Jack Tottle. Apprendre la musique de Bill Monroe, Bobby Osbourne, Jesse McReynolds, Frank Wakefield et John Duffy. Couvre tout, de simples bases de doigté de fantaisie. / Mandoline

From 1651 to 1728 John Playford his son Henry and John Young published multiple editions of the Dancing Master-collections of dance instructions and musical accompaniment. Over 500 distinct tunes were printed in these volumesand they give us one of the best pictures of English popular dance music in the 17th and early 18th centuries. This book presents 121 of these tunes adapted for the Mandolin-all are written in standard notation and tablature withchord symbols. Several pieces have been transposed into more mandolin-friendly keys. Suitable for use in teaching and performance many of these tunes are still played by musicians today both for pleasure and danceaccompaniment.This book presents 121 of these tunes adapted for the Mandolin. All are written in standard notation and tablature with chord symbols. Several pieces have been transposed into more Mandolin-friendly keys.Suitable for use in teaching and performance many of these tunes are still played by musicians today both for pleasure and dance accompaniment.

Par BAXTER JOHN. This encyclopedia is designed to provide mandolin players with a wide variety of chords in different voicings. This book is intended as both a starting point of learning chord voicings and patterns, as well as a dictionary of common mandolin chords. Each key section includes the first position scale for that key, as well as the chord formula and notes for each chord. If you want to learn to be a bluegrass rhythm player it helps to have a guide or 'map' to take you through the initial learning stage. This book provides a small but powerful set of starter chords used in this style of music. Once these chords are learned, you'll be able to jam with other musicians in no time. These are the same chords used by greats like Bill Monroe, Doyle Lawson, David Grisman and hundreds of other bluegrass players in this genre. While there are only a few chords presented in the 'map' section, they form the foundation of bluegrass mandolin and with them you can play literally thousands of songs in every key. Chords are presented by key. / Niveau : Débutant / All Styles - Chord Book / Etude / Mandoline

Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there weretwo main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosenfor this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular courtdances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocalsettings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however thevoicing of the harmonies have been changed so as to fit on the mandolin.

DVD One: One-On-One with the Master-On this instructional session the late Bill Monroe - widely known as the 'father of bluegrass' - discusses and demonstrates the instrumental techniques that changed the course of American music. The camer's eye reveals up close and in detail Bill's incredible facility and inventiveness on the mandolin as he plays and sings both alone and backed up by his long-time band the Blue Grass Boys.You'll see and hear Bill Monroe play twenty-seven tunes (some recorded here for the first time) including favourites such as 'Rawhide' 'Wheel Hoss' 'Tennessee Blues' 'Dusty Miller' 'Roanoke Pike' 'Country Breakdown' 'Blue Grass Stomp' 'Get Up John' 'Katy Hill' and 'Rocky HeadBlues'.In an intimate coversation will fellow musician John Hartford Bill discusses a wide variety of topics: His musical development ideas about performing and songwriting memories of childhood early touring days his years on the Grand Ole Opry and much more.

Mandolin Solos - Mac Gann John (Transcribed). Par MC GANN JOHN. Ce livre présente des transcriptions de David Grisman solos et patrons de l'accompagnement de la CD Shady Grove. L'enregistrement de Shady Grove contient certaines représentations merveilleuses d'Old-time music américain par David Grisman et Jerry Garcia, deux des plus grands joueurs de la musique américaine. C'est une collection vibrante de merveilleuses chants traditionnels américains, d'une grande variété de genres, joué dans un style étroitement basé sur leurs sources traditionnelles. Tous les solos peuvent être joué sur la mandoline standard, y compris un écrit pour mandole et pour Banjoline (mandoline-banjo). Ces transcriptions vont fournir un aperçu de l'art de la mandoline accompagnement jouant ainsi que l'isolation. Notes de la performance par le transcripteur sont inclus. / Niveau : Débutant à Intermédiaire / Folk - Transcribed Solos / Recueil / Mandoline

Par BERTHOUD PHILIP JOHN. C'est une ressource inestimable pour quiconque s'intéresse à jouer de la mandoline irlandais. En plus d'être un guide complet pour les débutants, cet ouvrage contient également une mine d'information, des conseils utiles et des idées pour les joueurs expérimentés. Le livre prend le lecteur dans les bases de la mandoline droite grâce à des sujets plus avancées telles que la création des variations, accent, improvisation, jouant avec d'autres musiciens, pratiquer de façon efficace et bien plus encore. Toutes les mélodies et les exercices clés dans le livre sont inclus sur l'accompagnement 63 piste CD. Il n'y a pas besoin de lire de notation musicale conventionnelle comme toute la musique est écrit en tablature mandoline facile à lire. Cependant, pour ceux qui sont intéressés à en apprendre sur la notation musicale y est une section pratique sur ce sujet adapté spécifiquement à la mandoliniste ainsi qu'un chapitre sur les modes. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Methods / Tablatures / Mandoline Tablatures

Par BACH JOHANN SEBASTIAN. Ces arrangements de nombreuses pièces de J.S. Bach rendent les oeuvres du compositeur un grand accessible à la mandoliniste. Etant donné que la majeure partie de la musique a été adaptée à partir de diverses suites, sonates et partitas, les auteurs fournit une explication de chaque forme de danse et autres pièces similaires. Comprend: ' Bauree Angloise ' de la Partita en la mineur pour solo flute - 'Marche' Anna Magdalena Back livre - 'Fantasie' de la Partita #3 en la mineur - et plus encore. Dans la notation et tablature. Comprend un CD qui contient 13 des 26 solos. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Mandoline Tablatures

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and

While the Mandolin is not as synonymous with the blues as the Guitar the Fiddle's fretted cousin was an important lead voice in many string blues bands of the 1920s through the 1940s including the Mississippi Sheiks theMemphis Jug Band and the Dallas String Band. In the hands of great players including Carl Martin Charlie McCoy Yank Rachell Howard Armstrong and Johnny Young the Mandolin was a convincing member of the bluesensemble.All of these player's styles are featured here as well as bluegrass music innovator Bill Monroe Jethro Burns (Homer and Jethro ) Tiny Moore (Bob Wills' Texas Playboys) and Johnny Gimble. Special sections coverbasic blues shuffle rhythm creating your own blues solos turnarounds and introductions. Music is written in tablature and standard notation. Includes access to online audio.