Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Aus: Musicalische Andachten 1653, Teil 5 Nr. 24. Par HAMMERSCHMIDT ANDREAS. Tonalité : B-Dur - / Mottet / Répertoire / Choeur SSATB

Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right! / Choeur Mixte (SSATB) A Cappella

Whether in the church or in the concert hall, the motets in Heinrich Schütz's 'Geistliche Chor-Music? have long maintained a firm place in the choral repertoire.Now, following upon the two-volume new edition (BA 5901 and 5902), Bärenreiter are publishing selected motets in revised separate editions. Based on BA 5901, these editions will present the motets in their original key with an integrated continuo realization - all with modern engraving and spacious layout. / Choeur Mixte (SSATB) Et Basse Continue

Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans. À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame. C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors. Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue

Motet. Par BUXTEHUDE DIETRICH. Dietrich Buxtehude?s Magnificat is an opulent-sounding work, which obtains striking results with musically simple means. It contains no particular difficulties and makes a welcome addition to the repertoire of many choruses. Besides the score with enclosed instrumental parts, the choral score and supplementary parts can be purchased seperately./ Répertoire / SSATB

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB