Complete with song background notes, and playing hints and tips. A total of sixteen songs from popular family films for Flute, in really easy melody line arrangements. Have fun playing along with the specially recorded CD for a more professional performance. / Flûte Traversière

Voici une occasion fantastique pour développer certains phrasé Jazz et les techniques qui enrichiront toutes les zones de votre jeu réel authentique. Etudes efficace pour Jazz offre 18 études performance stimulante et divertissant fondées sur les changements et les progressions dans les normes de Jazz traditionnels. Chaque solo est présenté avec la ligne mélodique complet et les symboles de corde de Jazz, vous permettant d'être accompagné de toutes sortes d'instruments et de groupes. Il n'y a même un tableau de référence de corde pour chaque chanson, fournissant la base harmonique pour votre improvisations que votre confiance se développe. Tous les 18 pièces figurent également sur le CD audio ci-joints qui bénéficie d'une démonstration complète et de soutien suivre pour chaque chanson. Cela aidera non seulement vous capturer l'esprit Jazz dans votre phrasé, mais fournit la méthode idéale pour vous d'établir vos compétences d'improvisation. / Flûte Traversière / 40 pages / Partition Cd

for Flute. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Flûte Traversière

Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

Solo Arrangements of 14 Classic Songs with CD Accompaniment-Now solo instrumentalists can play play along with 14 intermediate-level tunes from Musicals like The Sound of Music Mary Poppins and Beauty and the Beast. These books include CDs with orchestral accompaniment tracks.

French composer and conductor Henri Tomasi (1901-1971) published Sonatine for solo Flute in 1949. As with his other wind compositions  Sonatine was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profilecomposer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Sonatine for solo Flute is a highly unusual complex and modern work in three movements; 1) Prelude and Scherzo 2) Pastorale and 3) Finale. This Tomasi piece is suitable to advanced flautsits providing an exciting alternative addition to the instrument's repertoire.

Metodo per flauto. Par OLDENKAMP / JAAP KASTELEIN. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI & SUONA, un’opera educativa e ludica con accompagnamento su CD. Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare l’insegnamento musicale: attraverso l’ascolto, la lettura e l’interpretazione dei singoli esercizi, dei giochi e dei quiz potrete imparare divertendovi. Ogni singolo esercizio prevede l’esecuzione con accompagnamento di una vera band sul CD! In più troverete tante notizie sulla storia del vostro strumento, sugli interpreti, e sulla tecnica giusta per suonare. Sonodisponibli in italiano i volumi per tromba, clarinetto, saxofono contralto e flauto. Per tutti gli altri strumenti, il metodo è disponible in inglese./ Méthode / Flûte Traversière

Metodo per flauto. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI

Eleven easy pieces from around the world specially selected for the early Flute student. Play everything from an Irish reel and Argentinian tango to Russian Cossackaya and French cafe music with superb backing tracksperformed by some of the best musicians in the business.

Flautist Sophie Dufeutrelle''s Asia is an excellent modern work for solo Flute. Considering that Dufeutrelle has been involved in many recordings concerts live spectacles theatre works as well as her teaching works being regularly used in conservatoires and music schools this work for the Flute is composed with much experience and expertise. Asia begins with a glossary of extended techniques for performance. The work exploits the Flute with sound and breath sounds ornamentation articulation improvisation and varied dynamics among other aspects. Ideal for flautists seeking an introduction tomodern repertoire and extended techniques Dufeutrelle''s Asia is essential.

Par POWER JAMES. by James Power Thirty easy trios for flute using familiar melodies arranged in classical, folk and jazz styles. This book can be used with matching arrangements of the same material in Junior Book A- Clarinet, Violin, Saxophone, Brass. An Optional Piano Accompanimek with guitar chords is available./ Recueil / Flûte Traversière

26 easy pieces for flute-Many of the short pieces in Funtime Favourites will sound familiar to pupils. All 26 tunes are fun to learn and the contemporary accompaniment provided on the CD will keep them from sounding dull. The CD features a demo and a play-along version of each tune so the pupil will feel as if there's a whole backing band supporting them - great for motivation!

10 great etudes for playing and improvising on the blues-This new method provides beginners and moderately advanced musicians with an introduction to the language of blues. In 10 solo studies which can be accompanied by professionally performed and recorded playbacks the musician learns to master the essential basics step by step: Each piece comes with appropriate scale exercises tips for studying and practicing suggestions for own improvisations as well as recommended listening.The accompanying CD provides a unique band feeling with top-notch musicians:Jamie Baum (flute) Mike LeDonne (piano/organ) Peter Washington (bass) and Joe Farnsworth (drums)