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HARMONICA
Violin and Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Concert band (9400)
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Guitar notes and tablatures (223)
Ensemble A Vent (205)
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Voice solo (125)
Organ (115)
Flute (108)
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ENS::Ensemble (105)
Cello (105)
Clarinet Quartet: 4 clarinets (104)
Divers (103)
:: (101)
Trumpet (100)
School Ensemble (99)
Ensemble A 4 Parties (96)
Choral (96)
Drums (96)
Clarinet (93)
Choral TTBB (85)
String Quartet : 4 violas (85)
Piano and Orchestra (85)
Wind ensemble (83)
Flute and Piano (78)
2 Violins (duet) (75)
Violon 1 (6 parts) Violon 2 (6… (72)
Flexible Instrumentation (72)
Recorder Ensemble (71)
Percussion Ensemble (71)
Cello, Piano (70)
Orchestra, Violin (66)
Viola (66)
Clarinet Quintet: Clarinet, St… (63)
Big band (60)
Horn Ensemble (59)
Clarinet and Piano (58)
Bass guitar (56)
Clarinet Ensemble (54)
Clarinet, Violin, Cello, Piano… (53)
Flute Quartet: 4 flutes (53)
Keyboard (53)
Choral SSAA (51)
Trombone (50)
Band Scores (48)
Easy Piano (48)
Recorder Quartet (47)
Trumpet, Piano (46)
Alto Saxophone (46)
Children choir (45)
Soli (SATB), Choeur Mixte (SAT… (45)
Saxophone (42)
5 Part Ensemble (Clavier, Guit… (41)
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Oboe, Violin, Viola and Violon… (40)
Alto Saxophone and Piano (38)
2 Cellos (duet) (38)
French horn (37)
Viola, Piano (37)
Woodwind Quintet (36)
String Quintet: 2 violins, 2 v… (36)
Saxophone ensemble (35)
Chamber Music (35)
Violin, Cello (duet) (34)
Choral Unison (34)
Trio (33)
Flute and Guitar (33)
Cello, Orchestra (33)
Opera (33)
Percussion (33)
French Horn and Piano (32)
Flute ensemble (32)
Violin, Clarinet, Piano (trio)… (32)
Matériel D'Orchestre (32)
Clarinet, Cello, Piano (trio) (32)
C Instruments (32)
Brass Quartet: 2 trumpets, hor… (31)
Brass Quartet: 4 trombones (31)
Flute Trio: 3 flutes (31)
Guitar Ensemble (30)
Trio avec Piano (30)
2 Pianos, 4 hands (29)
Musical course - Solfege (29)
Ukulele (28)
Oboe, Piano (duet) (28)
Partition de Poche (27)
Flute, Cello, Piano (trio) (27)
Educatif (27)
Petit Ensemble Contemporain (26)
Scores (26)
Tenor Saxophone (26)
3 Clarinets (trio) (26)
Violin, Viola (duet) (26)
Banjo (26)
B Flat, E Flat, C and Bass cle… (25)
3 Tubas (25)
Trombone and Piano (25)
2 Flutes (duet) (25)
Violin, Horn and Piano (24)
4 Guitars (Quartet) (24)
Woodwind Quartet: any 4 woodwi… (23)
Quatuor (23)
Piano Accompaniment (23)
Symphonic Band (23)
Concert band, Choral (23)
Mandolin (23)
String Trio: 2 violins, cello (22)
Flute Quartet: Flute, Violin, … (22)
Flûte Traversière, Hautbois,… (21)
Flûte Traversière, Hautbois,… (21)
Quatuor de Cuivres et Orgue (21)
Violon, Ensembles de Cordes et… (21)
3 Recorders (trio) (21)
Clarinette, Viola and Piano (t… (21)
Ensemble à Cordes (21)
Clarinet Quartet: Clarinet, Vi… (21)
2 Guitars (duet) (20)
Trio ou Quatuor à Cordes (20)
Solistes (SATB), Choeur Mixte … (19)
Clavecin Et Instruments A Cord… (19)
