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HARMONICA
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (4247)
Piano solo (4197)
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Guitar (1247)
Choral 3-part (1234)
String Quartet: 2 violins, vio… (967)
Piano, Voice (883)
Violin (782)
Marching band (763)
Choral 2-part (755)
Brass ensemble (649)
Orchestra (648)
String Orchestra (530)
Flute (506)
Organ (457)
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Violin and Piano (383)
Jazz Ensemble (376)
Clarinet (368)
Trumpet (356)
Alto Saxophone (334)
Ukulele (316)
Cello (307)
Soli, Mixted choir and accompa… (283)
Bass guitar (275)
Flute and Piano (269)
Lyrics and Chords (269)
Easy Piano (268)
Melody line, (Lyrics) and Chor… (247)
Keyboard (244)
Voice solo (239)
Musical course - Solfege (228)
Viola (208)
Saxophone (195)
Choral TTBB (182)
Trombone (181)
Tenor Saxophone (181)
1 Piano, 4 hands (179)
C Instruments (169)
Banjo (144)
Cello, Piano (143)
Mandolin (143)
Choral (133)
French horn (124)
Clarinet and Piano (124)
Piano Trio: piano, violin, cel… (121)
All Instruments (121)
Choral SSAA (118)
Harmonica (97)
Opera (94)
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Piano and Orchestra (84)
Recorder (79)
Music Theory (78)
Viola, Piano (77)
Orchestra, Violin (75)
Double Bass (75)
Harp (73)
Alto Saxophone and Piano (69)
Trumpet, Piano (69)
B Flat, E Flat, C and Bass cle… (68)
Oboe (67)
Choral Unison (63)
Accordion (63)
Percussion (62)
2 Violins (duet) (61)
Guitare (60)
Chamber Orchestra (60)
Medium voice, Piano (56)
Soprano voice, Piano (56)
Soli (SATB), Choeur Mixte (SAT… (52)
High voice, Piano (51)
Woodwind Quintet: flute, oboe,… (51)
Children choir (51)
School Ensemble (48)
Eb Instruments (46)
Divers (46)
Partition de Poche (45)
Flute and Guitar (45)
2 Pianos, 4 hands (44)
Band Scores (43)
Dulcimer (43)
2 Flutes (duet) (42)
Chant (41)
Voice, Guitar (40)
Tuba (39)
String Trio: violin, viola, ce… (39)
French Horn and Piano (39)
Bass Clef Instruments (39)
Baritone voice, Piano (39)
Tenor voice, Piano (38)
Mezzo-Soprano voice, Piano (38)
Bassoon (36)
2 Clarinets (duet) (35)
Trombone and Piano (34)
Brass Quintet: 2 trumpets, hor… (32)
Guitare Electrique (32)
Descant (Soprano) Recorder (32)
Oboe, Piano (duet) (32)
Biography (31)
ENS::Ensemble (31)
Musical Awakening (30)
Choral CD (30)
2 Guitars (duet) (30)
Piano Quintet: piano, 2 violin… (29)
Harpsichord (29)
Piano Accompaniment (27)
Low voice, Piano (27)
Soprano voice (27)
Big band (26)
2 Saxophones (duet) (26)
Cello, Orchestra (25)
Tenor voice (25)
Educatif (24)
Conducteur (24)
Double bass, Piano (duet) (24)
Wind ensemble (23)
Saxophone Quartet: 4 saxophone… (23)
Piano Quintet: piano, violin, … (23)
2 Recorders (duet) (22)
Autoharp (22)
2 Cellos (duet) (22)
Treble (Alto) Recorder (21)
Violon, Ensembles de Cordes et… (21)
Clavecin Et Instruments A Cord… (21)
Piano Quartet: piano, violin, … (21)
Concert Band/Harmonie (20)
Children choir, Piano (20)
Clarinet Quintet: Clarinet, St… (20)
B Flat, E Flat and C Instrumen… (20)
Soli (ATB), Choeur Mixte (SATB… (19)
Mezzo-Soprano voice (19)
Stationery (18)
Snare drums (18)
Choral SSAATTBB (18)
Low voice (17)
Bassoon, Piano (duet) (17)
Saxophone and Piano (17)
Flute, Orchestra (17)
2 Trumpets (duet) (17)
Violin, Cello (duet) (16)
Choral, Orchestra (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Brass Quartet (15)
Percussion Ensemble (15)
Pennywhistle (15)
Dobro (15)
Gemischter Chor (SSATB/SSATB/S… (15)
3 Violons, Instruments à Cord… (14)
Tuba and Piano (14)
Flexible Instrumentation (14)
Flûte Traversière, Violon, I… (14)
Clarinet, Orchestra (14)
Cajon (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Clarinet Quartet: 4 clarinets (13)
Harpsichord and Strings (13)
2 Trombones (duet) (13)
Medium Voice (13)
Recorder, Piano (12)
Solistes (SATB), Choeur Mixte … (12)
String quintet (12)
Trio à Cordes (12)
Euphonium (12)
Flute ensemble (12)
