Ack Värmeland du sköna-This arrangement is based on the Swedish folksong Ack Värmelad du sk÷na. (Oh Värmeland You Fair and Lovely Place.) The lyrics of the song speak of the beauty of the landscape and the wonderful nature of the people that live there. Although the folksong is presented with some alterations an attempt is made to capture the attractiveness of the melody and the sentiments expressed in the lyrics. The scoring assigns the melody to ever-changing combinations of instruments adding artistic variety and making the music more fun to rehearse and perform.

I grew up with all the great shows. And that's what you're going to get here...an old-fashioned traditional musical comedy. - Mel Brooks This Tony award winner has become an entertainment phenomenon--the hardest ticket to get on Broadway. Ted Ricketts' spectacular medley includes: Along Came Bialy Der Guten Tag Hop-Clop I Wanna Be a Producer Keep It Gay The King of Broadway Prisoners of Love That Face and Springtime for Hitler.

Haunting and Sublime: Ack Värmeland du sköna-This arrangement is based on the Swedish folksong Ack Värmeland du sk÷na. (Oh Värmeland You Fair and Lovely Place). The lyrics of the song speak of the beauty of the landscape and the wonderful nature of the people that live there. Although the folksong is presented with some alterations an attempt is made to capture the attractiveness of the melody and the sentiments expressed in the lyrics. This piece was inspired by Gary Garner who expressed a need in the band literature for pieces with artistic value that are appropriate for intensive rehearsal and public performance are easy enough for many bands to play and give the ensemble a chance to work on intonation balance and phrasing.

For use during an Olympic year or anytime during the academic year when inspiration is needed Mark Hayes' and Pamela Martin's fresh voicings of this bugler's theme known around the world is stunning. It has original lyrics set toan outstanding choral arrangement of the familiar tune and is available in a variety of voicings that are sure to accomodate your ensemble. A full orchestration and a StudioTrax CD are available for your library! Availableseparately: SATB SSAB 2-part (opt. SSA) StudioTrax CD Orchestration.

Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook Music Festival Committee Oakland University Rochester Michigan. Dedicated to the Meadow Brook Festival the work was premiered on August 16 1966 by the Detroit Symphony Orchestra with Sixten Ehrling as Musical Director.'Through verse prose music dance - or whatever may be - drama is a performed event involving intense conflict of forces. Effect action artifice and contrasts are part of it. To give the feeling of drama a theatrical trend is not compulsary. Pure melorhythmic music (and its orchestral technique) may have the power to express dramaticemotions without yielding to human deeds or stage stituations'. - Carlos SurinachThe seven Melorhythmic Dramas: 1. Fervid 2. Festive 3. Poignant 4. Tragic 5.Voluptuous 6. Vehement 7. Mournful

'Det Himmelrivende' / The 'Heaven-Rending' - Symphony No. 6 in one movement on one motif by Rued Langgaard. Composed in 1919-20 rev. 1928-30. BVN 165. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition Symfoni nr. 6 'Det Himmelrivende' by Rued Langgaard.    Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition

Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Partition d'orchestre-Claude Debussy's Pelleas Et Melisande. Partition D'Orchestre.

Melodyphony contient neuf oeuvres écrites à l'origine pour le film, la télévision ou pour des spots publicitaires, dont certaines sont des musiques composées pour le Studio Ghibli et son directeur Hayao Miyazaki (Mon voisin Kokoro, Kiki la petite sorcière / Orchestre / 252 pages / Partition

Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject

Melodia Per Piccola Orchestra. Par CATALANI ALFREDO. Melodia Per Piccola Orchestra / Date parution : 1905-06-06/ Répertoire / Orchestre

(Chestnuts Roasting on an Open Fire). Par TORME MEL. Une des chansons de vacances plus demandés de tous les temps est maintenant disponible dans cet arrangement nouvel fraîche par Ted Ricketts. Mel Torme ' châtaignier 'est juste pour votre prochaine performance de vacances, le réchauffement le coeur de vos joueurs et le public./ Répertoire / Orchestre

For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1])Composer's Programme Note:Points of View is a work about the different musical elements which arepersonified by soloists from the orchestra all unifying at the end in a passionateclimax.The first section ‘Mysterious’ features a solo horn and also establishes tonality [Bflat] texture and harmony. The harmonies are often chordal 6-note clusters andthey are an important binding articulating and textual element throughout thework.A solo trumpet joins the solo horn and as the chordal clusters disappearintothe stratosphere initiates the rhythm of a light-hearted scherzo ‘Lively’. Thetrumpet’s rhythmic figure is echoed and developed by the winds.The solo oboe and cor anglais now introduce a very lyrical melody in fallingthirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figureeventually reappear to accompany this melodic theme and then the violinspassionately respond by taking it over ‘Passionato’. All the elements thusunifying to culminate in the coda.These elements could also perhaps be described in non-musical terms as‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and coranglais] which eventually combine in the climax [violins].