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Even Me
OBOE
Brass ensemble
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John Williams: Theme from Schindler's List: Brass Band: Score
Brass ensemble
De Haske Publications
Avec cinq Oscars trois British Awards décernés par l?industrie cinématograph...
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Avec cinq Oscars trois British Awards décernés par l?industrie cinématographique britannique trois Golden Globes quatre Emmy Awards dix-huit Grammy Awards d?innombrables disques d?or et de platine John Williams (1932) est le plus célèbre et le plus accompli de tous les compositeurs de musiques de film. Composant dans le style classique et possédant une fibre mélodique immensément riche il séduit par la brillance orchestrale et la beauté lyrique de ses œuvres. Son nom est indissociable de celui du cinéaste américain Steven Spielberg. C?est pour lui qu?il a composé le plus de bandes originales parmi lesquelles E.T. Indiana Jones Jurassic Park Il faut sauver lesoldat Ryan et la sublime bande originale du film La Liste de Schindler pour laquelle il reçoit un Oscar en 1994.
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Ray Steadman-Allen: Expressions: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
A suite in three movements by Ray Steadman-Allen based on the Norwegian folk so...
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A suite in three movements by Ray Steadman-Allen based on the Norwegian folk song 'P? Kl?rfjell der kvelver seg borgi sa rein'.The work opens with the melody in the flugel horn and the theme is then developed and varied with many nuances throughout the work.The 2nd and 3rd movements are played continuously.The piece was commissioned by Manger Musiklag in 1988 and bears all the marks of the composer's masterly instrumentation. Een suite in drie delen door Ray Steadman-Allen gebaseerd op de Noorse folk song ''P? Kl?rfjell der kvelver seg borgi sa rein''. Het werk opent met de melodie in de bugel en het thema wordt vervolgens ontwikkeld en gevarieerd met veelnuances door het hele werk. Het tweede en derde deel worden zonder onderbreking gespeeld. Het stuk werd geschreven in opdracht van Manger Musiklag in 1988 en draagt alle kenmerken van de componist zijn meesterlijke instrumentatie.
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Ray Steadman-Allen: Expressions: Brass Band: Score
Brass ensemble
Gobelin Music Publications
A suite in three movements by Ray Steadman-Allen based on the Norwegian folk so...
(+)
A suite in three movements by Ray Steadman-Allen based on the Norwegian folk song 'P? Kl?rfjell der kvelver seg borgi sa rein'.The work opens with the melody in the flugel horn and the theme is then developed and varied with many nuances throughout the work.The 2nd and 3rd movements are played continuously.The piece was commissioned by Manger Musiklag in 1988 and bears all the marks of the composer's masterly instrumentation. Een suite in drie delen door Ray Steadman-Allen gebaseerd op de Noorse folk song ''P? Kl?rfjell der kvelver seg borgi sa rein''. Het werk opent met de melodie in de bugel en het thema wordt vervolgens ontwikkeld en gevarieerd met veelnuances door het hele werk. Het tweede en derde deel worden zonder onderbreking gespeeld. Het stuk werd geschreven in opdracht van Manger Musiklag in 1988 en draagt alle kenmerken van de componist zijn meesterlijke instrumentatie.
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John Williams: Theme from Jurassic Park: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
This passionate and uplifting theme comes from one of Steven Spielberg’s ...
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This passionate and uplifting theme comes from one of Steven Spielberg’s most successful films Jurassic Park. As with many of Spielberg’s films the music has been supplied by John Williams and plays an extremely important role in creating the film’s atmosphere. The melody and orchestration makes this theme ideal for the sound of the brass band and this arrangement will not disapoint.
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God rest ye merry Gentlemen: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
‘God rest ye merry Gentlemen’ is an ancient English carol. It was ...
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‘God rest ye merry Gentlemen’ is an ancient English carol. It was first published in 1833 but it can be traced as far back as the 15th century which makes it one of the oldest carols known. ‘God rest ye merry’ is a Middle English salutation. In this manner people wished one another greatness and might. In modern English the first line of this carol would read ‘May God keep you mighty gentlemen’. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable but the arranger has taken a good many liberties. Sometimes a particular note is held longer at times motifs follow oneanother in various parts. If you listen carefully you may even be able to detect a motif from another well-known song.
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God rest ye merry Gentlemen: Brass Band: Score
Brass ensemble
Gobelin Music Publications
‘God rest ye merry Gentlemen’ is an ancient English carol. It was ...