Oboe, Violin, Viola and Violon… (12)
Choral SSATB (12)
2 Violas (duet) (12)
Flûte Traversière, Violon et… (12)
High voice (12)
Lap Steel Guitar (12)
Soli (STB), Choeur Mixte (SSAT… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
1 Piano, 6 hands (11)
Clavier Electronique et Ligne … (11)
Descent (Soprano) Recorder, Pi… (11)
Gemischter Chor (SSAATBB) und … (11)
Flute, Basso continuo (11)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes (STB), Choeur Mixte (… (10)
Solistes SST, Choeur SSAATB, 2… (10)
Baritone voice (10)
Violin, Basso continuo (10)
String Trio: 2 violins, cello (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Organ, Piano (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
String Quintet: 2 violins, 2 v… (10)
Saxophone (band part) (10)
Marimba (10)
Clavecin (10)
Solistes SST, Choeur SATB/SATB… (9)
Gemischter Chor (SATB) und Orc… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, Ha… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Children choir, Instruments (9)
Clarinet, Cello, Piano (trio) (9)
Solo instrument and Organ (9)
Piano, Guitar (Chords) (9)
Solistes SAB, Choeur SATB, 3 F… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Choeur d'Enfants à 2 Parties … (9)
Violon, Ensembles de Cordes et… (9)
Flute Quartet: 4 flutes (9)
Orchestre: Choeur SSA, Flûte … (9)
Conga (9)
Soli (T (Evangelist), B (Jesus… (9)
Lyrics only (9)
Xylophone (9)
:: (9)
Solistes SS, 2 Altos, 2 Violon… (8)
Voice and Orchestra (8)
Piano, Violin, Bandoneon, Guit… (8)
Piano, Bass, Drums (trio) (8)
Solistes SATB, 2 Cors, 2 Violo… (8)
Piano, Guitar (duet) (8)
Ensembles de Cordes et Piano (8)
Solistes SATB, Choeur SATB, 2 … (8)
Harp, Flute (duet) (8)
Soli (SATB, Soprano Aussi Chor… (8)
Solistes SSA, Choeur SATB, 2 F… (8)
String Trio: 2 violins, viola (8)
Choeur SSA, 2 Flûtes Traversi… (8)
Petit Orchestre: Récitant, So… (8)
Ensemble (8)
Clarinet Ensemble (8)
Quintette avec Piano (8)
Violin, Horn and Piano (8)
Recorder Ensemble (8)
Bagpipe (8)
Brass ensemble, Organ (8)
Vocal duet, Piano (8)
Solistes SSATB, Choeur SSATB, … (7)
Piano, Voice, Guitar tablature… (7)
Flute, Violin, Violoncello and… (7)
Quatuor de Cuivres, Orgue et V… (7)
Clarinette, Basson, Cor, 2 Vio… (7)
Violoncello, Basso continuo (7)
Soli (STB), Gemischter Chor (S… (7)
Flute Trio: 3 flutes (7)
Electric bass, Drums (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Flute, Piano Trio (bass, drum,… (7)
Choeur SSATB, 2 Flûtes Traver… (7)
Soli (STB), Choeur Mixte (SATB… (7)
Saxophone Ténor et Piano (7)
Tenor Saxophone and Piano (7)
Violon 1, Violon 2, Alto, Viol… (7)
Soprano, Piano (7)
Big Note Piano (7)
Chamber Music (7)
Horn and String Quartet (Quint… (7)
Chorale (7)
Flute, Clarinet, Piano (trio) (6)
Soli (SATB), Chor (SATB) und K… (6)
Oboe and Orchestra (6)
Klavier und Orchester (6)
4 Parties Mixtes Et Orchestre (6)
Saxhorn en Sib (6)
Flute, Viola and harp (6)
Orchester (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Solo S, Choeur SATB, 2 Violons… (6)
Trombone or Euphonium (6)
Euphonium or Saxhorn and Piano… (6)
Guitar, Flute, Clarinet (6)
Orgue, 2 Hautbois, Cor Anglais… (6)
Saxhorn en Sib en Clé de Sol (6)
Solistes SATB, Choeur SATB, Pa… (6)
Saxhorn en Sib Basse Continue (6)
Set de Cordes (6)
Violine und Orchester (6)
Lute (6)
Solistes SATB, Choeur SATB, 4 … (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
Cello, String Bass (duet) (6)
Bass Clarinet (6)
Trombone (band part) (6)
Soprano voice, Orchestra (6)
Violin, Viola and Orchestra (6)
Piccolo, 2 Flûtes Traversièr… (6)
Hohe Stimme, Melodie-Instrume… (6)
Baryton ou Tuba et Fanfare (6)
Choeur SATB, 2 Violons, Violon… (6)
Petit Choeur SATB et Choeur SA… (6)
Fake Book (6)
Orchestre et Piano (6)
Vibraphone (6)
Violin, Guitar (duet) (6)
Guitar Tab, Voice, Bass, Drum (6)
Guitare Fingerpicking (6)
Ensemble Mixte (6)
Viola, Cello (duet) (6)
Djembe (6)
Trompette en Sib (5)
Concert Band ou Harmonie et Cl… (5)
