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Ray
OBOE
Orchestra
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Robert Ray: Gospel Mass: Parts
Orchestra
[Score and Parts]
Hal Leonard
For centuries the world's great composers have set the Ordinary of the Mass in ...
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For centuries the world's great composers have set the Ordinary of the Mass in a wide variety of styles. Ray has surrounded these texts with the joyous styles of contemporary African-American music. All six movements work well asindividual anthems but collectively they form a truly powerful performance experience. Available separately: SATB ShowTrax CD (w/Rhythm Section) and Score/Parts for Full Orchestra.
194.99 GBP - Sold by Musicroom UK
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This wo...
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This work was first performed under the title 'Prayer-1943' by the Pittsburg Symphony Orchestra under the direction of Fritz Reiner on February 26 1943.Duration: approx 15 minutes.Instrumentation:3 Flutes (3rd Flute interchangeable with Piccolo)2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaTimpaniPercussion (Bass Drum Cymbals Gong Snare Drum)Violin IViolin IIViolaVioloncelloBass
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Raymond Baervoets: Concerto: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Belgian composer Raymond Baervoets (1930 - 1989) was born in Brussels and studie...
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Belgian composer Raymond Baervoets (1930 - 1989) was born in Brussels and studied music composition with Jean Absil Rene Barbier and Rene Defossez. His Concerto for Guitar was composed in 1958 and is presented here in reduction form for guitar and piano. Belgian composer Raymond Baervoets (1930 - 1989) was born in Brussels and studied music composition with Jean Absil Rene Barbier and Rene Defossez. His Concerto for Guitar was composed in 1958 and is presented here in reduction form for guitar and piano.
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Albert Hay Malotte: The Lord's Prayer: Orchestra: Parts
Orchestra
Schirmer
Available for the first time! The Lord's Prayer by Albert Hay Malotte is now ava...
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Available for the first time! The Lord's Prayer by Albert Hay Malotte is now available in the key of C with a recorded accompaniment available on CD and orchestra score and parts. Ideal for church and sacred concertperformance. Available for SATB SAB SSA and 2-Part. ChoirTrax CD available. Orchestral Pak also available. Performance Time: Approx. 2:30
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Bruce Craig Roter: A Camp David Overture: Prayer for Peace: Orchestra: Full
Orchestra
Lauren Keiser Music Publishing
A Camp David Overture: Prayer for Peace
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Symphonie Japonaise
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Symphonie Japona...
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L'oeuvre musicale qui a pour support une Partition a pour titre Symphonie Japonaise. C'est une partition musicale composée par Gallois-Montbrun Raymond et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 16 Poche vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 16 Poche / Partition
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Petite Suite Pour Orchestre á Cordes (VAUDRAY FRANCK)
Orchestra
[Score]
Martin, Robert
Par VAUDRAY FRANCK. / Répertoire / Orchestre
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Symphonie #1 En Ut (PARAY PAUL)
Orchestra
[Sheet music]
Jobert
Par PARAY PAUL. / classique / Répertoire / Orchestre
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Olivier Messiaen: Saint Francois d'Assise - Act I 2. Les Laudes: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messi...
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Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 1 Tableau 2. Les laudes” which tells of the moment when Saint Francis his requests to God to meet a leper and to be able to love him. This tableau depicts Saint Francis and the “Mineurs Brothers” singing the morning service until the bells ring leaving Saint Francis alone to pray. It includes Saint Francis’ prayers some parts of Cantique descréatures on Brother Wind Sister Water Brother Fire and Mother Earth and the Sanctus. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
Caroline Mathilde Act I (Concert Suite)-The story centres on the English princes...
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Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.
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Reza Vali: The Darness of Fury for Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
The Darkness of Fury is a contemplation of the brutality of war especially the ...
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The Darkness of Fury is a contemplation of the brutality of war especially the wars of the Middle East since 1948. Following a brief and violent introduction a terse chromatic Fugue from Hell ensues--demons chasing demons. A romantic transition played by the strings is a fleeting ray of hope for peace. But this is short lived as the Fugue returns bringing the piece to its brutal and violent end.
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Peng-Peng Gong: Symphony No. 6 Op. 51 - Full Score: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The inspiration for the Sixth Symphony comes from the composer's twel...
