
Choeur Mixte (SATB), Soli Et O… (6)
Soli (ATB), Choeur Mixte (SATB… (6)
Basse, Choeur Mixte (SATB) Et … (6)
Violin and Piano (6)
Solistes SATB, Choeur SATB, Fl… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Soli (SATB), Gemischter Chor (… (6)
3 Parties Solo, Choeur Et Orch… (6)
Choeur Mixte et Orchestre (6)
Soli (SSTB) Et Orchestre Choeu… (6)
Flute and Guitar (6)
Choral Unison, Piano (6)
Clarinet Quintet: 5 clarinets (6)
Gemischter Chor (SATB/CantoATB… (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Musical Awakening (6)
Choeur d'Enfants et Piano (6)
Motet (6)
Soprano, 4 Parties Mixtes 2 Tr… (6)
Medium voice, Piano (6)
Solistes SATB, Choeur SATB, 2 … (6)
SATB, 4 Parties Mixtes, 2 Viol… (6)
Choeur Mixte a Cappella (6)
Choeur D'Enfants (SSA) Et Pian… (6)
Soprano, Trompette, 2 Violons,… (6)
2 Parties Voix Aigues (SA) (6)
:: (6)
2 Parties Voix Aigues (SS) Et … (6)
2 Parties Voix Aigues (SA) Et … (6)
4 Parties Mixtes Et Orchestre (5)
4 Solistes, Choeur Et Orchestr… (5)
Choral SATBB (5)
ENS::Ensemble (5)
Handbells (5)
Chamber Orchestra (5)
Choeur SS (SA), 2 Violons et B… (5)
Soli (SATB), Choeur Mixte (SAT… (5)
Soli (SSAATB), Choeur Mixte (S… (5)
Soprano voice, Piano (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
4 Voix (SATB) Sans Accompagnem… (5)
Cors Et Autres Instruments (5)
2 Parties Voix Aigues (SS) (5)
Choral SSAATBB, Organ (5)
Clarinet (5)
Scores (5)
1 Piano, 4 hands (5)
Voice, Guitar (5)
Ensemble A Vent (5)
Organ, Mixed Choir and Orchest… (5)
Double Bass (5)
Saxophone ensemble (5)
Choeur Mixte Sans Accompagneme… (5)
Wind ensemble (4)
4 Parties Mixtes, Instruments … (4)
Choeur Mixte, Soprano et Orche… (4)
Choeur SATB et Orchestre (4)
Concert Band/Harmonie (4)
Choeur Mixte (SATB), Orchestre… (4)
2 Parties Voix Aigües (SA) et… (4)
Children's Choir (Women's Cho… (4)
Male Voices (4)
Flûte Traversière, Clarinett… (4)
Woodwind Quintet: flute, oboe,… (4)
Easy Piano (4)
Mixed Choir, Ensemble and Dan… (4)
Violoncelle, Contrebasse, Bass… (4)
Violin, Cello (duet) (4)
Voix et Piano Réduction (4)
SSSAA et Violon (4)
Soli (ATB), Chor (SSATB) und O… (4)
Trompette (pour Quintette De C… (4)
Mixed Choir and Orchestra (4)
Solistes SATB, Choeur SATB, 2 … (4)
Trio A Vent-Bois (4)
Concert Band ou Harmonie et Ch… (4)
Voices, Choir and Orchestra (4)
Solistes SATB, Choeur SATB, 2 … (4)
Piano Reduction - Soloists, C… (4)
Soli (SATB), Gemischter Chor (… (4)
Soli (T (Evangelist), B (Jesus… (4)
Choeur Mixte (SSATB) Et Instru… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
Choeur Mixte (SATB), Orchestre… (4)
Choeur d'Enfants (SS) et Piano… (4)
Choeur d'Enfants (4)
Choeur De Femmes (SSA) Et Pian… (4)
Keyboard (4)
Violon I (4)
Choeur Et Instruments Divers (4)
Choeur Mixte SATB a Cappella (4)
Choral Tenor solo, SATB, Keybo… (4)
Music Theory (4)
Solistes STBB, Choeur SATTBB, … (3)
Trombone (3)
Trompette I (3)
Solo, Choeur SATB, 2 Trompette… (3)
Choeur A L'Unisson Et Orgue (3)
Choeur Mixte (SSATB) et Instru… (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Solistes SATB, Choeur SATB, 4 … (3)
Women's Choir (SS), Piano, Me… (3)
Solistes SATB, Choeur SATB, 2 … (3)
School Ensemble (3)
2 Et 3 Voix Egales (3)