Cello Ensemble (5)
Ensemble d'Instruments à Vent… (5)
Choeur Mixte (SATB), Orchestre… (5)
Trio avec Piano (5)
2 Flûtes Traversières, Instr… (5)
Bodhran (5)
English horn, Piano (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
CD (5)
2 Flûtes Traversières, Instr… (5)
Tout Instrument (5)
Solistes (SATB), Choeur Mixte … (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Choral SSAATBB, Organ (5)
Solistes SATB, Choeur SATB, 2 … (5)
Voix, Flûte à Bec et Percuss… (5)
Percussions Diverses (5)
Saxophone Baryton (5)
Pocket, Study conductor (5)
Hautbois, Clarinette, 4 Violon… (5)
Viola da Gamba (5)
Tenor Banjo (5)
Treble (Alto) Recorder, Piano (5)
Timpani (5)
2 Violons, Instruments à Cord… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Ensemble A Vent (4)
Violon Ou Flûte, Violoncelle … (4)
Flûte Traversière, Clarinett… (4)
Flûte Traversière Clarinette… (4)
Flûte Traversière, Hautbois,… (4)
ChÅ“ur Mixte [SATB] et Orchest… (4)
Organ, Percussion (4)
Quintette de Cuivres (4)
Flûte et Mandoline (4)
Clarinette, Violoncelle, Percu… (4)
2 Violons, Instruments A Corde… (4)
Basse, Choeur Mixte (SATB), Ha… (4)
Violon, Alto, Violoncelle et C… (4)
Clarinet, Violin, Cello, Piano… (4)
Piccolo, Piano (4)
Violon, Piano, Guitare Basse e… (4)
Saxophone, Band scores (4)
Voix Mixtes SAB et Piano (4)
3 Clarinets (trio) (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Septuor et Dispositif Electroa… (4)
String Quartet (4)
Choeur Mixteor (SATB), Orchest… (4)
Quatuor à Cordes et Enregistr… (4)
2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Guitar, String Quartet (4)
2 Oboes and English horn (4)
Flute, Violoncello (4)
Soli [AT] et Orchestre (4)
Solistes SATB, Choeur SATB, 2 … (4)
Flûte Traversière, Violon, A… (4)
Guitar and String Quintet (4)
Flûte, Clarinette, Piano, Vio… (4)
Trumpet (band part) (4)
Quatuor à Cordes et Electroni… (4)
Recorder Quartet (4)
Handbells (4)
Quatuor à Cordes (Piano ad li… (4)
Xylophone or Marimba or Vibrap… (4)
Flûte Traversière Basson et … (4)
Solo à (B), 2 Cors et Orgue (4)
Concert Band / Harmonie (4)
Flûte Traversière hautbois o… (4)
Quintette à vent (4)
Flûte Traversière (Ensemble … (4)
Matériel D'Orchestre (4)
2 Flutes, Piano (4)
Trumpet, Trombone (duet) (4)
Violon, Alto, Violoncelle et H… (4)
Baritone Ukulele (4)
Flute, Violin, Viola (4)
Cornet et Brass Band (4)
Quatuor (4)
Trio ou Quatuor à Cordes (4)
Flûte Traversière, Clarinett… (4)
5 Instruments à Vent (4)
Hautbois, Basson et Piano (4)
2 Violons Hautbois et Orchestr… (4)
2 Violins, Guitar (trio) (4)
Tous instruments (4)
String trio (4)
Guitar, Violin, Piano (4)
Soli (T (Evangelist), B (Jesus… (4)
Clarinette, Violoncelle et Pia… (4)
Choeur Mixte (SSATB) Et Instru… (4)
Hautbois et Cordes (4)
Choeur SATB et Orchestre (4)
Violon, Alto ou Violoncelle (4)
Chant et Guitare (4)
Percussions et Concert Band ou… (4)
Voix et Orchestre (4)
Scores (4)
Violin, Organ (4)
Harmonie (4)
Brass Quartet: 4 trombones (4)
Concert Band ou Harmonie et 3 … (4)
Flûte Traversière, Hautbois … (4)
Flûte Traversière Cordes et … (4)
Accessoire (4)
Trombone 2 (4)
Trompette ou Bugle et Piano (4)
Piano Quartet: piano, 2 violin… (4)
Guitar and Bass Tablatures, Ch… (4)
Oboe, Flute (4)
Choeur et Orchestre (4)
Violon 1 (4)
Fiddle (4)
Melody line, Piano (4)
Soprano Saxophone (4)
String Trio: 3 violins (3)
Saxophone Ténor ou Ensemble Å (3)
Violin, Viola (duet) (3)
Cello, Organ (3)
Voix Hautes (3)
Piano, Guitar, Bass (3)
Choral Unison, Piano (3)
Lyrics & Chords (3)
Flute, Oboe, Piano (trio) (3)
Tuba or Euphonium or Saxhorn (3)
Ensemble Flexible à 5 Parties… (3)
Voice Soprano, Cello (3)
Voice, Clarinet, Piano (3)
Guitar Ensemble (3)
Choeur Mixte (SSATB) et Instru… (3)
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Guitare et Voix (3)
Voix Mixtes (3)
Symphonic Band (3)
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Flute, Cello, Piano (trio) (3)
Concert Band ou Harmonie et Ba… (3)
