Arrangeur: Charles Salinger. Par TCHAIKOVSKY PYOTR ILYICH. One of the important works likely to appear on any clarinetist's audition list is Tchaikovsky's homage to his music idol, Mozart. To commemorate the 100th anniversary of Mozart's Don Giovanni, Tchaikovsky chose a number of the master's lesser-known pieces, wrapping them in his own signature arranging and orchestration. Clarinetist Charles Salinger has created his own transposition of the clarinet part for Clarinet in A, now an indispensable tool in the clarinetist's arsenal. Northeastern Music now makes this part readily available./ Répertoire / Clarinette en La

Par WEBER CARL MARIA VON / BEETHOVEN LUDWIG VAN. Carl Maria von Weber, great innovator and orchestrator who paved the way for such Romantic giants as Wagner and Liszt, wrote this famous and oft-performed 'little concerto' in 1811. Lovely sonorities, beautiful themes - in short, a great piece for clarinet and orchestra. Also featured in this MMO edition, Beethoven's beautiful, warm-toned Piano Trio No. 4 is a treasure-trove of possibilities for the clarinetist. Lovely themes - young Beethoven at his best! Includes a high-quality printed music score for B-flat clarinet and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel), then a second version in full stereo of theorchestral accompaniment, minus the soloist. Performed by Keith Dwyer, clarinet Accompaniment: Weber Concertino: Stuttgart Festival Orchestra/Emil Kahn, Beethoven Trio: Richard Mattson, violoncello, Robert Conway, piano/ Répertoire / Divers

Par SPOHR LOUIS. Louis Spohr?s technically, extremely demanding concertos have long been part of clarinetists? standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was ?undeniably one of the most accomplished works of art of its kind.? Emphasized was also the ?great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato.? The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler?s new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition. / Date parution : 2022-10-12/ Répertoire / Orchestre et Clarinette

Ten Golden Oldies in easy to intermediate-level arrangements. Par DIVERS AUTEURS (ARR.RAE JAMES). You Must Remember This… is a collection for clarinetists of ten of the world's most well-known and loved melodies. Arranged by James Rae with the elementary to middle-grade clarinet player in mind, these favourites from yesteryear will stir memories for many and delight all. All pieces are set in comfortable keys for the developing clarinetist and the 'teacher-friendly' piano accompaniments include chord symbols. - Ten of the world's most beloved golden oldies arranged for clarinet and piano - Suitable for elementary to middle-grade players - Attractive pieces for the concert stage sure to be welcomed by the audience/ Recueil / Clarinette et Piano

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano

Par RAE JAMES. This book has been written to familiarise the clarinettist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing, ranging from Jazz and Rock to modern Classical interpretation. They are of short to moderate lenght in order to maximise concentration on style. They are compiled in order of difficulty. Early to advanced grades./ Etude / Clarinette

Safari est une suite africaine en trois mouvements contrastés : The Sea (La mer) - A Flutist's/Clarinetist's Dream (Le rêve du flûtiste/clarinettiste) - Timbuktu (Tombouctou). Un voyage plein de couleurs ! / Clarinette / 16 pages / niveau : Elémentaire - Moyen / Recueil

Par CRASBORN-MOOREN PAULA. This book is perfect for beginning clarinetists to learn to play together from the first lessons. The duets add to the students playing pleasure and motivation: for children they have appealing titles, expressing the musical character of the duets,and catchy tunes in keys C, F and G major. The duets gradually increase in difficulty in rhythm and in technique, starting with five tones in one octave in the first voice (C-D-E-F-G), expanding to tones in multiple octaves. The second voice can beplayed by a more advanced student or the teacher, The book has been extensively tested in practice and gets enthusiastic responses from students. / Date parution : 2023-05-06/ Recueil / 2 Clarinettes

3 Recital Pieces. Par VIZZUTTI ALLEN. Safari est une suite africaine en trois mouvements contrastés : The Sea (La mer) - A Flutist's/Clarinetist's Dream (Le rêve du flûtiste/clarinettiste) - Timbuktu (Tombouctou). Un voyage plein de couleurs ! / Niveau : Elémentaire à Moyen / Recueil / Flûte Traversière