Treble (Alto) Recorder, Basso … (18)
Flute, Clarinet and Bassoon. (18)
Flute, Oboe, Clarinet (trio) (18)
Oboe (18)
All Instruments (18)
Solistes STBB, Choeur SATTBB, … (17)
Tuba (17)
Parties Orchestrales (17)
B Flat, E Flat and C Instrumen… (17)
Flute, Piano Trio (bass, drum,… (16)
2 Clarinets (duet) (16)
Piano Quartet: piano, 2 violin… (16)
2 Saxophones (duet) (16)
Bb Instruments (16)
Trompette et Quatuor à Cordes… (16)
Melody line, (Lyrics) and Chor… (16)
Choral CD (16)
3 Trombones (trio) (16)
Double Bass (16)
Violin, Basso continuo (16)
Harpsichord and Strings (15)
Trompette, Cordes Et Basse Con… (15)
2 Trompettes, Cordes Et Basse … (15)
Flute, Viola and harp (15)
3 Saxophones (trio) (15)
Brass Quartet: 2 trumpets, 2 t… (15)
Mezzo-Soprano voice, Piano (15)
Saxophone and Piano (15)
Woodwind Quartet (15)
Ensemble (15)
3 Violons, Instruments à Cord… (14)
SB, 4 Parties Mixtes et Orches… (14)
2 Trompettes, Cor, Trombone, T… (14)
Flûte Traversière, Violon, I… (14)
Descent (Soprano) Recorder, Pi… (14)
Bassoon, Piano (duet) (14)
Voice, String Quartet (14)
Brass Quartet: 4 trumpets (14)
Trumpet ensemble (14)
Ensemble Mixte (14)
Percussion, Piano (duet) (14)
String trio (14)
Flute, Clarinet, Piano (trio) (13)
Trompette Et Orchestre (13)
Descant (Soprano) Recorder (13)
High voice, Piano (13)
Harp (13)
Harmonica (13)
Solo instrument and Organ (13)
Brass ensemble, Organ (13)
Choral, Orchestra (13)
String Trio: 3 violins (12)
Oboe and String quartet (12)
Cornet and Piano (12)
Violon, Alto, Violoncelle et C… (12)
Ensemble A 4 Parties et Piano … (12)
2 Recorders (duet) (12)
Violin, Viola and Orchestra (12)
Ensemble De Cuivres Et Percuss… (12)
String quintet (12)
Cello Ensemble (12)
Eb Instruments (12)
Accordion (11)
Flûte Traversière, Hautbois,… (11)
3 Bassons (11)
Treble (Alto) Recorder (11)
Madrigaux (11)
Bassoon (11)
Quintette à Cordes (11)
10 Flûtes à Bec (SSSSAATTBB)… (11)
Clarinette, 2 Violons, Alto et… (11)
Harmonie (11)
Choral SSAATTBB (11)
String Trio: 3 cellos (11)
Solistes STB (SB/TB/SATB), Cho… (10)
Flûte Traversière ou Flûte … (10)
Flute, Violin, Violoncello and… (10)
3 Trumpets (trio) (10)
Snare drums (10)
Flûte Traversière, Clarinett… (10)
Trumpet, Orchestra (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes STBarB, Choeur SATB, … (10)
Music Theory (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Flûte à Bec Alto et Basse Co… (10)
Saxophone and Orchestra (10)
Choral SSATB (10)
Chant (10)
Ensemble De Violon (9)
Hautbois, Clarinette et Basson… (9)
Solistes SATB, Choeur SATB, Ha… (9)
Clarinette, Cor Et Piano (9)
SATB, 4 Parties Mixtes et Inst… (9)
Clarinette, Violoncelle Et Pia… (9)
2 Hautbois, Cor Anglais et Bas… (9)
Quintette à vent (9)
Trio de Cuivres (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Orchestre (9)
Ukulele Ensemble (9)
Solistes SATB, Choeur SATB, 2 … (9)
Quintette (9)
Violon, Ensembles de Cordes et… (9)
Flûte Traversière Violon, Vi… (9)
2 Clarinettes Et Basson (9)
Orchestre: Choeur SSA, Flûte … (9)
Clarinet and Strings (9)
Travaux Pour Choeurs (9)
Flute and String Quartet (9)
Harpsichord (9)
