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HARMONICA
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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C Instruments (32)
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Flute Trio: 3 flutes (31)
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2 Pianos, 4 hands (29)
Musical course - Solfege (29)
Ukulele (28)
Oboe, Piano (duet) (28)
Partition de Poche (27)
Flute, Cello, Piano (trio) (27)
Educatif (27)
Petit Ensemble Contemporain (26)
Scores (26)
Tenor Saxophone (26)
3 Clarinets (trio) (26)
Violin, Viola (duet) (26)
Banjo (26)
B Flat, E Flat, C and Bass cle… (25)
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Trombone and Piano (25)
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Clarinet Quartet: Clarinet, Vi… (21)
2 Guitars (duet) (20)
Trio ou Quatuor à Cordes (20)
Solistes (SATB), Choeur Mixte … (19)
Clavecin Et Instruments A Cord… (19)
Treble (Alto) Recorder, Basso … (18)
Flute, Clarinet and Bassoon. (18)
Flute, Oboe, Clarinet (trio) (18)
Oboe (18)
All Instruments (18)
Solistes STBB, Choeur SATTBB, … (17)
Tuba (17)
Parties Orchestrales (17)
B Flat, E Flat and C Instrumen… (17)
Flute, Piano Trio (bass, drum,… (16)
2 Clarinets (duet) (16)
Piano Quartet: piano, 2 violin… (16)
2 Saxophones (duet) (16)
Bb Instruments (16)
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Melody line, (Lyrics) and Chor… (16)
Choral CD (16)
3 Trombones (trio) (16)
Double Bass (16)
Violin, Basso continuo (16)
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Trompette, Cordes Et Basse Con… (15)
2 Trompettes, Cordes Et Basse … (15)
Flute, Viola and harp (15)
3 Saxophones (trio) (15)
Brass Quartet: 2 trumpets, 2 t… (15)
Mezzo-Soprano voice, Piano (15)
Saxophone and Piano (15)
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SB, 4 Parties Mixtes et Orches… (14)
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Flûte Traversière, Violon, I… (14)
Descent (Soprano) Recorder, Pi… (14)
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Voice, String Quartet (14)
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String trio (14)
Flute, Clarinet, Piano (trio) (13)
Trompette Et Orchestre (13)
Descant (Soprano) Recorder (13)
High voice, Piano (13)
Harp (13)
Harmonica (13)
Solo instrument and Organ (13)
Brass ensemble, Organ (13)
Choral, Orchestra (13)
String Trio: 3 violins (12)
Oboe and String quartet (12)
Cornet and Piano (12)
Violon, Alto, Violoncelle et C… (12)
Ensemble A 4 Parties et Piano … (12)
2 Recorders (duet) (12)
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3 Trumpets (trio) (10)
Snare drums (10)
Flûte Traversière, Clarinett… (10)
Trumpet, Orchestra (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes STBarB, Choeur SATB, … (10)
Music Theory (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Flûte à Bec Alto et Basse Co… (10)
Saxophone and Orchestra (10)
Choral SSATB (10)
Chant (10)
Ensemble De Violon (9)
Hautbois, Clarinette et Basson… (9)
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Clarinette, Cor Et Piano (9)
SATB, 4 Parties Mixtes et Inst… (9)
Clarinette, Violoncelle Et Pia… (9)
2 Hautbois, Cor Anglais et Bas… (9)
Quintette à vent (9)
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Oboe, Clarinet, Bassoon (trio)… (9)
Orchestre (9)
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Quintette (9)
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Travaux Pour Choeurs (9)
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Flûte Traversière et Quatuor… (8)
Flute, Clarinet, Horn and Bass… (8)
Flute and Strings Trio (8)
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Solistes SSATB, Choeur SSATB, … (7)
4 Cellos (7)
Soprano, Choeur Mixte à 4 Voi… (7)
Flûte Traversière, Clarinett… (7)
Flûte Traversière ou Flûte … (7)
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Clarinette, Saxophone, Trompet… (7)
Ensemble De Cuivres Et Timbale… (7)
Clarinette, 2 Violons, Viole e… (7)
Choeur SATB, 2 Violons, Alto, … (7)
Clarinette, Violon et Piano (7)
2 Violons Et Basse Avec Basse … (7)
Flûte Traversière Alto et Gu… (7)
Flûte Traversière Clarinette… (7)
Musical Awakening (7)
Flûte Traversière, Clarinett… (7)
Flute, Basso continuo (7)
Quatuor avec Piano (7)
Brass ensemble, Percussion (7)
Children choir, Piano (7)
Flûte Traversière, Clarinett… (7)
Quatuor à Cordes et Piano (7)
