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FUGUE
HARMONICA
Violin and Piano
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5ème Fugue
Français
Violin and Piano
[Sheet music]
Billaudot
La référence CC2301 de l'éditeur Billaudot dont l'auteur célèbre est Tartin...
(+)
La référence CC2301 de l'éditeur Billaudot dont l'auteur célèbre est Tartini Giuseppe, qui a pour titre 5E FUGUE, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Fugue En Sol Mineur Bwv1026
Français
Violin and Piano
[Sheet music]
Billaudot
La référence GB3905 de l'éditeur Billaudot dont l'auteur célèbre est Bach J...
(+)
La référence GB3905 de l'éditeur Billaudot dont l'auteur célèbre est Bach Johann Sebastian, qui a pour titre FUGUE EN SOL MINEUR BWV1026, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Fugue En La Majeur Op. 7
Français
Violin and Piano
[Sheet music]
Billaudot
La référence CC2300 de l'éditeur Billaudot dont l'auteur célèbre est Gemini...
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La référence CC2300 de l'éditeur Billaudot dont l'auteur célèbre est Geminiani Francesco Saverio, qui a pour titre FUGUE EN LA MAJEUR OPUS 7, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
(+)
This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Sonata Op. 40 (CALLIGARIS SERGIO)
Violin and Piano
-
Intermediate
Ricordi
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in R...
(+)
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano
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Melodies Of The Moments - Cycle Vi
Violin and Piano
Belaieff
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov...
(+)
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov: 'Ce travail pourrait bien être appelé (par analogie avec Bach 'Art de la fugue') 'Art de Melody' s'il y avait une mission didactique. Mais pas ici de 'l'art' que ce soit, seulement mélodies, moments clignotants, capturé, figé dans le temps, des chansons sans paroles,. Mots qui peuvent être perdus ou oubliés '(V. Silvestrov) / Violon Et Piano
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Melodies Of The Moments - Cycle I
Violin and Piano
Belaieff
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov...
(+)
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov: 'Ce travail pourrait bien être appelé (par analogie avec Bach 'Art de la fugue') 'Art de Melody' s'il y avait une mission didactique. Mais pas ici de 'l'art' que ce soit, seulement mélodies, moments clignotants, capturé, figé dans le temps, des chansons sans paroles,. Mots qui peuvent être perdus ou oubliés '(V. Silvestrov) / Violon Et Piano
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Melodies Of The Moments - Cycle VII
Violin and Piano
Belaieff
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov...
(+)
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov: 'Ce travail pourrait bien être appelé (par analogie avec Bach 'Art de la fugue') 'Art de Melody' s'il y avait une mission didactique. Mais pas ici de 'l'art' que ce soit, seulement mélodies, moments clignotants, capturé, figé dans le temps, des chansons sans paroles,. Mots qui peuvent être perdus ou oubliés '(V. Silvestrov) / Violon Et Piano
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Melodies Of The Moments Cpl
Violin and Piano
M.P. Belaieff Musikverlag
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov...
(+)
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov: 'Ce travail pourrait bien être appelé (par analogie avec Bach 'Art de la fugue') 'Art de Melody' s'il y avait une mission didactique. Mais pas ici de 'l'art' que ce soit, seulement mélodies - moments clignotants, capturé, figé dans le temps, des chansons sans paroles -. Mots qui peuvent être perdus ou oubliés '(V. Silvestrov) / Violon Et Piano
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Melodies Of The Moments - Cycle V
Violin and Piano
Belaieff
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov...
(+)
Edition anniversaire à l'occasion du 75ème anniversaire de Valentin Silvestrov: 'Ce travail pourrait bien être appelé (par analogie avec Bach 'Art de la fugue') 'Art de Melody' s'il y avait une mission didactique. Mais pas ici de 'l'art' que ce soit, seulement mélodies, moments clignotants, capturé, figé dans le temps, des chansons sans paroles,. Mots qui peuvent être perdus ou oubliés '(V. Silvestrov) / Violon Et Piano
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Fughe E Capricci Pel' Clavicembalo O Per L'Organo - Opera Primera - 1777
Violin and Piano
Anne Fuzeau Productions
Edition : Berlin, (s.d. = 1777)Ces fugues et caprices sont conçus pour le clavi...
(+)
Edition : Berlin, (s.d. = 1777)Ces fugues et caprices sont conçus pour le clavier : orgue, clavecin, clavicorde.Présentation de Philippe Lescat : I. Edition - II. Eléments d'interprétation. / Clavecin Et Orgue / 41 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Prelude Fugue Et Variations Vl/Piano
Français
Violin and Piano
Durand
/ Violon Et Piano
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Fugue In A Major
Violin and Piano
Schott
/ Violon Et Piano
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Franck C. - Prelude Fugue Et Variations - Violon Et Piano
Français
Violin and Piano
Durand
Musical Category : violino e pianoforte
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Suite In The Old Style Op. 93
Violin and Piano
Bote and Bock
/ Violon Et Piano
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