Flute, Violin, Keyboard (basso… (9)
Flute, Orchestra (9)
Trombone ensemble (9)
Brass Quartet: 4 horns (9)
Hautbois et Quatuor à Cordes (8)
Saxophone Alto et Concert Band… (8)
4 Parties Mixtes, Instruments … (8)
Quatuor de Cordes (8)
2 Violins and Basso (8)
2 Violas (duet) (8)
Choeur SATB, 2 Cors, Violon So… (8)
Solistes SS, 2 Altos, 2 Violon… (8)
Flûte Traversière et 4 Clari… (8)
Mezzo-Soprano voice (8)
Soprano voice, Piano (8)
Violon ou Alto, 2 Basse Violon… (8)
2 Violons, Contrebasse et Bass… (8)
1 Piano, 6 hands (8)
3 Percussions (8)
Flûte Traversière, 2 Violons… (8)
Piano, Bass, Drums (trio) (8)
Quintette avec Piano (8)
Ensemble Instrumental et Petit… (8)
Hautbois et 4 Clarinettes (8)
Solistes SATB, Choeur SATB, 2 … (8)
Violon, Violoncelle, Alto et C… (8)
Euphonium or Saxhorn and Piano… (8)
2 Trompettes et 3 Trombones (8)
Clarinette et Quatuor à Corde… (8)
Viola, Organ (8)
Solistes SSA, Choeur SATB, 2 F… (8)
3 Guitars (trio) (8)
Quintette de Cuivres (8)
Soprano (8)
Piano Trio: Violin, Viola, Pia… (8)
Treble (Alto) Recorder, Piano (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
5 Part Ensemble et Piano ou Cl… (8)
Solistes SATTBarB, Choeur SATB… (8)
Flûte Traversière et Quatuor… (8)
Flute, Clarinet, Horn and Bass… (8)
Flute and Strings Trio (8)
Lyrics and Chords (8)
Solistes SSATB, Choeur SSATB, … (7)
4 Cellos (7)
Soprano, Choeur Mixte à 4 Voi… (7)
Flûte Traversière, Clarinett… (7)
Flûte Traversière ou Flûte … (7)
Clarinette, Basson, Cor, 2 Vio… (7)
Clarinette, Saxophone, Trompet… (7)
Ensemble De Cuivres Et Timbale… (7)
Clarinette, 2 Violons, Viole e… (7)
Choeur SATB, 2 Violons, Alto, … (7)
Clarinette, Violon et Piano (7)
2 Violons Et Basse Avec Basse … (7)
Flûte Traversière Alto et Gu… (7)
Flûte Traversière Clarinette… (7)
Musical Awakening (7)
Flûte Traversière, Clarinett… (7)
Flute, Basso continuo (7)
Quatuor avec Piano (7)
Brass ensemble, Percussion (7)
Children choir, Piano (7)
Flûte Traversière, Clarinett… (7)
Quatuor à Cordes et Piano (7)
Clarinette en Sib et Ensemble … (7)
Violon 1, Violon 2, Alto, Viol… (7)
Soli (STB), Gemischter Chor (S… (7)
Quintette à Cordes (2 Violons… (7)
Ensemble D'Altos (7)
Horn and String Quartet (Quint… (7)
Flûte, Clarinette, Cor, Violo… (7)
Low voice, Piano (7)
Medium voice, Piano (7)
Hohe Stimme, Melodie-Instrume… (7)
Saxophone Quintet: 5 Saxophone… (7)
Streichorchester (7)
2 Trumpets (duet) (7)
Flûte, Hautbois et Clarinette… (6)
Septuor De Cuivres (6)
Guitare Electrique (6)
Guitare (6)
Flûte, Hautbois, Clarinette, … (6)
Soli (SATB), Chor (SATB) und K… (6)
Flute, Oboe, Piano (trio) (6)
Flûte Traversière, Hautbois … (6)
Solo S (T), Viola da braccio (… (6)
3 Trombones et Fanfare (6)
Clarinette et Trio à Cordes (6)
String Trio: 2 violins, viola (6)
Brass Quintet: 2 trumpets, hor… (6)
Violon, Violoncelle Et Alto (6)
Soli (STB), Choeur Mixte (SATB… (6)
Harp, Violin, Violoncello (6)
3 Trompettes et Fanfare (6)
Guitar, Flute, Clarinet (6)
Medium Voice (6)
2 Flûtes A Bec Soprano Et Bas… (6)
Guitar Tab, Voice, Bass, Drum (6)
2 Violons, Alto, Violoncelle (6)
Baryton / Tuba / Clarinette Ba… (6)
