SKU: HL.14013824
UPC: 888680912918. 8.25x11.75x0.165 inches.
Superb work scored for Baritone, Violin, Cello and Organ.
SKU: PL.9514OP
Composed in 1901, Psalm 137, By the Rivers of Babylonis Loeffler's only sacred choral composition. Scored for women's voices and instruments, it is offered here in a reduction for organ or piano accompaniment. The editorial suggestions for registration reflect the composer' original instrumental timbres. The instrumental parts may be purchased separately. As the composer's biographer, Ellen Knight, has written, the music is exquisitely lush and sensuous.
SKU: HL.14002966
ISBN 9780711986176. 11.75x8.5x0.094 inches.
This collection of Chorales contains all the melodies used by Bach in the Organ works. Each is given with the first verse of the German Hymn and an English translation. Edited by Sir Ivor Atkins.
SKU: BA.BA05499
ISBN 9790006471942. 23 x 30 cm inches.
Print on demand (POD).
SKU: BA.BA11305-67
ISBN 9790006567119. 32.5 x 25.5 cm inches.
SKU: HL.48184601
UPC: 888680853914. 9.0x12.0x0.288 inches.
Part of the Organ collection by J. S. Bach, this Volume IX Eighteen Chorals of Leipzig (BWV 651-668) was composed between 1740 and 1750, in Leipzig. This volume is now translated in English and French and features the annotation of Marcel Dupre, a French organist, to help the performer getting the most of the music sheet. This ninth book contains a set of eighteen religious preludes: 1. Come, Holy Ghost 2. Come, Holy Ghost 3. By the rivers of Babylon 4. Deck thyself, o my soul 5. Lord Jesus Christ, unto us turn 6. O stainless Lamb of God 7. Now thank we all our God 8. From God I will not turn 9. Come now, Saviour of the Heathen 10. Come now, Saviour of the Heathen 11. Come now, Saviour of the Heathen 12. Glory to God on high 13. Glory to God on high 14. Glory to God on high 15. Jesus Christ, our Saviour 16. Jesus Christ, our Saviour 17. Come, God, Creator, Holy Ghost 18. Before thy Throne, I now appear Some of this prelude contains toccatas, sarabandes, fugues, ritornellos and many ornaments. Quite varied, they can also be either joyful or full of lamentations. The preface of these Eighteen Chorals of Leipzig is well written, with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. .
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