?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)

The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.

- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /

L'édition révisée pour Suzuki Violin School, Volume 6 est maintenant disponible. Comme les autres livres de violon révisées, la musique a été édité par le Comité international de violon. / Piano

Composer and violinist János Lavotta (1764-1820), as a member - together with János Bihari and Antal Csermák - of the ''virtuoso trio'' who played a great role in the history of Hungarian music, was one of the pioneers of verbunkos music. Although his violin duos op. 49 must have also been used for playing music at home, they show the composer's clear educational intent, since the fourteen consecutive pieces represent a gradually increasing difficulty in both technical and musical respects. The relatively short and undemanding melodies, which can be grasped by beginners, the sequence-like structure that makes practising individual technical elements possible, the rhythmical-harmonic accompanying forms, as well as the temperately applied modulations are definitely suitable for beginner violinists to achieve significant progress in playing. According to music historian Mária Domokos, Lavotta's duos could have been included in the syllabus of any contemporary music school at the time. The first publication of Easy Duos - which came out on the 250th anniversary of the Lavotta's birth - was edited by János Dombóvári who provided the fingering and the necessary instructions for performance. / Piano

Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.

Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. Notes in the surviving autographs for the versions for Violin and Piano (HN 1188), Violoncello and Piano (HN 1189) and Piano solo show that Elgar had intended making arrangements for numerous scorings - but only the three named versions were authorised through original manuscripts. Amongst these the piano version has a special signifi cance: Caroline Alice Roberts was a piano pupil of Elgar's and thus the composer might have rewritten the original for violin and piano for his fiancée and later wife. Alongside the first print, we have also evaluated Elgar's autograph engraver's copy for the first time. / Piano

Par CARDALL PAUL. Contemporary jazz pianist Paul Cardall released this 3-disc set of his performances of 40 timeless hymns in 2015. Our matching folio features piano solo arrangments of all 40 songs, including: Amazing Grace (for piano, cello andviolin) · Be Still, My Soul · For the Beauty of the Earth · God Be with You 'Til We Meet Again · How Firm a Foundation · In the Garden · Jesus Wants Me for a Sunbeam · The Lord Is My Shepherd · Sweet Hour of Prayer · There Is aGreen Hill Far Away · Were You There? · and more. / Date parution : 2021-11-25/ Recueil / Piano

The Top Ten Contemporary Classical Pieces To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play. This volume contains 10 of the very best contemporary pieces for solo Piano.Some people associate classical music very much with the historic past, but there is a wealth of contemporary music out there from a new wave of distinctive and adventurous writers, including plenty of fantastic pieces written for solo Piano. Composers include the remarkable Ludovico Einaudi, whose music, rich in spiritual simplicity, has taken the musical public by storm - Jóhann Jóhannsson, who set the classical system to one side as a teenager to kick loose in indie bands - and multi-instrumentalist and composer Yann Tiersen, who similarly broke his Violin aged thirteen and never looked back!Whether you are already familiar with some of these composers or not, we are confident you will love playing their beautiful music. Often simple in style, there is something magical about the way these writers make the Piano sound, so delve in and enjoy... / Piano

Sir Edward Elgar was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for Violin and Cello, and two symphonies. He was appointed Master of the King's Musick in 1924.Composed in 1892, Etudes Caracteristiques For Violin Op.24 is dedicated to the preeminent Hungarian Jewish Violin virtuoso, and Elgar's former Violin teacher between 1877-1878, Adolphe Pollitzer. Pollitzer believed that, as a violinist, Elgar had the potential to be one of the leading soloists in the country, but Elgar himself, having heard leading virtuosi at London concerts, felt his own Violin playing lacked a full enough tone, and he abandoned his ambitions to be a soloist. / Piano

Antonín Dvo?ák was a Czech composer. Following the nationalist example of Bed?ich Smetana, Dvo?ák frequently employed aspects, specifically rhythms,of the folk music of Moravia and his native Bohemia. Dvo?ák's own style has been described as 'the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them'.The Piano Concerto for Piano and Orchestra in G minor, Op. 33, was the first of three concertos that the Czech composer completed-it was followed by a Violin concerto and then a Cello concerto-and the Piano Concerto is probably the least known and least performed.This Bosworth edition of the solo Piano part of Dvo?ák's Piano Concerto is a perfect addition of an underappreciated piece to any pianists repertoire. / Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door

Matching folio to the Piano Guys' 2016 release featuring 11 new tracks. Our songbook features piano solo arrangements with an optional pull-out violin part. Titles include: Fight Song/Amazing Grace - A Sky Full of Stars - Hello/Lacrimosa - Okay - Themes from Pirates of the Caribbean - Celloopa - Jungle Book/Sarabande - Holding On - Can't Stop the Feeling - Uncharted. / Piano (Violon en option)

Par MUSTONEN OLLI / BACH JOHANN SEBASTIAN. Paraphrase Of The 3 Movements From The Partita In E Major For Violin Solo/ Répertoire / Piano

In time for Beethoven's anniversary, Schott presents a new collection of his most popular works for piano. The successful author Hans-Günter Heumann has compiled 30 easy to intermediate original works and arrangements: Für Elise, Moonlight Sonata, Ode to Joy and many more, all in one volume! Complete with fingerings and tempo suggestions, this collection with its modern and easy-to-read layout is ideal for both lessons and all those playing piano as a hobby. Deutscher Tanz B-Dur Deutscher Tanz Es-Dur Ecossaise G-Dur Deutscher Tanz A-Dur Sonatine G-Dur Sonatine F-Dur Ecossaise Es-Dur Menuett G-Dur Lustig?Traurig Leichte Sonate G-Dur Bagatelle g-Moll Bagatelle a-Moll Sechs Ecossaisen Es-Dur Für Elise Klaviersonate c-Moll Pathétique, 2. Satz Mondscheinsonate cis-Moll, 1. Satz Rondo C-Dur Sechs Variationen über Nel cor più non mi sento Die Wut über den verlorenen Groschen Violinsonate Nr. 5 F-Dur Frühlingssonate, 1. Satz Sinfonie Nr. 3 Es-Dur Eroica, 2. Satz Sinfonie Nr. 5 c-Moll, 1. Satz Sinfonie Nr. 7 A-Dur, 2. Satz Freude, schöner Götterfunken Klavierkonzert Nr. 3 c-Moll, 2. Satz Klavierkonzert Nr. 3 c-Moll, 3. Satz Klavierkonzert Nr. 5 Es-Dur, 2. Satz Violinkonzert D-Dur, 1. Satz Türkischer Marsch aus Die Ruinen von Athen

Vier Weihnachtslieder für Klavier im Violinschlüssel. Par HELLER MAX PAUL. / Recueil / Piano