5 Recorders (6)
3 French horns (trio) (6)
Gemischter Chor (SATB/CantoATB… (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Pocket, Study conductor (6)
SCORE::Score (6)
Solo S, Choeur SATB, 2 Clarine… (6)
Piano, Guitar, Bass (6)
Euphonium, Piano (duet) (6)
Flûte Traversière, Clarinett… (6)
Violon II (6)
Flûte à Bec Alto ou Flûte T… (6)
Cello, Guitar (duet) (6)
Choeur SATB, 2 Violons, Violon… (6)
Piano Trio: mixed chamber inst… (6)
2 Trumpets, Keyboard (piano or… (6)
Flûte A Bec Soprano (Flûte T… (6)
4 Parties Mixtes Et Orchestre (6)
Flute, Bassoon, and Piano (6)
Violine und Orchester (6)
Violin, Guitar (duet) (6)
Orchester (6)
2 Violins, Piano (6)
Klavier und Orchester (6)
Harp, Flute (duet) (6)
ENS::Ensemble d'cole (6)
Choeur SATB, 2 Violons et Bass… (5)
2 Flûtes Traversières, Instr… (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Quatuor (2 Trompettes, Trombon… (5)
Clarinet Quintet: 5 clarinets (5)
Clarinet, Saxophone, Piano (5)
Violon, Viole Et Orchestre (5)
Flute, Clarinet, Violin, Cello… (5)
Trio A Cordes (5)
Sextuor (5)
2 Flûtes Traversières, Instr… (5)
Brass Trio (5)
Soli (SATB), Chor (SATB) und O… (5)
Gemischter Chor (SSAATBB) und … (5)
Conducteur (5)
Musique de chambre (5)
Cajon (5)
Timpani (5)
Soli (STBar), Gemischter Chor … (5)
Flexible Wind Ensemble (5)
Octuor De Cuivres (5)
Violon I (5)
Cello, String Bass (duet) (5)
Piano, Violon Et Violoncelle (5)
Piano, Oboe and Bassoon (5)
Solistes SA, Choeur SA (SAB), … (5)
Voix Et Instruments Divers (5)
Tenor voice, Piano (5)
Tuba and Piano (5)
Guitar, String Quartet (5)
4 Percussions (5)
Flute, Violin, Viola (5)
Set de Cordes (5)
Recorder, Piano (5)
2 Recorders, Basso continuo (t… (5)
Trio de Vents (4)
2 Violons, Instruments à Cord… (4)
Recorder , String quartet (4)
Basson et Concert Band ou Harm… (4)
Violon Ou Flûte, Violoncelle … (4)
2 Oboes, 2 Bassoons (4)
Clarinettes et Autres Instrume… (4)
2 Cors, 2 Violons, Alto et Con… (4)
CHAM::Musique De Chambre (4)
2 Oboes and English horn (4)
Flûte (2 parts) Clarinette en… (4)
Tenor Saxophone and Piano (4)
Double bass, Orchestra (4)
String Quartet (4)
Flûte Traversière Clarinette… (4)
Flûte Traversière Hautbois, … (4)
Oboe, Guitar (duet) (4)
Violoncello, Basso continuo (4)
Solo S (T), Flûte à Bec F1 (… (4)
2 Violons, Instruments A Corde… (4)
Flûte Traversière, 2 Violons… (4)
Clarinette, Piano et Quatuor … (4)
Flute, Oboe, Clarinet, Bassoon… (4)
Partition Et Parties (4)
Violon et Clarinette (4)
Clarinette et Orchestre à Cor… (4)
Piano, Guitar (duet) (4)
Bass Clef Instruments (4)
Violin (band part) (4)
Horn, Violin, 2 Violas and Cel… (4)
3 Flûtes à Bec Alto ou Violo… (4)
Drum set and Piano (4)
Voix et Piano Réduction (4)
Violes de Gambe (4)
String Quintet: 2 violins, vio… (4)
Alto, Flûte Traversière (Aus… (4)
Saxophone Alto et Fanfare (4)
2 Recorders, Piano (4)
3 Violons, Alto et Violoncelle… (4)
String Quintet : 2 Violins, Vi… (4)
Concert Band/Harmonie (4)
Flûte Traversière Piccolo, C… (4)
3 Percussionnistes (4)
Hautbois, Basson et Piano (4)
Piccolo / Flûte 1 (1 Partitio… (4)
Flûte Traversière, Hautbois,… (4)