Clarinet, Horn, Piano (3)
Tuba Ténor et Piano (3)
Woodwind Quintet (3)
CHAM::Chamber Group (3)
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Piano, Oboe and Bassoon (3)
Travaux Pour Choeurs (3)
Basse (3)
Libretto (3)
Solo à (B), Violon et Basse C… (3)
Bongos (3)
Baritone Saxophone (3)
2 Violins and Basso (3)
Accordion ensemble (3)
Oboe, Guitar (duet) (3)
Trompette 3 (3)
Organ and Brass Quartet (3)
3 Guitars (trio) (3)
Clavecin et Instruments à Cor… (3)
Baryton (3)
Bass Flute (3)
Mariachi (3)
Concert Band ou Harmonie et Ba… (3)
Violon II (3)
Saxophone Alto 2 (3)
Solistes SATB, Choeur SATB, 2 … (3)
Ligne Mélodique, Paroles Et A… (3)
Hautbois et Cor Anglais (3)
Organ, Trumpet (duet) (3)
Piano Trio: mixed chamber inst… (3)
Piccolo (3)
2 Cellos, Piano (3)
Piano, Clavier ou Orgue (3)
Trombone 3 (3)
Soprano Saxophone and Piano (3)
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Clarinette, Quatuor Pour Instr… (3)
Cor en Fa (3)
Concert band, Choral (3)
Tuba et Hélicon (3)
Cello, Guitar (duet) (3)
2 Clarinets, Piano (3)
Conducteur De Poche (3)
Choeur SA Et Piano (3)
Harp, Cello (duet) (3)
Trompette et Concert Band ou H… (3)
Guitare (Fingerpick) (3)
DVD concert (3)
Choeur d'Enfants et Piano (3)
Chanson (3)
Clarinet, Bass Clarinet, Violi… (2)
Flûte traversière (2)
Piano Trio: Violin, Viola, Pia… (2)
Trombone en Sib ou Mib ou Tuba… (2)
Harpsychord (2)
Saxophone ensemble (2)
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Flute (band part) (2)
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Trombone 1 (2)
Carte Postale (2)
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Solo Et 3 Partie(s) Voix Aigue… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Choeur SSA Et Percussions (2)
2 Parties Mixtes Et Piano (2)
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Brass Quartet: 4 horns (2)
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2 Snare Drums (duet) (2)
Trumpet and String Quartet (2)
Orgue Sans Pédale (2)
Section Rythmique (Piano, Guit… (2)
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Parties Supplémentaires (2)
Guitare Tablatures Classique e… (2)
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Opéra (2)
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Tuba (band part) (2)
Bugle and Piano (2)
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BAR/STR QUARTET::Baryton, Quat… (2)
Solistes SB, Choeur SATB, Picc… (2)
Madrigaux (2)
Soprano, SATB et Orchestre (2)
5-String Banjo (2)
28 Ã 67 Joueurs (2)
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Paroles (2)
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Violon et Clavier (2)
Cor ou Ensemble de Cuivres en … (2)
Vocal duet, Piano and Guitar c… (2)
Voix Haute (2)
Mittlere Stimme, Melodie-Inst… (2)
2 Bassoons (duet) (2)
Choeur SSA, Orgue, (Solistes S… (2)
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Electric Bass (band part) (2)
E Flat Instruments (2)
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Johann Sebastian Bach: Magnificat In D major BWV243: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major v...
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).- Urtext of the New Bach Edition- Full Score (BA5103) vocal score (BA510390) and study score format 22.5 x 16.5cm (TP2) available for saleBarenreiter Urtext:In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research.For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
4.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
(+)
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the co...
(+)
Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can beperformed. Urtext from the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Parts
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
(+)
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
(+)
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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