This may very well be the “don't miss” anthem of the year. Weaving together four of the best beloved adoration hymns Joseph Martin has penned a masterful love song to Jesus. With some a cappella elements ofbarbershop harmony gospel tent revival even grand waltz this piece has something for everybody. Show off your men's section your women's chorus your great tenor soloist AND your accompanist with this impressive medley.“Jesus Keeps Me Singing” will bring back memories and will keep you singing all of these old favorites for days to come.

The Mamas & The Papas’ hymn to the West Coast state California Dreamin’ was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous.Simon & Garfunkel were New York through and through and Simon’s jaunty song about the Queensboro Bridge — aka Feelin’ Groovy — uses its local colloquial name. Skeeter Davis born Mary Frances Penick was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter’s subsequent solo career.In My Roomsaw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can’t Buy Me Love from the film Hard Day’s Night gave The Beatles yet another number one in the US charts.Novello Choral Pops: Sixties Hits contains these five decade-defining hits newly arranged for SATB Choir with Piano accompaniment.

A medley of seven stirring songs from Les Miserables one of the most popular and successful West End Musicals of all time. Arranged here for SATB (Soprano/Alto/Tenor/Bass) Choir and Piano by Ed Lojeski. The rousing chord changes and soaring melodies featured in the songs from Les Miserables are arranged here in one continuous crowd-pleasing medley. The piece will take the audience on a journey through all the biggest and best tunes from the musical including I Dreamed A Dream On My Own and Do You Hear The People Sing?. The brilliantly composed songs from the internationally-acclaimed show are timelessclassics enjoyed by people of all ages and all tastes. Your choir will love singing these songs with their delightfully uplifting spirit while your audience will fall in love with the inspirational harmonies and lyrics. The arrangement is not too difficult for most amateur choirs and it allows for a good mix of solo opportunities for those shiver-down-your-spine moments. To bring the spirit of the French Revolution to your SATB choir this innovative Les Miserables Medley is the perfect combination of awesome melody and enjoyable harmony. An excellent performance piece you and your audience will love this.

From the King's Singers' exquisite album The Quiet Heart - Choral Essays Volume 1 drawn from the sacred repertoire of the Salvation Army these 13 selections are a reflective musical journey into the spirit. Includes: All for Thee; By His Hand; Christ's Part; Even Me; Grant Us Thy Peace; His Provision; Home to Thee (from Reflections); In the Secret of Thy Presence; Intercede O Lord; The Quiet Heart; Spirit Divine; To the Hills; When We Cannot See Our Way.