Organ, Percussion (4)
Flûte Traversière, Alto et H… (4)
2 Cornets, Cor en Mib et Tuba (4)
Cor et Quatuor à Cordes (4)
Soli [AT] et Orchestre (4)
3 Violons, Bas Viol et Basse C… (4)
Clarinet and Accordion (4)
Ensemble Flexible (4)
Quatuor à Cordes (Piano ad li… (4)
2 Flutes, 2 Clarinets (Quartet… (4)
Flûte Traversière Basson et … (4)
Choeur SATB, Orgue, Saxophone … (4)
Brass Quartet (2 Trumpets, Ho… (4)
Petit Ensemble à Vents (4)
Flûte Traversière, Violon, A… (4)
Flûte Traversière Basson et … (4)
Hautbois, Clarinette, Violon, … (4)
Saxophone and Organ (4)
Violon, Clarinette, Cor, Violo… (4)
4 Bassons (4)
Flûte [Piccolo], Hautbois, Cl… (4)
Flûte Traversière, Clarinett… (4)
Petite Clarinette, Clarinette … (4)
Guitare et Orchestre de Chambr… (4)
Flûte, Saxophone Alto, Guitar… (4)
Trio à Cordes (4)
Clarinet, Orchestra (4)
3 Saxophones et Concert Band o… (4)
Sextuor (3 Trompettes Et 3 Tro… (4)
2 Oboes, 2 Horns and 2 Bassoon… (4)
2 Flutes, Piano (4)
Trumpet and String Quartet (4)
Baryton ou Tuba et Fanfare (4)
Clarinette, Trompette, Trombon… (4)
Biography (4)
Organ, Piano (duet) (4)
Percussions et Concert Band ou… (4)
Gemischter Chor (SATB) und Orc… (4)
Mandolin, Guitar (duet) (4)
Soli (SATB), Gemischter Chor (… (4)
Recorder, Guitar (duet) (4)
Baritone voice, Piano (4)
Flûte, Hautbois, Clarinette e… (4)
String Quintet: 2 violins, vio… (4)
3 Bassoons (4)
Flûte Traversière Cordes et … (4)
Flexible Ensemble (4)
Trompette I (3)
Flûte Traversière, 2 Clarine… (3)
Choeur SATB et Orchestre (3)
Choeur SA Et Piano (3)
Flute, Horn and Piano (3)
Clarinette en Mib, 2 Clarinett… (3)
Piccolo, Violoncelle et Piano (3)
Quintette de Bois (3)
Violon, Orchestre à Cordes et… (3)
5TET/STR ENS::Quintet, String … (3)
Oboe and Orchestra (3)
Oboe, Violin, Piano (3)
Viola da Gamba (3)
Marimba and Orchestra (3)
Flûte Traversière Hautbois e… (3)
Violon, Violoncelle et Accord… (3)
String quartet: 4 violins (3)
Flûte, Clarinette, Piano, Vio… (3)
2 Flûtes Traversières et Vio… (3)
Parties Séparées (3)
Hautbois, Cor Anglais et Basso… (3)
Violin, Cello, Clarinet (3)
Violon, Saxophone, Percussions… (3)
Quatuor de Cuivres, Orgue et V… (3)
Trompettes Et Autres Instrumen… (3)
Instruments En Sib (3)
Choeur SSATTB et Basse Continu… (3)
4 Parties Mixtes, Instruments … (3)
Flûte Traversière Violoncell… (3)
Piccolo, Hautbois et Clarinett… (3)
Ensemble de Vents (3)
Hautbois, Clarinette en Sib, S… (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Voice, Guitar (3)
Flûte à Bec Alto ou Flûte T… (3)
Piano Quintet: mixed chamber i… (3)
Clarinette en Sib, 2 Violons, … (3)
Clarinette en Sib, Guitare Ele… (3)
Piano, Violon et Cor ou Alto o… (3)
Clarinette, Alto et Piano (3)
Flûte Traversière Violon et … (3)
Mug (3)
4Part Flexible Band et Opt. Pi… (3)
VIOL(6)::Viole(Sextuor) (3)
Quatuor (Hautbois, Clarinette … (3)
Flûte à Bec, Flûte Traversi… (3)
Violoncelle solo, Basse Flûte… (3)
Quintette à vent Variable ave… (3)
Euphonium et 4 Clarinettes (3)
Flûte à Bec Alto ou Flûte T… (3)
Piano, Violoncelle et Violon (3)
Ensemble De Cuivres Et Orgue (3)
Guitar, Orchestra (3)