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Full Score-The inspiration for the Sixth Symphony comes from the composer's twelve years studying in the U.S. It is his very first expressive output that is completely autobiographical. The composer described it as a memorial of my years between middle school and college in which I witnessed my own drastic characther development severe social problems lacerated friendships frantic family relationships and the overall confusion toward my own ethics. Most importantly it is a realistic portrayal of the many Chinese students studying in the West spiritually torn between the two cultures. The work is constructed as a single union without movements or breaks and lasts between 40 and45 minutes. Instrumentation: 2+1.3.3.3: 4.3.3.1: Timp.Perc(4).Pno.Hp: Str(16.14.12.10.8 min)
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All Glory Laud and Honor: Orchestra: Parts
Orchestra
Shawnee Press
from A Time for Alleluia-Here is Joseph Martin's choral tour de force for Palm S...
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from A Time for Alleluia-Here is Joseph Martin's choral tour de force for Palm Sunday and general use. This festive arrangement of the classic hymn is a brilliant tapestry of sound vividly portraying the pageantry of the triumphal entry. Extracted fromthe best-selling cantata A Time for Alleluia this may be the quintessential arrangement of this beloved song of praise. Brant Adams' electrifying orchestration lifts the piece to dizzying heights. Glorious!
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestra
[Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...
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This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Z-4383 (BORBOUDAKIS MINAS)
Orchestra
[Score and Parts]
Peters
for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-m...
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for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-minute work for large ensemble (1(=Picc).1.1(=BCl).1 – 1.1.1(=BTbn).0 – 2Perc – Acdn – Pf – Str(1.1.1.1.1 or String Orchestra) – Electronics). It describes the journey of the wagon of the same name in which the body of the politician and pacifist Grigoris Lambrakis, also called 'Z', who was murdered in 1963, was transported from Thessaloniki to Athens. In the scene from the cult novel Z by Vassilis Vassilikos, the author lets the soul of Grigoris Lammbrakis fly over the train. Train noises, distorted fragments of speech, as well as lines rising ever higher unfold in the music. Sequences expressing pain, longing, hope and despair return as wordless instrumental quotations, attempting to portray the unspeakable before the soul leaves the body at the work's conclusion. The world premiere took place on 20 July 2018 with the Academy of the Bavarian Radio Symphony Orchestra conducted by Daniel Carter. The score (EP 14315) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Orchestra: Score
Orchestra
Dover Publications
In the early years of our century when vital new forces were revolutionising th...
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In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
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Joseph M. Martin: Winter's Grace: Orchestra: CD
Orchestra
Shawnee Press
(Christmas Cantata)-It was into the shadows and winter of this world that Christ...
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(Christmas Cantata)-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light and washes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretive movement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols of Adoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Percusson 1&2 Harp Piano Timpani Trumpet 1 2&3 Trombone 1&2 Bass Trombone Tuba Violin 1 Violin 2 Viola Cello Double Bass.
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Joseph M. Martin: Winter's Grace: Orchestra: Parts
Orchestra
Shawnee Press
Christmas Cantata-It was into the shadows and winter of this world that Christ c...
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Christmas Cantata-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light andwashes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretivemovement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols ofAdoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1
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Joseph M. Martin: Could This Be the Day (from Canticle of Joy): Orchestra: Parts
Orchestra
Shawnee Press
For generations the people of the world walked in darkness unable to find thei...
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For generations the people of the world walked in darkness unable to find their way. They yearned for a king who would lead them. Could This Be the Day? is one of the most memorable moments from Joseph and Pamela Martin'scantata Canticle of Joy and is available here as a separate octavo. Orchestrated by Brant Adams and incorporating “O Come O Come. Emmanuel ” this hauntingly beautiful Advent choral expresses the world's deeplonging and emotional prayers of hope that the Messiah will come.
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Joseph M. Martin: The Song Heard 'Round the World: Orchestra: Parts
Orchestra
Shawnee Press
A Cantata for Christmas-The Song Heard 'Round the World is a journey of internat...
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A Cantata for Christmas-The Song Heard 'Round the World is a journey of international carols and folk songs that incorporate narration and scripture to share Christmas story. With sections for Advent Christmas and Epiphany the anticipation incarnation and proclamation of Christ's birth is presented. Each movement is from a different nation filling the work with a tapestry of musical diversity. The overall theme of unity and peace on earth is timely giving many options for creative presentations. Colorful orchestrations by Brant Adams capture the diversity that is so much a part of this meaningful work. A smaller chamber orchestration is also available as well as a full line of support products.Songs include: A Joyful Journey of Carols Hear the Song Heard 'Round the World An Advent Prayer Prepare the Way of the King Ges¨ Bambino Rejoice! Christ Is Born! A Unity Carol Music of the Morning Star Prayer for Peace. Score and Parts for Full Orchestra (fl 1-2/pic ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba timp perc 1-4 hp kybd vn 1-2 va vc db) and Consort (fl cl tpt 1-2 tbn bls perc kybd) available as a Printed Edition and as a digital download.
