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HARMONICA
Violin and Piano
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In The Zoo 2 (IGUDESMAN ALEKSEY)
Violin and Piano
[Sheet music]
-
Easy
Universal Edition
10 Easy Pieces. Par IGUDESMAN ALEKSEY. 'In the Zoo 2” is a further collection ...
(+)
10 Easy Pieces. Par IGUDESMAN ALEKSEY. 'In the Zoo 2” is a further collection of intermediate pieces for violin and piano by Aleksey Igudesman, depicting many of a child's favourite animals. Spanning from UK Grade 2 to 4, they will inspire young violinists to interpret the sounds and actions of the animals as notated by the composer and help them understand how abstract music can depict something very real. But what makes these compositions ingenious as teaching pieces is that, hidden within, are very useful technical studies. For example, in 'The Turtle”, steady bowing is needed to make a good tone in the long notes depicting this slow-moving creature. In 'The Crocodile”, short, staccato double stops (easy ones!) depict the snapping jaws and are contrasted with legato, sinuous passages as the animal creeps up on its prey! A clever piano part allows the teacher to support his or her young student and perhaps make a captivating concert piece for the end of term presentation. / Niveau : Facile / Recueil / Violon et Piano
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Paul de Keyser: Violin Playtime Book 1: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Easy
Faber Music Limited
With Violin Playtime the beginner Violinist can make music from the very first l...
(+)
With Violin Playtime the beginner Violinist can make music from the very first lessons. In the three books that make up the series there are over 100 little pieces - a treasure trove of attractive tunes - some traditional some well known some newly composed. The underlying approach is 'learn as you play' and a carefully devised groundplan of technical development makes it a manual in disguise - a tutor without text. Suitable for Beginner to Grade 1.
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Paul de Keyser: Violin Playtime Book 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Easy
Faber Music Limited
A selection of very first pieces for the beginner Violinist with Piano accompani...
(+)
A selection of very first pieces for the beginner Violinist with Piano accompaniment. With this fantastic book even the newest beginner can make music from the very first lessons. The underlying approach is 'learn as you play' and a carefully devised groundplan of technical development makes it a manual in disguise a tutor without text!
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In My Garden 1 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY...
(+)
Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. 'In my Garden 1” shows Igudesman in another light, that of a violin teacher, providing excellent material for younger violin students. Each piece depicts a fruit or vegetable to be found growing in the garden and includes a short poem (in English, French and German) and pictures to inspire the pupil and help them to interpret the music. But these are not just fun to play - they conceal useful study material to improve technique like staccato or lyrical smooth bowing. Clever use of double stops (one note always an open string) will help the student make a more rewarding sound and inspire confidence. Grade 1 students can enjoy some of the pieces and still be dipping into it a year or two later. A piano part is included to make these pieces ideal for an end-of-term concert and, for more ideas, Igudesman has also depicted animals in similar fashion in his two volumes 'In the Zoo”./ Recueil / Violon et Piano
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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Serenade
Violin and Piano
Schott
The Violinissimo series attempts to make the rich repertoire of five centuries o...
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The Violinissimo series attempts to make the rich repertoire of five centuries of violin music accessible for lessons, concerts and private music-making. The anthology Serenade contains a selection of 36 intermediate arrangements for violin and piano which can be used for performance purposes to enlarge the educational standard repertoire and make it more interesting and may therefore be a constant companion of every advanced pupil in his/her lessons. / Violon Et Piano
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Let's Take The Stage!
Violin and Piano
EMB (Editio Musica Budapest)
It's an unforgettable experience to go on stage for the first time and win appla...
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It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included. / Violon Et Piano
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Pablo de Sarasate: Zapateado: Violin: Instrumental Work
Violin and Piano
G. Henle
For the elaboration of his eight Spanish Dances (HN 1370) Sarasate employed ext...
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For the elaboration of his eight Spanish Dances (HN 1370) Sarasate employed extant material ??? folk melodies or songs by well-known composers ??? which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23 which make up nos. 5 and 6 of the third volume of Spanish Dances were composed in the summer 1879. Zapateado is a breath-taking highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer???s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition this piece has not lost any of its allureand continues to enjoy great popularity. For the elaboration of his eight Spanish Dances (HN 1370) Sarasate employed extant material ??? folk melodies or songs by well-known composers ??? which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23 which make up nos. 5 and 6 of the third volume of Spanish Dances were composed in the summer 1879. Zapateado is a breath-taking highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer???s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition this piece has not lost any of its allureand continues to enjoy great popularity.