(+)
‘God rest ye merry Gentlemen’ is an ancient English carol. It was first published in 1833 but it can be traced as far back as the 15th century which makes it one of the oldest carols known. ‘God rest ye merry’ is a Middle English salutation. In this manner people wished one another greatness and might. In modern English the first line of this carol would read ‘May God keep you mighty gentlemen’. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable but the arranger has taken a good many liberties. Sometimes a particular note is held longer at times motifs follow oneanother in various parts. If you listen carefully you may even be able to detect a motif from another well-known song.
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Troja (SCHWARZ OTTO M)
Brass ensemble
[Score]
Symphonic Dimensions Publishing
Troy. Par SCHWARZ OTTO M.. Dans son ?uvre l?Iliade datant du 8e siècle avant J....
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Troy. Par SCHWARZ OTTO M.. Dans son ?uvre l?Iliade datant du 8e siècle avant J.-C. et situant cela dans ce qui est actuellement probablement l'Asie Mineure, le poète grec Homère a décrit Troie et la guerre de Troie. Aujourd?hui, nous connaissons le terme 'cheval de Troie' dans le sens d'un programme malveillant introduit clandestinement dans un ordinateur. L?utilisation du terme vient du cheval de Troie mythique qui a provoqué le tournant dans le combat des Grecques contre les Troyens grâce à la ruse d?Ulysse. Revenons au point de départ de l'histoire :?Pâris, le fils du roi de Troie, est invité par Zeus à juger la beauté des trois déesses Aphrodite, Pallas Athéna et Héra. Aphrodite, la déesse de l'amour, flatte Pâris en lui promettant la plus belle femme du monde. Peu de temps après, lors d'un voyage en Grèce, Pâris rencontre la belle Hélène, qui tombe immédiatement amoureuse de lui. Même si elle est l'épouse du roi spartiate Ménélas, elle se laisse volontiers enlever par Pâris. Les Grecs se réunissent alors pour former une grande armée et entamer une guerre contre Troie pour récupérer Hélène. Il s?en suivit un siège de la ville pendant dix ans. La ville ne pourra être prise pendant le combat, mais elle le sera uniquement grâce à la ruse d'Ulysse. Il a l'idée de construire un grand cheval de bois avec des guerriers cachés à l'intérieur. Le cheval est placé aux portes de la ville. Les Troyens sont dupés avec l?abandon du siège, après quoi et malgré quelques avertissements, ils amènent le cheval dans la ville pour le consacrer à la déesse Athéna. La nuit, les guerriers descendent du cheval et ouvrent la porte à l'armée grecque. Les troupes prennent d'assaut la ville et l'incendient. La famille royale et tous les guerriers de Troie sont tués ; seul Énée, le fils d'Aphrodite, s?échappa et après des années d'errance devint l?ancêtre des Romains. Il existe plusieurs versions du destin de la belle Hélène. On dit qu'elle est retournée à Sparte avec Ménélas et qu'elle y a régné jusqu'à la fin de sa vie. Ou pas... / Date parution : 2023-06-01/ Répertoire / Brass Band
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Troja (SCHWARZ OTTO M)
Brass ensemble
[Score and Parts]
Symphonic Dimensions Publishing
Troy. Par SCHWARZ OTTO M.. Dans son ?uvre l?Iliade datant du 8e siècle avant J....
(+)
Troy. Par SCHWARZ OTTO M.. Dans son ?uvre l?Iliade datant du 8e siècle avant J.-C. et situant cela dans ce qui est actuellement probablement l'Asie Mineure, le poète grec Homère a décrit Troie et la guerre de Troie. Aujourd?hui, nous connaissons le terme 'cheval de Troie' dans le sens d'un programme malveillant introduit clandestinement dans un ordinateur. L?utilisation du terme vient du cheval de Troie mythique qui a provoqué le tournant dans le combat des Grecques contre les Troyens grâce à la ruse d?Ulysse. Revenons au point de départ de l'histoire :?Pâris, le fils du roi de Troie, est invité par Zeus à juger la beauté des trois déesses Aphrodite, Pallas Athéna et Héra. Aphrodite, la déesse de l'amour, flatte Pâris en lui promettant la plus belle femme du monde. Peu de temps après, lors d'un voyage en Grèce, Pâris rencontre la belle Hélène, qui tombe immédiatement amoureuse de lui. Même si elle est l'épouse du roi spartiate Ménélas, elle se laisse volontiers enlever par Pâris. Les Grecs se réunissent alors pour former une grande armée et entamer une guerre contre Troie pour récupérer Hélène. Il s?en suivit un siège de la ville pendant dix ans. La ville ne pourra être prise pendant le combat, mais elle le sera uniquement grâce à la ruse d'Ulysse. Il a l'idée de construire un grand cheval de bois avec des guerriers cachés à l'intérieur. Le cheval est placé aux portes de la ville. Les Troyens sont dupés avec l?abandon du siège, après quoi et malgré quelques avertissements, ils amènent le cheval dans la ville pour le consacrer à la déesse Athéna. La nuit, les guerriers descendent du cheval et ouvrent la porte à l'armée grecque. Les troupes prennent d'assaut la ville et l'incendient. La famille royale et tous les guerriers de Troie sont tués ; seul Énée, le fils d'Aphrodite, s?échappa et après des années d'errance devint l?ancêtre des Romains. Il existe plusieurs versions du destin de la belle Hélène. On dit qu'elle est retournée à Sparte avec Ménélas et qu'elle y a régné jusqu'à la fin de sa vie. Ou pas... / Date parution : 2023-06-01/ Répertoire / Brass Band
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Bruce Fraser: Ding Dong it's Christmas: Brass Band: Score
Brass ensemble
Gobelin Music Publications
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of mi...