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No other people (BARRY GERALD)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Ray...
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for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods. In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original. I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings. There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo. They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing. Something of this is in the music.' Gerald Barry, 2009/ Répertoire / Orchestre
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Walter Piston: Three New England Sketches: Orchestra: Study Score
Orchestra
[Sheet music]
Associated
Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissi...
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Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissioned by the Worcester County Musical Association. First performed on October 23 1959 by Detroit Symphony Orchestra atthe Worcester (Mass.) Music Festival Paul Paray Conducting.Instrumentation:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets In BbBass Clarinet2 BassoonsContrabassoon4 Horns In F3Trumpets In C (Parts in Bb)3 TrombonesTubaTimpaniPercussion (Snare Drum Bass Drum Cymbals Susp. Cymbal Triangle Tam-tam Glockenspiel Tambourine Wood Block)2 HarpsStrings
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Quest: Orchestra: Score
Orchestra
Southern Music Ltd
This dramatic work for young players is intended to portray a noble mystical pu...
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This dramatic work for young players is intended to portray a noble mystical pursuit of some great conquest or accomplishment. Full of driving percussion resolving tone clusters dramatic brass writing and spectacular tutti musical statements it also features easy passages for solo oboe bassoon and piccolo. This piece is a great choice for excellent middle school or smaller high school bands. It is generously cross cued to be performed with limited instrumentation.
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Ludwig van Beethoven: Symphony No. 4 Bb Major Op. 60: Orchestra: Miniature Score
Orchestra
Eulenburg
Beethoven's Symphony No. 4 like No. 5 portrays the transition from darkness to...
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Beethoven's Symphony No. 4 like No. 5 portrays the transition from darkness to light. Despite being scored for a small ensemble and its classical structure the work is brimming with originality and grace – 'a slender Greek maiden' as described by Robert Schumann.
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Malcolm Arnold: Peterloo Overture: Orchestra: Score
Orchestra
Faber Music Limited
Peterloo is the derisive name given to an incident on 16 August 1819 in St Pete...
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Peterloo is the derisive name given to an incident on 16 August 1819 in St Peter's Fields Manchester when an orderly crowd of some 8 000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the Yeomanry attempting to seize the banners they carried and to arrest their speaker Henry Hunt. Cavalry were sent in eleven people were killed and four hundred injured in the ensuring panic. This overture attempts to portray these happenings musically but after a lament for the killed and injured it ends in triumph in the firm belief that all those who have suffered and died in the cause of unity amongst mankind will not havedone so in vain.
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Joseph M. Martin: Even the Heavens are Weeping: Orchestra: Parts
Orchestra
Shawnee Press
A dramatic anthem from the best-selling cantata Song of the Shadows vividly po...
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A dramatic anthem from the best-selling cantata Song of the Shadows vividly portrays the death of Christ on the cross and how all creation mourned. Even the Heavens Are Weeping now available as an SAB anthem will make any HolyWeek service one which is long remembered.
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James Barnes: Quest: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
This dramatic work for young players is intended to portray a noble mystical pu...
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This dramatic work for young players is intended to portray a noble mystical pursuit of some great conquest or accomplishment. Full of driving percussion resolving tone clusters dramatic brass writing and spectacular tutti musical statements it also features easy passages for solo oboe bassoon and piccolo. This piece is a great choice for excellent middle school or smaller high school bands. It is generously cross cued to be performed with limited instrumentation.
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Claude Debussy: La Mer: Orchestra: Miniature Score
Orchestra
Barenreiter
Trois Esquisses Symphoniques-New Urtext edition with numerous corrections in com...
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Trois Esquisses Symphoniques-New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Following the recent publication of the full score and performance material to Debussy?s La Mer (BA 7880) Bärenreiter now presents the study score edition of this ?impressionistic? masterpiece.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new editionincludes the famous ?fanfare? in Movement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.
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Claude Debussy: La Mer: Orchestra: Parts
Orchestra
[Score]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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