Choeur Mixteor (SATB), Orchest… (3)
Flûte, Alto Et Harpe (3)
3 Solistes, Choeur Et Orchestr… (3)
Chœur Mixte [SATB] a Capella (3)
Solistes SATB, Choeur SATB, Ha… (3)
Solistes SATTB, Choeur SSATTBB… (3)
Choeur SSAATTBB, 3 Trombones e… (3)
Trumpet, Piano (3)
Choeur D'Enfants (SA) Et Piano… (3)
Violon 2 (3)
Choeur d'Enfants 1 Partie, Nar… (3)
Soprano Et Choeur Mixte (3)
Octuor De Cuivres (3)
Solistes STB, Choeur SSATB, Ha… (3)
4 Parties Mixtes, 2 Violons et… (3)
Flute, Clarinet and Bassoon. (3)
Partition D'Orchestre (3)
Récitant, Choeur D'enfants et… (3)
Solistes SATB, Choeur SATB, Tr… (3)
S, A, A, T, B, Choeur Mixte A … (3)
Recorder Quartet (3)
Choeur Mixte (SATB) Avec Orgue… (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Violon II (3)
2 Parties Voix Aigües (SS) et… (3)
2 Parties Voix Aigües (SA) (3)
Solistes SAT, Choeur SATB, 2 F… (3)
Chœur Mixte [SATB] et Orgue (3)
3 Parties Solo, Choeur Et Orch… (3)
4 Parties Solo, Choeur Et Orch… (3)
Guitar notes and tablatures (3)
Cello, Piano (3)
Soprano, Choeur Mixte (SATB), … (3)
Choeur De Femmes Et Orchestre (3)
TEN/SATB::Tenor/SSAATBB/Choral… (3)
Baryton, Choeur Mixte Et Orche… (3)
Drums (3)
Voix et Orchestre (3)
Choeur SA Et Piano (3)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur à L'Unisson et Piano o… (2)
Solistes et Choeur SATB/SATB e… (2)
Female Choir (SSSS) and Piano… (2)
Soli (TTB), Men's Choir (TTB)… (2)
Klavierauszug : Gemischter Cho… (2)
Choeur (SA), 2 Violons et Bass… (2)
Choeur sans Accompagnement (2)
Orchestra, Violin (2)
Soli, Gemischter Chor 1 & 2, … (2)
Tenor voice (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur SSA Et Percussions (2)
Low voice, Piano (2)
Choeur D'Enfants (SSS) Et Pian… (2)
Choeur Mixte et Orgue, Concert… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur d'Enfants et Petit Orch… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, 2 … (2)
Cor (pour Quintette De Cuivres… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Flute Trio: 3 flutes (2)
Solistes SATB, Choeur SATB, 2 … (2)
Piano Reduction - Soloists (S… (2)
SATB::SSAATTBB (2)
Double Choeur Mixte (2)
Choeur De Femmes À 4 Voix (2)
Chœur Mixte [SATB] et Orchest… (2)
Partition de Choeur/Voix Elev… (2)
Solistes SSATB, Choeur SSATB, … (2)
Solistes SATB, Choeur SATB, (C… (2)
Choeur Mixte Et Orgue (2)
Soprano Solo/2 Soprani/Contral… (2)
12 Voix (2)
Solistes SATB, Choeur SATB, 2 … (2)
Solistes SATB, Choeur SATB, (C… (2)
Voix et Orchestre de Chambre (2)
Choeur d'Enfants (SA) ou Choeu… (2)
Choeur D'Hommes (TBB) Et Piano… (2)
ST (A) BarB et Piano (2)
Solistes SATB, Choeur SATB, Tr… (2)
Male Voices, Piano (2)
voix soprano, voix alto (2)
Soli (STB) Et Orchestre (2)
Voices (STB), Mixed Chorus, B… (2)
Solistes TTBB, Choeur TTBB, Vi… (2)
Solistes SB, Choeur SATB, Picc… (2)
Voix Et Instruments Divers (2)
2 Choeurs et 2 Orgues (2)
28 à 67 Joueurs (2)
Choeur De Cuivres Et Orchestre… (2)
Brass Quartet: 4 trombones (2)
Solistes SATB, Choeur SATB, (C… (2)
SOP/SATB/WIND INST::Soprano, S… (2)
Voix Et Choeur Et Orchestre (2)
Soli/Choeurs d'Enfants et Orch… (2)
Solistes SATB, Choeur SATB, Tr… (2)
Guitare (2)
Women's Choir (SSA) and Piano (2)
Solistes (SAAATTTTBBB), Choeur… (2)
Solistes SATB, Choeur SATB, 3 … (2)
Solistes SATB, Choeur SATB, (C… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur D'Hommes (TB) Et Cordes… (2)
Soli/Choeur Mixte Sans Accompa… (2)
Klavierauszug - Soli (SAB), g… (2)
2 Sopranos, Choeur Mixte et Or… (2)
Solistes SAB, Choeur SATB, 3 F… (2)
Tuba (pour Quintette De Cuivre… (2)
Soli, Mixed Choir and Orchest… (2)
Solostimmen (SSB) auch Chor (… (2)
Choeur Mixte (SSAATTBB) (2)
3 Guitars (trio) (2)
Soprano, Alto, Ténor, Baryton… (2)
3 Solistes, Choeur Et Orchestr… (2)
Soli (SMsATB), Chor (SATB) un… (2)
All Instruments (2)
Saxophone Quartet: 4 saxophone… (2)
Choeur STB, Alto Solo et Orgue… (2)
Descant (Soprano) Recorder (2)
4 Solistes, Choeur Et Orchestr… (2)
Choral SSA (2)
Cello, String Bass (duet) (2)
Violon 1 (2)
Solistes SATB, Choeur SATB, Co… (2)
SATB et SATBaB (2)
French horn (2)
Voice, Organ (2)
2 Parties Voix Aigues (2)
Choeur D'Enfants (SA), Piano E… (2)
Tous instruments (2)
Mixed Choir (SATB) and Sympho… (2)
Brass Band, Voix d'Enfants, Or… (2)
Solistes STBar, Choeur SATB, 2… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Children's Choir (Women's Cho… (2)
CD (2)
Solo instrument and Organ (2)
Solistes SATB, Choeur SATB, Ba… (2)
Choeur d'Enfants à 2 Voix et … (2)
Mixed Choir, Strings and Bass… (2)
Soprano voice (2)
Solistes SATB, Choeur SATB, 2 … (2)
4 Voix D'Hommes Sans Accompagn… (2)
5 Parties Mixtes, Instruments … (2)
Mixed Choir (SATB), Women's Ch… (2)
Voix Mixtes A Cappella (2)
Solistes TTB, Choeur TTB et Or… (2)
Voix Mixtes et Orchestre (2)
Solistes SATTBB, Choeur SATB/S… (2)
Alto Saxophone and Piano (2)
Ténor Solo, Violon Solo, SATB… (2)
Mixed Choir (SATP) and Harp (… (2)
8 Bassoons (2)
Solistes SATB, Choeur SATB, 2 … (2)
Soloists, Mixed Choir and Orc… (2)
Choeur Mixte (SMezATB) (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur De Femmes (SS) Et Piano… (2)
Choeur A Cappella (2)
Piano, Chant et Guitare Tablat… (2)
3 Trombones (trio) (2)
Organ and Orchestra (2)
Solistes SATB, Choeur SATB, (4… (2)
Choeur D'Enfants (Choeur De Fe… (2)
2 Choeurs Mixtes (SATB) (2)
Choeur et ensemble vocal (2)
Solo S (Choeur S) et Orgue (2)
Choeur De Jeunes Et Instrument… (2)
Violin, Organ (2)
voix soprano solo, ch?ur mixt… (2)
Choral SATTB (2)
Mixed Choir (SATB) and String … (2)
SATB et 4 Saxophones (2)
Lyrics only (2)
Solistes SATB, Choeur SATB, 2 … (2)
Parties Solo, Choeur Et Orches… (2)
Choeur D'Enfants (SS) Et Orgue… (2)
Choeur Mixte (SATB) Et Basse C… (2)
Mixed Choir and Organ (2)
Chœur Mixte SATB et Quatuor … (2)
Ssa Et Piano (2)
UNIS/PFA::Children's Voices wi… (2)
Vocal duet, Piano (2)
Solistes SATB, Choeur SATB, 2 … (2)
Clavecin (2)
Trompette II (2)
Choeur a Cappella (SATB, TTBB,… (2)
Solistes SATB, Choeur SATB, (C… (2)
Trombone (pour Quintette De Cu… (2)
SAB (2)
SSA/SATB/STB (2)
Mixed Choir (SATB) and Piano … (2)
Chœur d'Hommes [TTBB/TTBB] et… (2)
Alto Saxophone (2)
Women's Choir (SA) (2)
Choeur et Ensemble (2)
Choral SSAATB A Cappella (2)
Soli and Orchestra (2)
Soli/2 Choeurs SATB Sans Accom… (2)
Male Voice (2)
3 Voix Mixtes Et Instruments D… (2)
Soli/Choeur Mixte Et Orchestre… (2)
Men's Choir (TBarB) and Piano… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur de Jeunes et Piano (2)