Parties Haute et Basse-Contre,… (3)
Flûte Traversière Violon, Al… (3)
Violin ensemble (3)
Flûte Alto (Piccolo), Cor Ang… (3)
Concert Band ou Harmonie et 3 … (3)
Formations Multiples (3)
Quintette à Vent et Piano (3)
Clarinette, Violon, Violoncell… (3)
Flûte Traversière, Hautbois … (3)
VLN/VLA/VLC::Violin, Viola, Ce… (3)
Violon, Piano et Contrebasse (3)
Quatuor (2 Trompettes, Trombon… (3)
Flute, Viola and Piano (3)
Flûte Traversière, Hautbois … (3)
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Oliver Knussen: Reflection (op. 31a): Violin: Score and Parts
Violin and Piano
Faber Music Limited
This enchanting 8-minute piece for violin and piano – Oliver Knussen&rsquo...
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This enchanting 8-minute piece for violin and piano – Oliver Knussen’s penultimate work – is made up of various kinds of musical reflection: melody reflected in its inversion; a six-note mode reflected in its complement; and the relationships between the three main parts of the piece which are in a way varied reflections of each other. There are some reflections in water too the work’s opus number (31a) demonstrating a relationship to Knussen’s unfinished Cleveland Pictures: ‘The main melody began as a response to Gauguin’s painting of a Breton woman swimming’ Knussen wrote ‘and there is also perhaps anecho of the lonely underwater world of an ondine eventually breaking the surface at the end of the piece.’
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 2 K.10-15: Violin: Parts
Violin and Piano
G. Henle
Leopold Mozart was only able to understand his son?s musical genius in terms of ...
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Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoeverhas not seen or heard it cannot believe it?. In 1764 Wolfgang composed six sonatas in London possibly after the model of Johann Christian Bach?s ?Opus 2? that can either be played as piano trios as violin sonatas or simplyon the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.
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Johannes Brahms: Concert D Op.77: Violin: Instrumental Work
Violin and Piano
[Reduction]
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Percy Turnbull: Romance: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Thames Publishing
The work of British composer Percy Turnbull is less well known than some of his ...
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The work of British composer Percy Turnbull is less well known than some of his counterparts but interest in his works is steadily on the increase. Drawing from wide influences such as Roussel Fauré Delius and Bartok his individual and original compositional style often incorporates French and English music. Dating from the mid-1930s his Romance for Violin and Piano is typical of his work; unostentatious and uncomplicated while maintaining a sense of harmonic and technical mastery. Wonderfully written for Violin and Piano this is a vivid and eloquent piece that will be enjoyed by both listeners and performers.