sur un poème d?Étienne de Jouy. Par SAINT-SAENS CAMILLE. Bien loin de constituer un ouvrage isolé dans l??uvre de Camille Saint-Saëns, le Ch?ur de sylphes appartient à un petit ensemble réalisé au début de sa carrière dans le contexte particulier du concours pour le prix de Rome. Institué en 1803, supprimé dans la foulée des événements de mai 1968, ce dernier fut pendant plus d?un siècle et demi le plus convoité des prix français de composition musicale. Organisé par l?Institut, il garantissait à ses lauréats, à défaut de l?assurance d?une future carrière sans embûches, du moins l?entrée par la grande porte dans le monde artistique et quelques années de pension en Italie, à la villa Médicis. De fait, bien peu résistèrent à l?attrait de cette récompense susceptible de marquer avec éclat l?aboutissement de longues années d?études. Qu?une personnalité comme Saint-Saëns s?y soit présenté n?a finalement rien d?étonnant. Mais bien qu?appelé à devenir au tournant du siècle l?un des plus illustres représentants de l?art académique, il n?obtint jamais, malgré deux participations, le fameux premier grand prix. Le concours était alors organisé en deux épreuves distinctes : la première, éliminatoire, consistait en la réalisation d?une fugue et d?un ch?ur avec accompagnement d?orchestre sur un poème donné, la seconde en la composition d?une grande cantate pour trois voix solistes. Saint-Saëns lui-même en écrira deux, Le Retour de Virginie (1852) puis Ivanhoé (1864). C?est entre le 5 et le 11 juin 1852, pour sa première participation au concours, que Saint-Saëns composa le Ch?ur de sylphes. Favorablement accueilli, il permit au musicien d?être placé en tête des six candidats admis pour l?épreuve finale. Mais il est vrai qu?objectivement le poème proposé avait tout pour lui permettre de briller. Tiré d?un livret d?Étienne de Jouy et de Nicolas Lefebvre, Zirphile et Fleur de myrte, déjà mis en musique par Charles-Simon Catel (1818), l?extrait choisi (acte I, scène 4) était particulièrement adapté à l?exercice. En quelques pages fermement tracées, Saint-Saëns parvient à transcrire l?atmosphère merveilleuse, toute en légèreté, du monde des esprits de l?air. Sous bien des aspects, le résultat obtenu n?est pas sans rappeler le « Scherzo » du Songe d?une nuit d?été de Mendelssohn (1843), compositeur auquel il vouait un véritable culte. Certes, comme toute ?uvre de jeunesse, le Ch?ur de sylphes fut écrit sous influence. Dans la perspective du prix de Rome, le morceau avait en outre été pensé pour répondre à diverses exigences que d?aucuns dénoncèrent par principe comme passéistes. Au-delà de ces réserves un peu simplistes, l?ouvrage n?en reste pas moins un exemple abouti de la grande tradition académique française et de son idéal d?élégance et de clarté. Derrière son indéniable maîtrise de la forme et de l?écriture, l?auteur nous dévoile un travail qui, sans être révolutionnaire, recèle d?indéniables beautés. / Date parution : 2024-01-10/ Répertoire / Choeur SATB et Piano

from Sid Meier's Civilization IV. Translated from the words of the Lord's Prayer. this Grammy-winning 2005 composition from the fourth entry in the award-winning video game franchise Civilization is a watershed moment in video game composition. Becoming the first piece of video game music to ever be even nominated for a Grammy, this epic piece is presented for the first time at Hal Leonard. The Closer Look pane on this product page contains pronunciation guides and an introduction to the language of Swahili by linguist and Kiswahili expert Peter M. Mhunzi.

Messiah occupies a unique position in Handel’s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.

This dazzling choral medley is a nostalgic tip-of-the-hat to the great songwriters and artists that brought America's music to the world! With choreography and performance suggestions by John Jacobson this is entertainment at itsbest! The medley consists of seven sections: I. Encore! (Opening) II. Try to Remember III. I Believe in Love IV. Dancin' in the Street V. Stand By Me VI. One More Time (A Megamix for the Millenium) VII. Encore! (Reprise).Available: SATB Director's Score SAB Director's Score 2-Part Director's Score SATB Singer's Edition SAB Singer's Edition 2-Part Singer's Edition Director's Kit Preview CD ShowTrax CD. Performance Time: Approx. 35:00.

Adoration Medley is wonderfully suited for blended worship experiences. It begins with an a cappella setting of Theodore Dubois's “Christ We Do All Adore Thee” from The Seven Last Words of Christ whichsets a tone of reverence and draws upon the choral tradition of the great classics. A short instrumental interlude ushers in the inspirational “Glorify Thy Name ” which has become a classic in the praise and worshipgenre. Old and new are joined by the common theme of adoration to God. Building in excitement and grandeur Adoration Medley then ends with a quiet moment of intimacy. For double choir ensemble or praise team and choir.Accessible to high school or adult choirs congregational participation during the praise chorus is encouraged. A stunning track and orchestration are also available.