Soprano voice, Orchestra (2)
SATB/ORCH::SATB, Orchestra (2)
2PTCHOIR/SATB/2PF::2-Part Choi… (2)
Solistes (SATB), Choeur Mixte … (2)
Klavierauszug : Sopran solo, A… (2)
SATB et Orchestre (2)
Tenor Solo and Mixed Choir (SA… (2)
Choeur et Orchestre (2)
Choral SAB (2)
Ensemble De Cuivres Et Timbale… (2)
Soprano voice, Organ (2)
Voix Mixtes et Orgue (2)
Choir, 2 Trumpets, Horn, Trom… (2)
Choral SSATTBB (1)
Ensemble Et Choeur D'Enfants (1)
Baryton Solo, TTBB et Piano (1)
MENSVOICES/PFA::Men's Voices/P… (1)
Choeur Mixte (SATB) Avec Orgue… (1)
Mixed Choir (SATB), Clarinet, … (1)
ST (A) BarB et Orchestre (1)
Voix Hautes (1)
3 A 4 Parties Pour Choeur De F… (1)
Solistes SSSATB, Choeur SSATB,… (1)
Solistes (STB), Choeur Mixte (… (1)
Solistes (SAB), Choeur Mixte E… (1)
Choeurs Mixtes Sans Accompagne… (1)
Chœur à 4 parties de Voix Eg… (1)
Choeur d'Enfants ou de Femmes … (1)
Solistes SATB, Choeur SATB, Fl… (1)
Solo S, Choeur SATB, 2 Hautboi… (1)
Ensemble Mixte (1)
Orchestre: Solistes SATB, Choe… (1)
ENS::Ensemble d'cole (1)
TEN/SATB::Tenor/SATB (1)
Solistes SATB, Choeur SATB, 2 … (1)
5 Voix (1)
Organ and Brass Quartet (1)
Choeur Enfants/Mixte/Quatuor … (1)
voix soprano, voix alto, voix… (1)
Choeur D'Enfants A Cappella - … (1)
Piano, Flûte à Bec Soprano C… (1)
SATB/PF DUET::SATB, Piano Duet… (1)
Chœur SATB et TTBB (1)
Choeur Mixte (SSAATTBB) Et Sop… (1)
SCORE/ORCH::Partitions/Orchest… (1)
Solistes (SATB), Choeur Mixte … (1)
TREBLE::Treble (1)
2 Parties Voix Aigües (SS) et… (1)
Choral SATB, Keyboard (1)
Mixed Choir (SATB) and Bagpip… (1)
Solistes SSATBB, Choeur SATB/S… (1)
2 Parties Voix Aigues (SS), Pi… (1)
SOP/ALTO/PF::Soprano, Alto, Pi… (1)
Choeur A L'Unisson Et Orgue (C… (1)
Soprano Ou Tenor Et Choeur Mix… (1)
Ténor et Choeur (1)
Choeur SAATBB (1)
SAB et Choeur (1)
Choeur de Femmes et Orchestre/… (1)
Solistes (S/T) Et Choeur Mixte… (1)
3 Voix d'Hommes Sans Accompagn… (1)
Orgue, Cuivres et Percussion (1)
Chœur Mixte, Orgue, et Ensemb… (1)
Treble Voices and Piano (or Or… (1)
Choeur D'Enfants Et Choeur Mix… (1)
Choeur D'Enfants (Ou De Femmes… (1)
Choeur de Femmes (SA) (1)
Solistes (STB), Choeur Et Orch… (1)
Tenor, 2 Choeurs Mixtes (STB E… (1)
Choeur et Ensemble Mixte (1)
CTEN/TTBB/SATB/PFA::Counterten… (1)
Clarinette et Ensemble de Clar… (1)
Mixed Choir (SATB) and Piano, … (1)
Solistes et Choeur SSA (1)
Unison Choir and Piano (1)
Mezzo-Soprano, Mixed Choir (SA… (1)
Voices, Children's Chorus, Ch… (1)
Sopran solo, Alt solo, Tenor … (1)
SSATB et Orgue (1)
Choeur D'Enfants (SSA) (1)
Choeur D'Hommes (TB, 2o Partie… (1)
5 Parties Mixtes Et Basse Cont… (1)
Klavierauszug - Chor (SATB), … (1)
2 Parties Voix Aigues (SS Ou A… (1)
2 Barytons, SATB, Orgue Acc (D… (1)
Choeur d'Hommes (TTB/TTBB) a C… (1)
2 Voix Egales (Ou Soprano Et B… (1)
2 Parties Voix Aigües (SS) (1)
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
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Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...
(+)
The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
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Robert Schumann: Das Paradies Und Die Peri Op. 50: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SAT...
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Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SATB and Piano accompaniment.
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Georg Friedrich Händel: Judas Maccabeus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano acc...
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George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano accompaniment.
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Johann Sebastian Bach: Magnificat D BWV 243: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and O...
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Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and Orchestra.
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Hector Berlioz: Messe Solennelle: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The 20 year old Berlioz wrote his Messe solennelle in 1824 his first large scal...
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The 20 year old Berlioz wrote his Messe solennelle in 1824 his first large scale work for chorus and orchestra. His later Memoirs suggest he burnt the manuscript due to his doubts about its quality. However the manuscript had made its way to Antwerp and the Church of St Carolus-Borromeus where it was catalogued by church officials probably in 1956. But it was not until 1991 when Franz Moors a retired teacher organist and choir master discovered it in a wooden chest on the organ platform and gradually began to realise its status as a work of some significance. The work was published by Bärenreiter in the 'New Berlioz Edition' and modern premieres were givenduring 1993 and 1994. Urtext of the New Berlioz Edition Full score (BA5463) vocal score (BA5463-90) and study score format 22.5 x 16.5cm (TP333) available for sale Performance material (BA5463-72) available for hire
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Paul Mealor Jonjo Kerr Military Wives? Choir Paul Mealor: In My Dreams: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Novello & Co Ltd.
Paul Mealor wrote In My Dreams for The Military Wives Choir Jonjo Kerr and Gare...
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Paul Mealor wrote In My Dreams for The Military Wives Choir Jonjo Kerr and Gareth Malone for their first album In My Dreams. This version is for Tenor solo SSA chorus and Piano. Also available for Tenor solo SSA chorus Piano Harp Percussion and Strings and for SATB chorus and Piano.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
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BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
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BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming...
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Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Mass in G minor BWV 235 Lutheran Mass 3: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor so...
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Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
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