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Movie Quartets For All/Pno/Cond/Ob (STORY MICHAEL)
Piano et Hautbois ou Instruments en Do
[Sheet music]
Alfred Publishing
Par STORY MICHAEL. Movie Quartets for All is a versatile, educational, and fun s...
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Par STORY MICHAEL. Movie Quartets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Hedwig's Theme * Over the Rainbow * And All That Jazz * The Magnificent Seven * Theme from A Summer Place * Eye of the Tiger * There You'll Be * Blues in the Night * The Pink Panther * You're a Mean One, Mr. Grinch * Parade of Charioteers * Hakuna Matata. / Ensemble Music, Miscellaneous, Scores / Recueil / Piano et Hautbois ou Instruments en Do
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Per Nørgård: Whirl's World: Wind Ensemble: Score
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Wilhelm Hansen
Programme Note WHIRLS´ WORLD (1970) for wind quintet. ?Whirl´s World? was comp...
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Programme Note WHIRLS´ WORLD (1970) for wind quintet. ?Whirl´s World? was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård
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Per Nørgård: Whirl's World: Wind Ensemble: Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Wilhelm Hansen
Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was ...
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Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård
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John Walker Franz Wilhelm Ferling: 48 Studies Opus 31: Oboe: Instrumental Album
Oboe
[Sheet music + CD]
Carl Fischer
The 48 Studies For Oboe Op.31 by Franz Wilhelm Ferling are presented here in a n...
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The 48 Studies For Oboe Op.31 by Franz Wilhelm Ferling are presented here in a new edition that has been meticulously edited by Nancy Clauter Professor of Oboe at the University of Kentucky. Ms. Clauter's edition as indicated in her detailed prefatory notes on fingerings takes into account modernisations and upgrades made to the mechanism of the Oboe.This book includes online access to downloadable Piano accompaniments by pianist John Walker. The recordings may be used during practice to make the etudes more enjoyable. As an added bonus the music for these accompaniments is also included as a printable PDF file so that youcan use these studies with a pianist in juries or recitals thereby making this edition even more valuable.
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Score and Parts
Oboe and Orchestra
[Sheet music]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus...
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Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He
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Anthony Powers: In Two Minds: Oboe: Instrumental Work
Oboe
Oxford University Press
A virtuosic elegy for solo oboe in which the solo line is fractured into two opp...
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A virtuosic elegy for solo oboe in which the solo line is fractured into two opposing elements - lyrical elegance and angular neuroticism - between which there is constant conflict.
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Francis Poulenc: Trio For Piano Oboe And Bassoon: Oboe & Bassoon: Score and
Piano, Oboe and Bassoon
Wilhelm Hansen
POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Franc...
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POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Francis Poulenc. This new edition is based on a second manuscript by Poulenc dated 16th March 1928. Edited by Sandro Caldini in 2016. From the preface: The Trio pour piano hautbois et basson by Francis Poulenc (1899-1963) represents a milestone in the repertoire of music for double-reed instruments. It was written between March and April 1926 during a long stay in Côte d'Azur and it was immediately published by Edition Wilhelm Hansen AS Copenhagen in the same year. The composition was influenced by the composer's friendship with Igor Stravinskyand was dedicated to Manuel de Falla. I was lucky to locate a second manuscript (due to the courtesy of the American composer Ned Rorem and his niece Mary Marshall) on which this new edition is based. When I compared this manuscript with the first edition (WH19245) it became evident that there were many differences. The second manuscript is dated 16th March 1928 and clearly states Brouillon definitif (final copy)... Sandro Caldini 2016
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Marguerite Roesgen-Champion: Deux Nocturnes For Oboe And Piano: Oboe:
Oboe, Piano (duet)
Leduc, Alphonse
Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer...
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Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.
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Nico Dezaire: Funtime Favourites: Oboe: Instrumental Album
Oboe
[Sheet music + CD]
-
Beginner
De Haske Publications
26 easy pieces for oboe-Many of the short pieces in Funtime Favourites will soun...
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26 easy pieces for oboe-Many of the short pieces in Funtime Favourites will sound familiar to pupils. All 26 tunes are fun to learn and the contemporary accompaniment provided on the CD will keep them from sounding dull. The CD features a demo and a play-along version of each tune so the pupil will feel as if there's a whole backing band supporting them - great for motivation!
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Béla Bartók: Ein Abend am Lande für Oboe und Klavier: Oboe: Instrumental Work
Oboe, Piano (duet)
EMB (Editio Musica Budapest)
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pi...
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An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works which the composer himself was fond of playing at recitals. As he explained in an American interview it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of HungarianSketches. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer’s death. This involves reissuing our tried publications and publishing some further new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
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Accelerando - An Introduction To The Oboe For Primary School Children
Oboe
Hofmeister Musikverlag
This introduction has been written for primary school children who have not prev...
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This introduction has been written for primary school children who have not previously studied another instrument. It is suitable for groubs as well as for individuals.Every new note is colour contrasted, thus ensuring easy recognition. Relaxed by illustrations the school precedes in small steps. Exercises such as writing music, transposing, and playing echoes can be added if the child's progress allows for it. Most of the musical pieces and songs in the book are either traditional or well-known pieces by composers of the Baroque, Classical and Romantic periods.Duets are included here and there to give the children anopportunity to practise playing together early on. / Hautbois
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Repertoire Pieces(30): Oboe: Instrumental Album
Oboe, Piano (duet)
[Sheet music + CD]
Carl Fischer
Repertoire Classics for Oboe is a comprehensive and progressively graded collect...
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Repertoire Classics for Oboe is a comprehensive and progressively graded collection of 30 classic solos for Oboe with Piano accompaniment.The book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the Oboe The collection is graded in difficulty from moderate to advanced and is ideal material for concerts and recitals. There is a wide variety of music from all style periods and by some of the greatest composers of all time.As an added bonus included is a data CD that contains MP3 audio files of the Piano accompaniments to make practicing more fun. The data CD also includes all of thePiano accompaniment parts for all the pieces in the collection as printable PDF files. This way you can print out only the piece you are currently playing reducing the bulk of printed material you have to carry around. This feature also allows this large and useful collection to be presented at a very attractive price.
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Thea Musgrave: Trio For Flute Oboe And Piano: Chamber Ensemble: Instrumental
Flute, Oboe, Piano (trio)
[Sheet music]
Chester
This piece provides a compositional challenge to find a balance between 2 wind i...
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This piece provides a compositional challenge to find a balance between 2 wind instruments and piano the general structure of the piece is evolved so that different balances between the 3 instruments can be explored. The mainsection of this composition demonstrates evenly matched instruments whilst there are 3 episodes interweaving throughout that are all different. The 2nd episode sees the wind and piano play extremely contrasting material inquick alternations whilst the 3rd episode shows how the instruments can be balanced in a close environment producing a short canon. The work is relatively short and all sections are played without breaks each one heralded by asingle soft piano chord.
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
Oboe, Piano (duet)
[Reduction]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus ...
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Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.
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César Franck: Pièce V: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Leduc, Alphonse
Composed for Oboe and Piano accompaniment Piece V by César Franck is a melodio...
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Composed for Oboe and Piano accompaniment Piece V by César Franck is a melodious piece for intermediate players. The piece begins with a quiet introduction starting Andantino quasi allegretto. The main theme is then played twice with the Piano introducing each phrases followed by the Oboe repeating them. The piece ends in a really nice harmony between the Oboe and the Piano. There is no major difficulty in this really soft work which would be thoroughly enjoyed by the audience during a recital. César Franck (1822-1890) was a renowned musician (Organ and Piano) composer and professor bornin the United Kingdom of Netherland (Liège) who was based in Paris. Even though he only produced few compositions some of these pieces were very famous such as 'Symphony in D minor' and 'Prelude Chorale and Fugue' among others.
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Play Disney Songs
Oboe
[Sheet music + Audio access]
Hal Leonard
Solo Arrangements of 12 Classic Disney Songs - Oboe-Lots of people have asked me...
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Solo Arrangements of 12 Classic Disney Songs - Oboe-Lots of people have asked me to create a collection of famous Disney songs, so I?ve had great fun putting together a book I?m sure you?re going to love. There are tunes from early Mickey Mouse cartoons, famous songs that everyone knows, and music from recent films, too.This book progresses from simpler tunes (like the level of lesson 14 in Look Listen
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Wolfgang Amadeus Mozart: Oboe Quartet in F K.370: Oboe: Instrumental Work
Oboe, Piano (duet)
Peters
arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was writte...