All I Ask Of You is the love song that triggers the Phantom of The Opera's jealous campaign of retribution in Andrew Lloyd Webber's legendary musical - Cliff Richard and Sarah Brightman took it for a spin in 1986 and had a hit single. Big Spender became even more popular than the 1966 musical from which it came - 'Sweet Charity' - and Shirley Bassey did much to popularise it later. Written specifically for Colm Wilkinson, Bring Him Home is the emotional song from Act II of Les Misérables while I Have A Dream is a no less emotional Abba number that is included in the record-breaking stage musical Mamma Mia. Last Night Of The World is the haunting dance hall song from Miss Saigon that marks the fateful promise made by the US airman to take Kim with him when he leaves Vietnam. This volume in the Novello Choral Pops collection contains all five of these musical theatre favourites, arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano

Ecrit en mémoire de Erich Fried (1921-1988), un écrivain qui écrit le livret pour l'opéra de Goehr Arden doit mourir et dont les poèmes ont été mis en Warngedichte (op. 22), Carol pour St Steven est court et ludique carol sur St Steven comme un garçon de préposé à la salle du roi Hérode. Voyant l'étoile et réalisant que Jésus sont né, le garçon raconte roi Hérode qui surréaction entraîne Steven être lapidé à mort (expliquant pourquoi la vigile de St Etienne a lieu le soir de Noël). Avec un soliste treble chantant les lignes de Steven et une basse chantant les parties d'Hérode, carol de Goehr pour St Steven est une alternative carol dans plusieurs sens, mais un qui serait idéal pour les chorales amateurs et professionnels à la recherche pour le nouveau répertoire. / Choeur Mixte

The Vocal score for John Tavener's beautiful work Lament For Jerusalem arranged for Soprano Countertenor and SATB Chorus with a Piano Accompaniment. This score can be used for both the 'Original'and 'Jerusalem' versions of the work. The composition was commissioned by Father Arthur E. Bridge OAM for Ars Musica Australis and was first written in 2002. The 'Jerusalem' version was arranged for theChoir of London in 2004. Tavener himself calls the work 'a mystical love-song' that reflects the 'mystical sacred and sublime nature of the texts'.  Lament For Jerusalem isdivided into seven stanzas each of which contain Christic Judaic and Islamic inspirations making this work truly innovative and interesting. The piece is around 45 minutes long and it is recommended to be performed in a spacein which there are generous acoustics that will allow each individual voice as well as the collective whole to 'breathe' and dissolve into the air.  The work is a wonderful one receiving greatcritical acclaim upon its premiere and impressing audiences the world over for its soaring Soprano melodies and its left-field Middle-Eastern harmonies. The composition is one in a long line of Tavener pieces thatimmediately silences audiences and captivates their attention throughout.  Any performance of Lament For Jerusalem is guaranteed to be a special event and one that audiences willremember for a long time.

The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The piece was commissioned by the Belfast Philharmonic Society onthe occasion of their 140th Anniversary Season 2014-5 and first performed in the Ulster Hall on 30th May 2015 by Belfast Philharmonic Choir. The work lasts around 31 minutes and this is the VocalScore. This Vocal Score is compatible with both the Orchestral version and the Chamber Ensemble version. The libretto is a 'musical portrait of C.S. Lewis' viewed through thelens of the seven heavens of the pre-Copernican model of the solar system in which Lewis had a deep interest. The seven movements follow these seven planets which also correspond to the days of the week telling the story ofLewis's life. The text itself is drawn from a variety of sources including the Orphic hymns Psalms Shakespeare Shelley C.S. Lewis himself and others. 

An International Holiday Celebration-CELEBRATE December traditions center stage this holiday season as 'round the world we go! DISCOVER the special preparations for Chinese New Year Germany's St. Nicholas Day tradition of a hidden pickle in the Tannenbaum the sevenprinciples of Kwanzaa from our African ancestors the miracle and lights of Jewish Hanukkah the festive atmosphere of Mexico's Las Posadas and Christmas American-style! SHARE the universal messages of peace hope and goodwill inyour school and community all year long. Ideal for upper elementary to middle school performers this 40-minute holiday revue features seven original songs for unison voices with some optional harmony connecting narration easilyadapted to casts of varying sizes and John Jacobson's choreography and production tips. Available: Teacher Edition Singer Edition 5-Pak Preview Pak (1 Singer book 1 Preview CD) Preview CD (with vocals only) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer books P/A CD). Performance Time: Approx. 40 min. For Grades 4-8.