Clarinette en Sib et Ensemble … (7)
Violon 1, Violon 2, Alto, Viol… (7)
Soli (STB), Gemischter Chor (S… (7)
Quintette à Cordes (2 Violons… (7)
Ensemble D'Altos (7)
Horn and String Quartet (Quint… (7)
Flûte, Clarinette, Cor, Violo… (7)
Low voice, Piano (7)
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Hohe Stimme, Melodie-Instrume… (7)
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Streichorchester (7)
2 Trumpets (duet) (7)
Flûte, Hautbois et Clarinette… (6)
Septuor De Cuivres (6)
Guitare Electrique (6)
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Flûte, Hautbois, Clarinette, … (6)
Soli (SATB), Chor (SATB) und K… (6)
Flute, Oboe, Piano (trio) (6)
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Solo S (T), Viola da braccio (… (6)
3 Trombones et Fanfare (6)
Clarinette et Trio à Cordes (6)
String Trio: 2 violins, viola (6)
Brass Quintet: 2 trumpets, hor… (6)
Violon, Violoncelle Et Alto (6)
Soli (STB), Choeur Mixte (SATB… (6)
Harp, Violin, Violoncello (6)
3 Trompettes et Fanfare (6)
Guitar, Flute, Clarinet (6)
Medium Voice (6)
2 Flûtes A Bec Soprano Et Bas… (6)
Guitar Tab, Voice, Bass, Drum (6)
2 Violons, Alto, Violoncelle (6)
Baryton / Tuba / Clarinette Ba… (6)
5 Recorders (6)
3 French horns (trio) (6)
Gemischter Chor (SATB/CantoATB… (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Pocket, Study conductor (6)
SCORE::Score (6)
Solo S, Choeur SATB, 2 Clarine… (6)
Piano, Guitar, Bass (6)
Euphonium, Piano (duet) (6)
Flûte Traversière, Clarinett… (6)
Violon II (6)
Flûte à Bec Alto ou Flûte T… (6)
Cello, Guitar (duet) (6)
Choeur SATB, 2 Violons, Violon… (6)
Piano Trio: mixed chamber inst… (6)
2 Trumpets, Keyboard (piano or… (6)
Flûte A Bec Soprano (Flûte T… (6)
4 Parties Mixtes Et Orchestre (6)
Flute, Bassoon, and Piano (6)
Violine und Orchester (6)
Violin, Guitar (duet) (6)
Orchester (6)
2 Violins, Piano (6)
Klavier und Orchester (6)
Harp, Flute (duet) (6)
ENS::Ensemble d'cole (6)
Choeur SATB, 2 Violons et Bass… (5)
2 Flûtes Traversières, Instr… (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Quatuor (2 Trompettes, Trombon… (5)
Clarinet Quintet: 5 clarinets (5)
Clarinet, Saxophone, Piano (5)
Violon, Viole Et Orchestre (5)
Flute, Clarinet, Violin, Cello… (5)
Trio A Cordes (5)
Sextuor (5)
2 Flûtes Traversières, Instr… (5)
Brass Trio (5)
Soli (SATB), Chor (SATB) und O… (5)
Gemischter Chor (SSAATBB) und … (5)
Conducteur (5)
Musique de chambre (5)
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Timpani (5)
Soli (STBar), Gemischter Chor … (5)
Flexible Wind Ensemble (5)
Octuor De Cuivres (5)
Violon I (5)
Cello, String Bass (duet) (5)
Piano, Violon Et Violoncelle (5)
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Tenor voice, Piano (5)
Tuba and Piano (5)
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Set de Cordes (5)
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Violon Ou Flûte, Violoncelle … (4)
2 Oboes, 2 Bassoons (4)
Clarinettes et Autres Instrume… (4)
2 Cors, 2 Violons, Alto et Con… (4)
CHAM::Musique De Chambre (4)
2 Oboes and English horn (4)
Flûte (2 parts) Clarinette en… (4)
Tenor Saxophone and Piano (4)
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Flûte Traversière Hautbois, … (4)
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Solo S (T), Flûte à Bec F1 (… (4)
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Flûte Traversière, 2 Violons… (4)
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Flute, Oboe, Clarinet, Bassoon… (4)
Partition Et Parties (4)
Violon et Clarinette (4)
Clarinette et Orchestre à Cor… (4)
Piano, Guitar (duet) (4)
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Horn, Violin, 2 Violas and Cel… (4)
3 Flûtes à Bec Alto ou Violo… (4)
Drum set and Piano (4)
Voix et Piano Réduction (4)
Violes de Gambe (4)
String Quintet: 2 violins, vio… (4)
Alto, Flûte Traversière (Aus… (4)
Saxophone Alto et Fanfare (4)
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Flûte Traversière Piccolo, C… (4)
3 Percussionnistes (4)
Hautbois, Basson et Piano (4)
Piccolo / Flûte 1 (1 Partitio… (4)
Flûte Traversière, Hautbois,… (4)
Organ, Percussion (4)
Flûte Traversière, Alto et H… (4)
2 Cornets, Cor en Mib et Tuba (4)
Cor et Quatuor à Cordes (4)
Soli [AT] et Orchestre (4)
3 Violons, Bas Viol et Basse C… (4)
Clarinet and Accordion (4)
Ensemble Flexible (4)
Quatuor à Cordes (Piano ad li… (4)
2 Flutes, 2 Clarinets (Quartet… (4)