(+)
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of misleading his audience time and again. The title already indicates that this piece has been based on the well-known Carol 'Ding Dong Merrily on High' even if the melody makes a somewhat halting start. When it gathers pace however also due to the percussion section suddenly various other carols may be recognized. Peace and quiet reign in the middle part during which we can enjoy Bach's charming 'O Jesulein süss'. 'Ding Dong it's Christmas' ends in the same way it began even if more and more Carols put in an appearance. Merry Christmas!
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Bruce Fraser: Ding Dong it's Christmas: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of mi...
(+)
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of misleading his audience time and again. The title already indicates that this piece has been based on the well-known Carol 'Ding Dong Merrily on High' even if the melody makes a somewhat halting start. When it gathers pace however also due to the percussion section suddenly various other carols may be recognized. Peace and quiet reign in the middle part during which we can enjoy Bach's charming 'O Jesulein süss'. 'Ding Dong it's Christmas' ends in the same way it began even if more and more Carols put in an appearance. Merry Christmas!
47.50 GBP - Sold by Musicroom UK
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William Vean: Animal Kingdom: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
(+)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
64.99 GBP - Sold by Musicroom UK
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William Vean: Animal Kingdom: Brass Band: Score
Brass ensemble
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
(+)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
13.99 GBP - Sold by Musicroom UK
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In Nomine (SCHWARZ OTTO M)
Brass ensemble
[Score]
Symphonic Dimensions Publishing
Par SCHWARZ OTTO M.. Combien de fois quelque chose a-t-il été justifié, procl...
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Par SCHWARZ OTTO M.. Combien de fois quelque chose a-t-il été justifié, proclamé ou béni « Au nom de? » ? Comment peut-il se faire que des armes et des combattants « Au nom de? » soient bénis ? Cela a été un fil conducteur dans l'histoire des différentes croyances. Le bien a été fait mais aussi le mal a été commis et tout était « Au nom de? ». On retrouve cela dans l'histoire de l'abbaye des Prémontrés de Wadgassen. Au 12ème siècle, une abbaye a été établie dans une région désolée et désertique au milieu d'une lande, devenant plus tard la communauté religieuse la plus puissante de la Sarre. Sous la devise Desertum florebit quasi lilium (le désert fleurira comme un lys), des choses extraordinaires ont été créées, mais aussi des répressions ont été perpétrées avec une grande sévérité contre les crimes. Il y avait une propre école dans laquelle les enfants apprenaient les sept arts libéraux (géométrie, musique, ...), mais aussi des pauvres qui était contraints de mourir de faim devant les murs du monastère et n'étaient autorisés à manger que des restes des moines, seulement les jours de fêtes. Les procès médiévaux des sorcières ont fait des ravages sur un groupe de personnes de danseurs exaltés qui se déplaçaient avec exubérance au son de la musique, cela étant alors interprété comme l'?uvre du diable. Résultat : un procès-spectacle les a condamnés à mort par le feu. Tout « Au nom de? ». 1789 : L'abbé Bordier est dans la 10e année de son règne, il ne sait pas encore qu'il sera le dernier abbé d'une tradition vieille de près de 700 ans. Non loin du couvent se trouve la frontière française dont les échos de fusillades provoquent depuis longtemps l?inquiétude chez les frères. Les signes avant-coureurs de la Révolution française se profilent, mais personne n'y croit vraiment. Les Français frappent à la porte, prennent d'assaut le monastère et pénètrent par le portail dans les cellules des moines. Dans une rage aveugle, tous les tuyaux de l'orgue du monastère sont arrachés, des icônes sont décapitées à l'épée, des moines sont tués et de nombreux bâtiments sont incendiés. L?église du monastère est en feu. Une fuite précipitée et non préparée commence. L'abbé Bordier et une poignée de frères peuvent fuir sous la Sarre (rivière voisine) vers la ville voisine de Bous par un tunnel secret.?Leur vie, leur rêve à travers leur Abbaye des Prémontrés a été brisée. Alors qu'ils s'enfuient dans un monastère en direction de Prague (monastère de Strahov), l'abbaye de Wadgassen est démolie et utilisée comme carrière. Mais le désert refleurit à nouveau. Il y a quelques décennies, a vu le jour sur les fondations de l'abbaye une nouvelle vie sous la forme d'une verrerie, qui après la paix dans la région, apporte également des emplois et perspectives pour les habitants. / Date parution : 2023-06-01/ Répertoire / Brass Band
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John Emerson Blackstone: Punch & Judy: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Iedereen kind of ouder kent (nog) wel het gevoel van het bijwonen van een popp...
