Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

James Curnow skillfully brings one of Tchaikovsky's most memorable symphonic themes to the concert band stage with this new arrangement. It's always a good idea to let your band members become familiar with great orchestrathemes. Whether used as a concert centerpiece or an exciting finale you'll want to have this mainstay of Romantic era music in your library. Dur: 4:45

Based on Alexander Dumas' adaptation of E. T. A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes 'March,' 'Dance of the Reed Flutes,' and 'Russian Dance (Trepak).' The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during the holidays or any time of the year. (3:45) / Concert Band

Throughout the years composers have found inspiration for their works in simple folk melodies. Tchaikovsky loved Russian folk music all his life. Whilst composing his 2nd symphony he was inspired by farmers’ songs that fascinated him during a stay in Kamenka (near Kiev). He composed this symphony in 1872/73 and used the melody from the song The Stork as the main theme for the Finale. James Curnow’s transcription of this 19th century masterpiece allows you to bring your contest or concert performance to a fitting Finale.

Themes from Pyotr Ilyich Tchaikovsky's 1812 Overture for variable ensemble.This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion.Hal Leonard's innovative Flex-Band series is designed to provide exciting music for bands with incomplete or unbalanced instrumentation. Written using just five parts (plus Percussion) these arrangements will work with virtually any combination of Brass or Woodwind instruments even Strings.

In this carefully scored setting of the best-known movements from Tchaikovsky's classic ballet Paul Lavender has made this masterpiece accessible to developing bands. Includes: Dance of the Sugar Plum Fairy Elves' Dance Trepak and Waltz of the Flowers.

Here is music from the master in a concise yet exhilarating medley that features Tchaikovsky's most famous and endearing melodies. Includes: Piano Concerto No. 1 March from The Nutcracker Love Theme from Romeo and Juliet Marche Slav and 1812 Overture.

Arr. Wil Van Der Beek. Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

According to his teachers Pyotr Ilyich Tchaikovsky (1840-1893) was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music including his six symphonies solo concertos (violin concerto and piano concertos) ballets (The Nut Cracker Swan Lake) and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Par TCHAIKOVSKI PIOTR ILITCH / JONES NATHAN (Arr.). Tchaikovsky composed his twelve character pieces for piano, The Seasons, while he was writing his popular ballet, Swan Lake. Each piece in The Seasons depicts a different month of the year in Russia. The original publication of September: The Hunt included an epigraph at the start of the piece-a small poem by Alexander Pushkin. This energetic arrangement for symphonic band by Nathan Jones opens with an octave fanfare between the winds and brass. Tchaikovsky\'s colorful harmony speaks here, with passing chromaticism adding color to the music. The fanfare theme is transformed in the quiet central section, still shifting to the minor mode with short solo passages for flute, bassoon, trumpet, xylophone and oboe (cued in flutes). The segue back into the opening fanfare is clever, with the notes leading through several keys before concluding in the major with a short reprise of the initial theme. / Date parution : 2022-09-20/ Répertoire / Concert Band

The skillful concert band transcriptions of the late Glenn Cliffe Bainum have proven to be a standard by which others are measured. This transcription is one of Mr. Bainum's most monumental works. Basile Kalinnikov a contemporaryof Tchaikovsky died prematurely at 35 just as he was establishing himself as one of the great Russian composers. Originally published in 1958 this new edition features a revised full score and parts for optional antiphonal brasschoirs. Dur: ca. 9:00

Metamorphoses on a Theme by Tchaikovsky. Par DE MEIJ JOHAN. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie