Par STORY MICHAEL. Movie Quartets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Hedwig's Theme * Over the Rainbow * And All That Jazz * The Magnificent Seven * Theme from A Summer Place * Eye of the Tiger * There You'll Be * Blues in the Night * The Pink Panther * You're a Mean One, Mr. Grinch * Parade of Charioteers * Hakuna Matata. / Ensemble Music, Miscellaneous, Scores / Recueil / Piano et Hautbois ou Instruments en Do

When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs alongs them to do just that! It includes 50 contemporary favorites, including: Believer · Don't Stop Believin' · Happy · High Hopes · Let's Get It Started · Ocean Eyes · Perfect · Rewrite the Stars · A Thousand Miles · You Will Be Found · and more.

Solo Arrangements of 15 Favorite Songs-Here is a fantastic opportunity for you to become the soloist in these specially selected Disney favourites! Each song is presented in clear notation and the accompanying audio features a full demonstration and backing track for each song so that you can experience the sound of a professional ensemble as your band! Fifteen songs have been selected from rich Disney heritage including unforgettable moments from Mary Poppins and The Jungle Book all specially arranged for Oboe.

Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.

For Flexible Instumentati-Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Habanera And Canzonetta-Toreador Song Habanera & Canzonetta from Carmen.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and theshows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Recueil / Hautbois

Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Oboe repertoire. Much of the composer's works show neo-classical features which is also the case in Sarabande et Allegro where the texture is predominantly melody-dominated homophony perfect cadences are frequently heard and modulations to related keys occur. Grovlez's D minor Sarabande is in a steady triple metre superblycontrasted by the fast Allegro composed in the relative major. All these features make for an enjoyable and delightful performance.

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. Thespecially designed units provide a a complete pedagogy:? Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course? Melodic Interpretation Including20 contest level duets in each book? Solo Preparation Six contest level solos included? Articulation Studies Specialized for each instrument? Exercises in Fingering(woodwinds) Flexibility (brass) and Sticking (percussion)? Ornamentation All types are introducedGenerations of musicians have been taught with Rubank methods ? join the tradition!

The great Fantaisie Italienne is a piece composed by Eugène Bozza for Oboe and Piano. Quite difficult it requires some advanced skills to be executed perfectly. Starting Moderato it opens with a cadenza which includes some solo Oboe sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to  Fantaisie Italienne would make for a fantastic demonstration of your skills and technical abilities during a recital and a concert. Eugène Bozza won different prizes atthe Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

This book based on the Microjazz concept of graded pieces in popular styles contains a set of rhythmically orientated compositions which take into account the range and particular character of the solo instrument. Stimulating accompaniments allied to tuneful and rhythmic solo parts provide a storehouse of styles for players of all ages. As well as being the creator of the world-famous Microjazz series Christopher Norton is an established composer arranger educationalist and producer. His compositions have a distinctive contemporary feel and feature various popular styles.

A Must-Have Collection of Well-Known Songs Including Oboe Features!-If you've been taking oboe lessons for a little while you are probably eager to learn some familiar songs. The First 50 Songs You Should Play on Oboe includes a wide variety of favorites from pop hits and movie themes to classical melodies and folk songs many of which originally featured oboe! Songs include: All of Me · All You Need Is Love · Amazing Grace · Canon in D · Circle of Life · Fight Song · Gabriel's Oboe · The Godfather (Love Theme) · Hallelujah · I Will Always Love You · Just Give Me a Reason · Just the Way You Are · Let It Go · My Heart Will Go on (Love Theme from 'Titanic') · Pure Imagination · Roar · Rolling in the Deep · Satin Doll · See You Again · ShakeIt Off · Shallow · Stand by Me · Summertime · Symphony No. 9 in E Minor (From the New World) Second Movement Excerpt · Tequila · This Is Me · Uptown Funk · What a Wonderful World · and more!

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date.This edition is based on a manuscript preserved in the Sächsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in themanuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change.