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Iedereen kind of ouder kent (nog) wel het gevoel van het bijwonen van een poppenkast voorstelling. Of de hoofdpersonen nu Kaspar en Grete (Duitsland) of Pulcinella (Italië) heten Petrushka (Rusland) of Jan Klaassen en Katrijn (Nederland) er doen zich altijd humoristische spannende en hilarische taferelen voor. De oerpersonage is Pulcinella waarin het woord 'pulcino' (kuikentje) te herkennen is. Hij heeft dan ook een snavelvormige neus een hanige tred en een kwakende stem. In Engeland heten de hoofdpersonen Punch and Judy. Punch stapt onbekommerd door het leven maar vindt samen met zijn Judy spanning en verdriet op zijn pad. De kwakende stem van Punch isduidelijk te horen door het gebruik van de 'kazoo'. Hun leven kent verrassende wendingen. Dat is te horen in een 'slapstick'-achtig gedeelte aan het slot van deze voor alle leeftijden geschikte voorstelling.
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John Emerson Blackstone: Punch & Judy: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Iedereen kind of ouder kent (nog) wel het gevoel van het bijwonen van een popp...
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Iedereen kind of ouder kent (nog) wel het gevoel van het bijwonen van een poppenkast voorstelling. Of de hoofdpersonen nu Kaspar en Grete (Duitsland) of Pulcinella (Italië) heten Petrushka (Rusland) of Jan Klaassen en Katrijn (Nederland) er doen zich altijd humoristische spannende en hilarische taferelen voor. De oerpersonage is Pulcinella waarin het woord 'pulcino' (kuikentje) te herkennen is. Hij heeft dan ook een snavelvormige neus een hanige tred en een kwakende stem. In Engeland heten de hoofdpersonen Punch and Judy. Punch stapt onbekommerd door het leven maar vindt samen met zijn Judy spanning en verdriet op zijn pad. De kwakende stem van Punch isduidelijk te horen door het gebruik van de 'kazoo'. Hun leven kent verrassende wendingen. Dat is te horen in een 'slapstick'-achtig gedeelte aan het slot van deze voor alle leeftijden geschikte voorstelling.
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Heb je even voor mij: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
Since his first successes in the 1990s the amiable popular singer Frans Bauer ha...
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Since his first successes in the 1990s the amiable popular singer Frans Bauer has grown into a megastar in the Netherlands. In Germany too he has a great number of fans. Although he is derided by many because of his schmalzy style Frans Bauer sells CDs galore attracts full houses everywhere and can be viewed in his own reality soap on television. In 2004 he was even awarded a Gouden Harp (Gold Harp) which is the most important prize within Dutch music. It is presented to artists and composers who have promoted Dutch light music in their own unique way during their career. The cheery singalong Heb je even voor mij (Got a Minute for Me) is a great top hit: a winner in everypub and at parties. This arrangement by Klaas van der Woude willput the musicians as well as the audience in a happy mood.
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Torstein Aagaard-Nilsen: Introduction & Punk: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Torstein Aagaard-Nilsen?s (1964) way of composing can be described as: uncomprom...
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Torstein Aagaard-Nilsen?s (1964) way of composing can be described as: uncompromising wilful and contemporary. It is not surprising therefore that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture which was characterized by provocation distrust of the great ideologies and the autonomy of the individual. Punk is playful aggressive often humorous and anti-everything which inevitably leads to self-irony. The first part of Aagaard-Nielsen?s composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien. Midden zeventiger jaren ontstaat er een stroming binnen de jongerencultuur die provocatie wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt. Punk is speels agressief veelal humoristisch en anti-alles wat onvermijdelijk leidt tot zelfspot. Het eerste deel (Introduction) is een weefsel gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten waar de ijzige wind je om de oren suist. Tijdens de ?heftige? Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken. Dit alles zorgt voor een bombastisch geheel. Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.