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Mary Cohen R. Spearing: Superstart Violin Accompaniments: Violin: Instrumental
Violin and Piano
[Sheet music]
Faber Music Limited
Piano accompaniments and violin duet parts-All the Piano Accompaniments and Viol...
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Piano accompaniments and violin duet parts-All the Piano Accompaniments and Violin Duet parts for Mary Cohen's Superstart Violin Books 1 - 2.
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A. Berg: Violinkonzert: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Advanced
G. Henle
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1...
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With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and AlmaMahler with whom Berg was friends - died of polio.He dedicated the concerto 'To the memory of an angel' in her memory. Then Alban Berg died in 1935 so he no didn't live to see it printed or performed. Henle's edition -Violin part and Piano reduction - follows the score edited by Michael Kube which is being published simultaneously by Breitkopf & Härtel together with the orchestral parts and pocket score.The illustrious violinist FrankPeter Zimmermann has provided fingerings and bowings for the violin part.
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 1 K.6-9: Violin:
Violin and Piano
G. Henle
Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius ...
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Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius recognised at an early age could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna older by five years were admired as being 'Wunderkinder' (prodigies) on theirtravels through Western Europe between 1763 and 1766. The piano sonatas ?with a violin accompaniment? K. 6 9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds colour butnot as an equal partner unlike in the later great violin sonatas (see HN 77 80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know ?everything? todiscover some treasures.With marked and unmarked string parts
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Wolfgang Amadeus Mozart: Concerto For Violin In D K.271a: Violin: Instrumental
Violin and Piano
[Reduction]
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Mozart?s concertos for Violin and Orchestra belong to that elite group of works ...
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Mozart?s concertos for Violin and Orchestra belong to that elite group of works determining a Violin players abilities; they are elegant and transparent with demanding passage-work. The Concerto In D Major K.2 271a the ?6th? Mozart Violin concerto has come down to us in two separate sources a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edition considers this concerto to be of doubtful authenticity. There are however many musicologists who feel that the work has numerous Mozart attributes.This new publication takes both the above mentioned sources into account andincludes the cadenzas from the respective New Mozart Edition volume appendix although these are certainly not from Mozart's pen.- The ?6th? Mozart Violin concerto!- Cadenzas from the sources.- With an alternative ending.- Additional solo part with fingerings and bowings.- Straight-forward Piano reduction.- Full score and performance material (BA5769) and Violin and Piano reduction (BA5769-90) available for sale.
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Christmas Strings (MILLER DONALD)
Violin and Piano
-
Beginner
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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Miller: Christmas Strings: Violin 1 and 2: Violin Duet: Instrumental Album
Violin and Piano
[Sheet music]
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Beginner
Mel Bay
With Piano Accompaniment-These books are arranged to be performed with various c...
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With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
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Dvorak - Violin Concerto Op.53 - Violon and Piano
Violin and Piano
Barenreiter
Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. B...
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Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. BA 10422-90 ISMN 9790260107687 Editor Cividini, Iacopo Dvorák?s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondrícek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim?s fingering is published. ? First Urtext edition of the original piano reduction ? Variants in the solo part rendered as ossia passages ? Foreword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Sheet music]
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Easy
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
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Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Kevin Volans: Kevin Volans: violin:piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
violin:piano is a work by Kevin Volans for Violin and Piano in which the two in...
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violin:piano is a work by Kevin Volans for Violin and Piano in which the two instruments play at different tempi. This unusual and challenging piece was commissioned by Chris Alexander and premieredby himself and Waldo Alexander at the Ultraschall Festival Berlin in 2012. A full performance of this work lasts around 25 minutes. This includes both the Violin and Piano parts.
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Ludwig van Beethoven: Violin Concerto In D Op. 61 - Kremer Edition: Violin:
Violin and Piano
G. Henle
2 volumes in a slipcase with marked and unmarked string part with orchestra part...
