Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included./ Répertoire / Flûte Traversière et Harpe

Chausson wrote some interludes for flute and harp for a production of Aristophanes? The Birds performed at Le Petit Thé tre de la Galerie Vivienne Paris in 1889. At the request of Emily Beynon working from the original manuscript which is held in the Bibliothèque Nationale Paris John McCabe has made a single concert piece using some of this incidental music a kind of continuous suite rather than a single movement.The first performance of this realisation was given on 21st January 2005 at Tunstall Parish Church Sittingbourne Kent at a concert of the Sittingbourne Music Society the artists were Emily Beynon (flute) and Catherine Beynon (harp).

Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Seminare for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Natural Light,” 'Mosaic II,” and 'Little Lydian.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the each of the movements. Louis Anthony deLise's Seminare for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Natural Light,” 'Mosaic II,” and 'Little Lydian.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the each of the movements./ Répertoire / Flûte Traversière et Harpe

Flûte En Ut-Ou Alto- et Harpe. Par SATIE ERIK. Arr. : E. Seys / Niveau : 2ème Cycle / Répertoire / Flûte Traversière et Harpe

Per Flauto E Harp. Par GENTILUCCI ARMANDO. / Musique contemporaine / Répertoire / Flûte Traversière et Harpe

Beyond Dark consists of one movement which is in three sections fast-slow-fast. Influences from the modern jazz harmony of Herbie Hancock and Chick Corea and also traditional Japanese instruments such as the koto and shakahachi.The piece lends itself to alternative fingerings which helps to give the piece an exotic flavour - some of which are included in the score included some of these optional fingerings in the score.

Composed for Emma Halnan winner of The Arts Club ? Sir Karl Jenkins Music Award 2016.The composer comments that ?for the first ten years of this century I lived and composed on the Gower Peninsula an area of sandy beaches and dramatic cliff scenery with coastal caves; the first area in the UK to be officially designated as one of outstanding natural beauty. Living in an old mill alongside the Bury Pill stream I wrote from a stable block enjoying a vista across Cheriton Valley and the river to Ryers Down. This work is a musical reflection of time spent there.?Originally scored for Flute