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FUGUE
HARMONICA
Soli, Mixted choir and accompaniment
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Franz Schubert: Mass in A-flat major D 678: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Second version with the variant of the Osanna in excelsis and the Cum Sancto Spi...
(+)
Second version with the variant of the Osanna in excelsis and the Cum Sancto Spiritu-Fugue from the first version.Unlike the four early Masses Schubert did not write his fifth as the result of a request for a particular performance – he evidently intended it as a proof of the mastery to which he had attained in the meantime.The present edition presents the revised second version of the Mass. Also included as an appendix is the discarded Fugue from the first version (extant in a copy made by Schubert’s brother Ferdinand for the intended performance in 1823). This movement – unlike the later a “more modern” Fugue –corresponds to Schubert’s original concept of the Mass which in general he merely modified when revising the work rather than fundamentally altering it.- Urtext of the New Schubert Edition- Full score performance material (BA5623) and vocal score (BA5623-90) available for sale
66.50 GBP - Sold by Musicroom UK
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Carl Philipp Emanuel Bach: Magnificat WTQ215: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (...
(+)
CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (1749) the first great vocal work from his Berlin years is among the most magnificent sounding in which the solo vocal parts are also among the most ambitious settings of the ?Hymn to the Virgin Mary? (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur dignity polyphonic and concertante choral movements sensitive (?empfindsam?) and expressive arias a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.) which is almost one hour in duration would be well suited for example as thecentral work on every Christmas or pre-Christmas concert programme.
18.90 GBP - Sold by Musicroom UK
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Giuseppe Verdi: Messa da Requiem: Mixed Choir
Soli, Mixted choir and accompaniment
Ricordi
Edited by David Rosen-The Works of Giuseppe Verdi is the first critical edition ...
(+)
Edited by David Rosen-The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas the series presents his songs his choral music and sacred pieces and his string quartet and other instrumental works. This edition of Messa da Requiem is based on Verdi’s autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem: an early version of the Libera me composed in 1869 as part of a collaborative work planned as a memorial to Rossini and the Liber scriptus which in the original score of the Manzoni memorial Requiem was composed as a fugue for chorus. The introduction to the score tracesthe complex compositional and performance histories of the Requiem and discusses the work’s problems of instrumentation and notation while the critical commentary gives a full description of the sources and an account of all editorial decisions.
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Orchestre
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Te Deum (BIZET GEORGES)
Soli, Mixted choir and accompaniment
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
48.60 EUR - Sold by LMI-partitions
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
21.40 EUR - Sold by LMI-partitions
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
21.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Missa Longa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...
(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
12.90 EUR - Sold by LMI-partitions
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MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Breitkopf & Härtel
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass...
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Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the ?Das Erbe deutscher Musik? series, from which Breitkopf
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Prix De Rome Works
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Divers / Partition
301.60 EUR - Sold by LMI-partitions
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