Flûte Traversière Basson et … (4)
Choeur SATB, Orgue, Saxophone … (4)
Brass Quartet (2 Trumpets, Ho… (4)
Petit Ensemble à Vents (4)
Flûte Traversière, Violon, A… (4)
Flûte Traversière Basson et … (4)
Hautbois, Clarinette, Violon, … (4)
Saxophone and Organ (4)
Violon, Clarinette, Cor, Violo… (4)
4 Bassons (4)
Flûte [Piccolo], Hautbois, Cl… (4)
Flûte Traversière, Clarinett… (4)
Petite Clarinette, Clarinette … (4)
Guitare et Orchestre de Chambr… (4)
Flûte, Saxophone Alto, Guitar… (4)
Trio à Cordes (4)
Clarinet, Orchestra (4)
3 Saxophones et Concert Band o… (4)
Sextuor (3 Trompettes Et 3 Tro… (4)
2 Oboes, 2 Horns and 2 Bassoon… (4)
2 Flutes, Piano (4)
Trumpet and String Quartet (4)
Baryton ou Tuba et Fanfare (4)
Clarinette, Trompette, Trombon… (4)
Biography (4)
Organ, Piano (duet) (4)
Percussions et Concert Band ou… (4)
Gemischter Chor (SATB) und Orc… (4)
Mandolin, Guitar (duet) (4)
Soli (SATB), Gemischter Chor (… (4)
Recorder, Guitar (duet) (4)
Baritone voice, Piano (4)
Flûte, Hautbois, Clarinette e… (4)
String Quintet: 2 violins, vio… (4)
3 Bassoons (4)
Flûte Traversière Cordes et … (4)
Flexible Ensemble (4)
Trompette I (3)
Flûte Traversière, 2 Clarine… (3)
Choeur SATB et Orchestre (3)
Choeur SA Et Piano (3)
Flute, Horn and Piano (3)
Clarinette en Mib, 2 Clarinett… (3)
Piccolo, Violoncelle et Piano (3)
Quintette de Bois (3)
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5TET/STR ENS::Quintet, String … (3)
Oboe and Orchestra (3)
Oboe, Violin, Piano (3)
Viola da Gamba (3)
Marimba and Orchestra (3)
Flûte Traversière Hautbois e… (3)
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String quartet: 4 violins (3)
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2 Flûtes Traversières et Vio… (3)
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Hautbois, Cor Anglais et Basso… (3)
Violin, Cello, Clarinet (3)
Violon, Saxophone, Percussions… (3)
Quatuor de Cuivres, Orgue et V… (3)
Trompettes Et Autres Instrumen… (3)
Instruments En Sib (3)
Choeur SSATTB et Basse Continu… (3)
4 Parties Mixtes, Instruments … (3)
Flûte Traversière Violoncell… (3)
Piccolo, Hautbois et Clarinett… (3)
Ensemble de Vents (3)
Hautbois, Clarinette en Sib, S… (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Voice, Guitar (3)
Flûte à Bec Alto ou Flûte T… (3)
Piano Quintet: mixed chamber i… (3)
Clarinette en Sib, 2 Violons, … (3)
Clarinette en Sib, Guitare Ele… (3)
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Clarinette, Alto et Piano (3)
Flûte Traversière Violon et … (3)
Mug (3)
4Part Flexible Band et Opt. Pi… (3)
VIOL(6)::Viole(Sextuor) (3)
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Violoncelle solo, Basse Flûte… (3)
Quintette à vent Variable ave… (3)
Euphonium et 4 Clarinettes (3)
Flûte à Bec Alto ou Flûte T… (3)
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Guitar, Orchestra (3)
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VLN/VLA/VLC::Violin, Viola, Ce… (3)
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Quatuor (2 Trompettes, Trombon… (3)
Flute, Viola and Piano (3)
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
23.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
15.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
89.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Vi...
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass'The 'Cecilia Mass' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66.- Urtext from Joseph Haydn Werke.- Full score parts and vocal score available for sale.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
(+)
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the co...
(+)
Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can beperformed. Urtext from the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Vi...
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass'The 'Cecilia Mass' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66.- Urtext from Joseph Haydn Werke.- Full score parts and vocal score available for sale.
11.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Vi...
(+)
in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass'The 'Cecilia Mass' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66.- Urtext from Joseph Haydn Werke.- Full score parts and vocal score available for sale.
24.50 GBP - Sold by Musicroom UK
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