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arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.
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Esa-Pekka Salonen: Second Meeting for Oboe and Piano: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Chester
Composer's NoteSecond Meeting was written in January 1992. The first performanc...
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Composer's NoteSecond Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren oboe and Stefan Bojsten piano). The work belongs to a planned series of virtuosoduos 'meetings'. The first one (from 1982) is written for clarinet and harpsichord.Formally Second Meeting is very close to a familiar 'theme and variations' category although there are seven themes or melodies all quiteclosely related.In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra trying to remain reasonably faithful to the original (a la Ravel perhaps). The orchestral version iscalled Mimo 1).Esa-Pekka Salonen
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Compatible Christmas Duets for Winds: Wind Duet: Mixed Songbook
Oboe, Flute
Carl Fischer
50 Duets that Can Be Played by Any Combination of Wind Instruments-The intention...
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50 Duets that Can Be Played by Any Combination of Wind Instruments-The intention of Compatible Christmas Duets For Winds is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments.These duets will work with any combination of any two instruments so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family friends or in a concert setting.Compatible Christmas Duets For Winds provides you with interesting and playable arrangements. It can also help to make practice time fun around theholidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.
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Passings (LIEBMAN DAVID)
Advance Music
Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAV...
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Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle
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Sarah Watts: Oboe Hub: Oboe: Instrumental Album
Oboe
Kevin Mayhew
Oboe Hub is a collection of colourful and quirky new pieces studies duets and ...
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Oboe Hub is a collection of colourful and quirky new pieces studies duets and trios for bassoons. The book will inspire elementary and intermediate players providing new music that will support exam preparation as well as fun arrangements of well-known tunes. There are also duets and trios to play with other bassoonists. Oboe Hub is a highly useful resource with plenty of new material for teachers and students.
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Malcolm Arnold: Wind Quintet: Wind Ensemble: Instrumental Album
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Queen's Temple Publications
An important and significant work written in London in 1942 and now published f...
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An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWTGrade: 8
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Michael Walshe: Aubade: Oboe: Instrumental Work
Oboe
Emerson Editions limited
'The genesis of Aubade is a piece for Piano which I wrote in the spring of 2015 ...
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'The genesis of Aubade is a piece for Piano which I wrote in the spring of 2015 and which I afterwards thought might go rather well on the Oboe. As I warmed to this idea and a piece for Oboe began to develop Irealised that I was constantly thinking about Oboist friends with whom I had had such pleasure when playing in various wind ensembles. Aubade is therefore in a way a celebration of those friends. There is nospecial significance in the title but it seems to me to be appropriate.' - Michael Walshe
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Busker's Stage Companion: C Clef Instrument: Instrumental Album
C Instruments
Spartan Press
Any Instruments In C-This collection can be played by treble instruments in C. ...
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Any Instruments In C-This collection can be played by treble instruments in C. Guitar chords are written above the stave in 'C' pitch. Although there is no bass part available bass players could improvise simple bass lines from the chord symbols. If desirable simpler chord sequences could be applied for less experienced players. Grade: 3 - 5
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Unbeaten Tracks: Oboe: Instrumental Album
Oboe, Piano (duet)
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Intermediate/advanced
Faber Music Limited
The Unbeaten Tracks series has made a profound mark on the music world with its ...
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The Unbeaten Tracks series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. The eight pieces in this volume are written in a kaleidoscopic mix of styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire. There are also small 'Biopics' about each composer. These give titbits of information about the composer's inspiration and intention for their piece and offer musicians a greater insight into the music.
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Maurice Ravel: Pièce En Forme De Habañera: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Leduc, Alphonse
As a prestigious composer of the early 20th century Maurice Ravel's Pièce En F...
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As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera For Oboe transcribed for the Oboe by Fernand Gillet or for Cor Anglais by G. A. Leduc contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies Pièce En Forme De Habanera For Oboe clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create furtherexcitement. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition the clear print of separate solo and accompaniment parts in this edition make it an irresistible purchase for aspiring Oboe and Cor Anglais players.
10.99 GBP - Sold by Musicroom UK
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