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My Blue Violin
Violin and Piano
Schott
My blue violin draws both musicians and listeners into the world of swing and ja...
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My blue violin draws both musicians and listeners into the world of swing and jazz. Fast cheerful pieces alternate with pensive ones. Titles like My Cat and Me or Die Radtour [The Bicycle Ride] make the poetry of small things resound. Like a musical diary, they make us notice the beautiful things in everyday life. The pieces are of easy to intermediate difficulty and suitable for performances as well as music lessons. / Violon Et Piano
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Grade 3-4-A series available as violin duets or violin & piano.Whether a student...
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Grade 3-4-A series available as violin duets or violin & piano.Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. Thepurpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Nigel Goldberg.
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Paul de Keyser: The Young Violinist's Repertoire 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Easy
Faber Music Limited
for Violin and Piano-The Young Violinist's Repertoire Book 2 continues the groun...
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for Violin and Piano-The Young Violinist's Repertoire Book 2 continues the groundwork started in the first book and provides even more material from the vast literature for violin. Arranged progressively it takes the young player from the earliest stages up to an intermediate standard. There is technically and musically something here for every type of pupil.In this series of four books music is brought together from all over Europe and from all periods. Altogether they provide an invaluable source of material and make up an attractive library of simple classics for the learner violinist. These pieces are all for Violin with Piano accompaniment.The soloViolin part is also included on a separate insert.
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Paul de Keyser: The Young Violinist's Repertoire 3: Violin: Instrumental Album
Violin and Piano
-
Easy
Faber Music Limited
for Violin and Piano-The Young Violinist's Repertoire Book 3 has to be the ideal...
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for Violin and Piano-The Young Violinist's Repertoire Book 3 has to be the ideal introduction to the literature of the violin. Arranged progressively it takes the young player from the very early stages to an intermediate standard. In four books music is brought together from all over Europe and from all periods. Altogether they provide an invaluable source of material and make up an attractive library of simple classics for the learner violinist. This particular part of the series introduces third position. There is piano accompaniment alongside the violin.
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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The Concertmaster (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Some of the world's greatest violin solos are to b...
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Par TCHAIKOVSKI PIOTR ILITCH. Some of the world's greatest violin solos are to be found within the orchestral repertoire. The Concertmaster aims to make these solos readily accessible for the first time, both for study by the aspiring orchestral leader, and as a piano reduction, while the separate violin part contains helpful hints on bowing and fingering. The Concertmaster will prove an indispensable addition to the library of the more advanced violin student or young professional. Volume I contains all the famous solos from Tchaikovsky's orchestral music, including four major extracts from Swan Lake, two from The Sleeping Beauty, and one each from the orchestral Suites No.3 in G and No.4 ('Mozartiana')./ Répertoire / Violon et Piano
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Lili Boulanger: 2 Morceaux: Nocturne and Cortège: Violin: Instrumental Album
Violin and Piano
Hal Leonard
Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught A...
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Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful delicately coloured and touching. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thickerthe violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register which is answered by an low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents tricky runs and contrasting dynamics make this an exciting piece.
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Paul de Keyser: The Young Violinist's Repertoire 4: Violin: Instrumental Album
Violin and Piano
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Easy
Faber Music Limited
for Violin and Piano-The Young Violinist's Repertoire Book 4 has to be the ideal...
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for Violin and Piano-The Young Violinist's Repertoire Book 4 has to be the ideal introduction to the literature of the Violin. Arranged progressively it takes the young player from the very early stages to an intermediate standard. In four books music is brought together from all over Europe and from all periods. Altogether they provide an invaluable source of material and make up an attractive library of simple classics for the learner violinist. This particular part of the series uses first and third positions throughout.
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Paul de Keyser: Violin Playtime Book 3: Violin: Instrumental Album
Violin and Piano
Faber Music Limited
With Violin Playtime the beginner Violinist can make music from the very first l...
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With Violin Playtime the beginner Violinist can make music from the very first lessons. In the three books that make up the series there are over 100 little pieces - a treasure trove of attractive tunes - some traditional some well known some newly composed.Grade 2
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Stanley Glasser: Don't Fail Your Scales! Grades 1 and 2 Violin: Violin:
Violin and Piano
Bosworth
Scales and arpeggios for Grades 1 and 2 transformed into 33 imaginative pieces g...
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Scales and arpeggios for Grades 1 and 2 transformed into 33 imaginative pieces guaranteed to make learning quicker and lessons more fun. Also ideal for developing rhythmic skills. Each scale and arpeggio can be accompanied by a violin duet part or simple piano accompaniment.
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