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OBOE
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NARROW BY STYLES
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N132 - ON THE STREET WHERE YOU LIVE + CD
Tous instruments
AEBERSOLD
14 Favorite songs recorded many times over the years!
Rhythm Section:Steve ...
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14 Favorite songs recorded many times over the years!
Rhythm Section:Steve Allee (p); Tyrone Wheeler (b); Jonathan Higgins (d)
Album Contents:
Alabamy Bound
Coquette
In Old Shanty Town
Goody Goody
Goofus
I Found A Million Dollar Baby
I'll See You In My Dreams
Josephine
On The Street Where You Live
Put Another Nickel In (Music Music Music)
I'm Looking Over A Four Leaf Clover
Toot Toot Tootsie
Yes Sir That's My Baby
You're The Cream In My Coffee / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / AEBERSOLD
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BERKLEE FEIST JONATHAN - BERKLEE CONTEMPORARY MUSIC NOTATION
Tous instruments
BERKLEE
Learn the nuances of music notation, and create professional looking scores. Thi...
(+)
Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's musicindustry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / BERKLEE
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1970S JAZZ PLAY-ALONG
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HAL LEONARD
Liste des titres : Birdland • Bolivia • Chameleon • 500 Miles High • Luc...
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Liste des titres : Birdland • Bolivia • Chameleon • 500 Miles High • Lucky Southern • Phase Dance • Red Baron • Red Clay • Spain • Sugar. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / HAL LEONARD
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BERKLEE FEIST JONATHAN - BERKLEE CONTEMPORARY MUSIC NOTATION
Tous instruments
BERKLEE
Learn the nuances of music notation, and create professional looking scores. Thi...
(+)
Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's musicindustry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music. / Partitions jazz&blues / Tous instruments par tonalité / Tous instruments / BERKLEE
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LES PRESSES DU COLLEGE MUSICAL LA BASSE CONTINUE EN ITALIE AU XVIIe SIECLE VOL.1
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LES PRESSES DU COLLEGE MUSICAL
contient les traités et écrits de Cavalieri, Viadana, Agazzari, Bianciardi...
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contient les traités et écrits de Cavalieri, Viadana, Agazzari, Bianciardi, Banchieri et Sabbatini
160 pages, relié cousu
bilingue italien-français
préface et annexe musicale
Ce volume, consacré à la basse continue en Italie, couvre la première moitié du 17e siècle. Il rassemble les traités et les écrits de Cavalieri, Viadana, Agazzari, Bianciardi, Banchieri et Sabbatini.
La naissance de la basse continue donna lieu à un nombre important de publications. Les recommandations des auteurs sur la réalisation ou le chiffrage figurent souvent dans les avertissements ou préfaces à leurs recueils de pièces musicales, principalement des motets.
Cette technique va de pair avec la mise au point du récitatif et de la monodie accompagnée à Florence. Elle se répand très rapidement dans les vingt premières années du 17e siècle dans tous les pays d’Europe. Enfin, elle deviendra une méthode de composition qui durera pendant toute la période tonale.
En complément aux textes originaux et à leur traduction annotée, ce volume propose un choix de motets des auteurs principaux. Il constitue ainsi un matériel d’application et des repères stylistiques.
This book, devoted to the thorough-bass in Italy, focusses on the first years of the seventeeth century and offers the treatises and writings of Cavalieri, Viadana, Agazzari, Bianciardi, Banchieri and Sabbatini.
The beginnings of the basso continuo was followed by many publications. The composer’s advices on playing or figuring appear often in prefaces to their collections of musical pieces, mainly motets.
This technique is linked to the invention of recitative and accompanied monody in Firenze. It spreads very quickly during the first twenty years of the seventeenth century in all European countries and became shortly a method for composing during all the tonality period.
At the end of the book, we add a choice of motets. It can be used as practicing pieces or to be informed about stylistic features of this time. / Méthodes et pédagogie / Méthodes et traités / Tous instruments / LES PRESSES DU COLLEGE MUSICAL
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WALHALL MANDELARTZ MONIKA - GREENSLEEVES AND PUDDING PIES LEVEL 1
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WALHALL
Generalbass und historische Improvisation – 50 Stücke von Ballard, Byrd...
(+)
Generalbass und historische Improvisation – 50 Stücke von Ballard, Byrd, Phalèse, Playford bis Irish Folk (Level 1) mit sehr leichten Generalbassstimmen für 2 und mehr Spieler. Ideal für Sessions mit historischer Improvisation, als Übungsstücke für Generalbassanfänger und für Schülerensembles. Level 1 übt im Generalbass die leere Quinte, Grundakkord, Quartsextakkord, Ziffern auf Orgelpunkt, Bordun, Pendelbass, Orgelpunkt, parallele Akkorde, Dominante/Tonika-Verbindungen. 104 S.
Level 1: B. c. „sehr leicht“
Ebenso erhätlich:
Level 2: B. c. „leicht“ - EW1151
Level 3: B. c. „leicht fortgeschritten“ - EW1161
„Eine großartige, sehr empfehlenswerte Sammlung einfacher Stücke, die im Unterricht – aber beispielsweise auch in der persönlichen „jam session“ mit Gleichgesinnten – unbändige Musizierfreude verspricht.!“ SINGENDE KIRCHE (Österreich), 2/2021
„Generalbass lernen einmal ganz anders: keine Regeln oder Zahlen, keine Trockenübungen oder strengen Anmerkungen. Stattdessen eine ansprechende Musik-Literatur sowie eine Gruppe von Mitmusizierenden, die man begleitet und die zum Improvisieren aufgefordert ist.“ ÜBEN & MUSIZIEREN, 04/2021
„Durch den wirklich grundlegenden Beginn und der Unterteilung der Stücke in drei Level ist es möglich, sich das Generalbassspiel und die damit verbundene Improvisation progressiv, selbst mit nur wenig instrumentalen Vorkenntnissen, anzueignen.“ Neue Musikzeitung NMZ 09/21, 04/2021
„Mandelartz’ pädagogischer Ansatz zur Improvisation ist bemerkenswert. Ihre Sammlung lädt an vielen Stellen explizit ein, selbstständig Melodien zu erfinden. Dabei geht sie methodisch sehr geschickt vor … Greensleeves and Pudding Pies kann auf mehreren Ebenen den heutigen Instrumentalunterricht bereichern.“ ESTA-NACHRICHTEN, 10/2021
/ Méthodes et pédagogie / Méthodes et traités / Tous instruments / WALHALL
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WALHALL MANDELARTZ MONIKA - GREENSLEEVES AND PUDDING PIES LEVEL 2
Tous instruments
WALHALL
Generalbass und historische Improvisation – 50 Stücke von Dowland, Mainerio, ...
(+)
Generalbass und historische Improvisation – 50 Stücke von Dowland, Mainerio, Ortiz, Playford, Selle, Uccelini etc. (Level 2) mit sehr leichten Generalbassstimmen für 2 und mehr Spieler. Ideal für Seesions mit historischer Improvisation, als Übungsstücke für Generalbassanfänger und für Schülerensembles. Level 2 übt im Generalbass Quartvorhalt, Subdominante/Dominante/Tonika-Kadenz, Passamezzo antico, Romanesca, Greensleeves. 96 S.
Level 2: B. c. „leicht“
Ebenso erhältlich:
Level 1: B. c. „sehr leicht“ - EW1145
Level 3: B. c. „leicht fortgeschritten“ - EW1161
„Eine großartige, sehr empfehlenswerte Sammlung einfacher Stücke, die im Unterricht – aber beispielsweise auch in der persönlichen „jam session“ mit Gleichgesinnten – unbändige Musizierfreude verspricht.!“ SINGENDE KIRCHE (Österreich), 2/2021
„Generalbass lernen einmal ganz anders: keine Regeln oder Zahlen, keine Trockenübungen oder strengen Anmerkungen. Stattdessen eine ansprechende Musik-Literatur sowie eine Gruppe von Mitmusizierenden, die man begleitet und die zum Improvisieren aufgefordert ist.“ ÜBEN & MUSIZIEREN, 04/2021
„Durch den wirklich grundlegenden Beginn und der Unterteilung der Stücke in drei Level ist es möglich, sich das Generalbassspiel und die damit verbundene Improvisation progressiv, selbst mit nur wenig instrumentalen Vorkenntnissen, anzueignen.“ Neue Musikzeitung NMZ 09/21, 04/2021
„Mandelartz’ pädagogischer Ansatz zur Improvisation ist bemerkenswert. Ihre Sammlung lädt an vielen Stellen explizit ein, selbstständig Melodien zu erfinden. Dabei geht sie methodisch sehr geschickt vor … Greensleeves and Pudding Pies kann auf mehreren Ebenen den heutigen Instrumentalunterricht bereichern.“ ESTA-NACHRICHTEN, 10/2021 / Méthodes et pédagogie / Méthodes et traités / Tous instruments / WALHALL
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Haendel, Georg Friedrich : Messiah (Messias) HWV 56
Tous instruments
[Fac-similé]
Barenreiter
The first performance of George Frideric Handel’s oratorio “Messiah” on 13...
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The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life.
In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile.
The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’s manuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. / [Le Messie HWV 56] / Classique / Fac-similé /
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