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Torstein Aagaard-Nilsen: Introduction & Punk: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Torstein Aagaard-Nilsen?s (1964) way of composing can be described as: uncomprom...
(+)
Torstein Aagaard-Nilsen?s (1964) way of composing can be described as: uncompromising wilful and contemporary. It is not surprising therefore that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture which was characterized by provocation distrust of the great ideologies and the autonomy of the individual. Punk is playful aggressive often humorous and anti-everything which inevitably leads to self-irony. The first part of Aagaard-Nielsen?s composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien. Midden zeventiger jaren ontstaat er een stroming binnen de jongerencultuur die provocatie wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt. Punk is speels agressief veelal humoristisch en anti-alles wat onvermijdelijk leidt tot zelfspot. Het eerste deel (Introduction) is een weefsel gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten waar de ijzige wind je om de oren suist. Tijdens de ?heftige? Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken. Dit alles zorgt voor een bombastisch geheel. Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.
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Erik Veldkamp: Section 3: Brass Ensemble: Instrumental Work
Brass ensemble
De Haske Publications
Modern Beats for 2 Trumpets and Trombone-Section 3 - that’s fun to the po...
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Modern Beats for 2 Trumpets and Trombone-Section 3 - that’s fun to the power of three for three players who sit together in one section of an ensemble and who’d like to let their instruments sound as a distinct group . The stylistically varied pieces are all written in modern dance rhythms - from Trance or R&B to Conga and Samba. The CD - which contains demo versions as well as the rhythmic accompaniments of all the pieces - makes your playing fun complete. But together with a real drummer who can use the enclosed drum part the pieces sound even better.
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Peter Martin: Scottish Dances: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...
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Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
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Peter Martin: Scottish Dances: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...
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Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
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André Waignein: Euphonium Ragtime: Brass Band and Solo: Score & Parts
Brass ensemble
Scherzando
for Solo Euphonium and Brass Band-Pieces that showcase the euphonium are few and...
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for Solo Euphonium and Brass Band-Pieces that showcase the euphonium are few and far between. André Waignein decided to change this and set out to compose a piece specifically for the euphonium.What makes this composition even more unusual is that he wrote the piece in the style of a ragtime. Euphonium Ragtime provides an exciting and entertaining solo opportunity your audiences will love!
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Jan Van der Roost: From Ancient Times: Brass Band: Score
Brass ensemble
De Haske Publications
From Ancient Times is a major work for brass band inspired largely by the music...
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From Ancient Times is a major work for brass band inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature!
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Jan Van der Roost: From Ancient Times: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
From Ancient Times is a major work for brass band inspired largely by the music...
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From Ancient Times is a major work for brass band inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature!
144.99 GBP - Sold by Musicroom UK
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Heb je even voor mij: Brass Band: Score
Brass ensemble
De Haske Publications
Since his first successes in the 1990s the amiable popular singer Frans Bauer ha...
(+)
Since his first successes in the 1990s the amiable popular singer Frans Bauer has grown into a megastar in the Netherlands. In the rest of Europe too he has a massive following. Although he is derided by many because of his schmalzy style Frans Bauer sells CDs galore attracts full houses everywhere and can be viewed in his own reality soap on television. The cheery singalong Heb je even voor mij? (Got a Minute for Me) is a great top hit: a winner in every pub and at parties. This arrangement by Klaas van der Woude will put the musicians as well as the audience in a happy mood.
14.99 GBP - Sold by Musicroom UK
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Jacob de Haan: Sbandiamo!: Brass Ensemble: Score and Parts
Brass ensemble
[Score and Parts]
De Haske Publications
Sbandiamo! is a joyous?and swinging?work, taking its title from the wind music e...
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Sbandiamo! is a joyous?and swinging?work, taking its title from the wind music event held annually in the medieval Italian city of Gubbio, Umbria in which various bands from all over Italy participate. The first performance of this piece was given at the Piazza Grande, Gubbio, under the baton of the composer himself, with a wind band of some 250 musicians. A stately introduction, with festive percussion, is followed by a catchy theme in alternating pop and march rhythms. The opening theme then returns as a marcia cantabile, and the work is brought to a grand and compelling conclusion.
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William Vean: The Shopping Centre: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Many people when asked the question 'Do you have any hobbies?' will answer 'Shop...
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Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall browsing in various small shops looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First the audience are taken to a 'Jeans store' then a 'Phone shop' is visited after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant and finally after a visit to the hairdresser's it's time to go home.
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