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2 volumes in a slipcase with marked and unmarked string part with orchestra parts-On the occasion of the 70th birthday of Gidon Kremer violinist extraordinaire G. Henle Publishers is issuing a special edition of Beethoven?s Violin Concerto in collaboration with the Kronberg Academy. It comprises two editions gathered together in an attractive slipcase: the piano score and violin part without annotations (also available as HN 326) and the ?Kremer part?. The latter includes fingerings and bowings by Gidon Kremer. The musical text isfollowed by an essay by Kremer about recordings of the Beethoven Concerto bearing the attractive title: ?Searching for Ludwig?. And this is not all: the first-movement cadenza by the composer Victor Kissine which Kremer hasalready played numerous times is published here for the very first time. The solo violin is here accompanied by wind and percussion. The edition also includes the corresponding performance materials for the cadenza including thescore and a piano reduction for study purposes. This extraordinary Urtext edition is rounded off with a foreword by Friedemann Eichhorn. Congratulations Maestro Kremer!
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Georg Friedrich Händel: Seven Sonatas For Violin And Basso Continuo: Violin:
Violin and Piano
G. Henle
7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seve...
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7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel’s exquisite brilliance. This HenleVerlag Urtext edition is derived from Handel's original manuscripts with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years thus it is the definitive referencesource for study and performance preparation. Separate performance parts are included for the solo Violin additional Violin and the realisation of the figured Bass for Cello alongside the full Piano/ Keyboard score.Edited by Stanley Sadie.
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Sonata For Arpeggione And Piano D 821
Violin and Piano
Wiener Urtext
Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid in...
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Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. The version for violin and piano has survived in a manuscript of parts from the days of Schubert which has become accessible only recently and is quite a sensation in the early 19th-century violin repertoire. The edition follows, for the most part, the text of Schubert's extant autograph and the contemporary violin part. / Violon Et Piano
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Concertino G Major, Op. 11
Violin and Piano
Schott
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th c...
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Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect Küchler's educational ideology - 'to always separate the difficulties and never demand that the pupil overcome two difficulties at once?. The work is also available in an arrangement for solo violin with string quartet accompaniment (with double-bass ad lib.)(Schott, SE 1002). The viola part can be replaced by a third violin if necessary. By using the parts for multiple players, this can also be performed by a beginner string orchestra.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasure:Accompanying tracks of the pieces available as downloads / Violon Et Piano
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Bach J.s. - Concerto In G Minor Bwv 1056 - Violon and Piano
Violin and Piano
Barenreiter
Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor R...
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Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor Reconstructed from BWV 1056 - Reconstructed from the Urtext of the ?New Bach Edition? - Meticulous analysis and evaluation of the sources - Interpretative leeway for keyboard players This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach?s arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion.
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Jean Sibelius: Humoresque IV Op. 89b: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Hu...
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Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.
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Claude Bolling: Suite For Violin And Jazz Piano: Violin and Accomp.:
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Hal Leonard
Transcriptions to the 8-part suite featuring the jazz piano of Claude Bolling an...
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Transcriptions to the 8-part suite featuring the jazz piano of Claude Bolling and the internationally renowned violin playing of Pinchas Zukerman. Includes parts for piano violin bass and drums.
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Wolfgang Amadeus Mozart: 18 Sonatas: Violin: Instrumental Album
Violin and Piano
Schirmer
Eighteen of Mozart's sublime Sonatas for Violin And Piano are collected here ed...
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Eighteen of Mozart's sublime Sonatas for Violin And Piano are collected here edited and fingered by Henry Schradieck with a Piano reduction by Alexander Rihm. They are delightful graceful and flowing displaying all the traits of Mozart’s character. Some date back to 1778 and include the six Palantine Sonatas. All the Violin parts for every sonata are included in a separate volume packaged together with the Piano score.
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Concerto For Violin, Strings And Basso Continuo G Minor (BACH JOHANN SEBASTIAN)
Violin and Piano
[Sheet music]
Barenreiter
Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in ...
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Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano
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