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VIOLA
DULCIMER
Alto Saxophone and Piano
NARROW BY INSTRUMENTATION
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String Quartet: 2 violins, vio… (19056)
Viola, Piano (1986)
Viola (1950)
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Sonata (PAGANINI NICCOLO)
Alto Saxophone and Piano
Schott
after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. P...
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after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. Par PAGANINI NICCOLO. This beautiful Sonata for alto saxophone and piano by the ECHO Klassik Award winner Raaf Hekkema is a valuable addition to the saxophone repertoire. The piece is an arrangement of Niccolò Paganini's Quartet No. 15 in A minor (originally scored for violin, viola, violoncello and guitar)./ Répertoire / Saxophone Alto et Piano
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Nocturne And Steam Train (YASINITSKY GREGORY W)
Alto Saxophone and Piano
Advance Music
Par YASINITSKY GREGORY W.. Nocturne and Steam Train is a 2-movement work for sax...
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Par YASINITSKY GREGORY W.. Nocturne and Steam Train is a 2-movement work for saxophone or viola and piano. Though originally written for saxophone and piano, it is equally idiomatic for viola. The first movement, Nocturne, is a passionate, lyrical, dark and expressive statement, and the second movement, Steam Train, is a spirited and highly rhythmic finale. This jazz-tinged work is ideal for recital, jury or solo contest performances. Medium easy/ Recueil / Saxophone Alto ou Baryton et Piano
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Jindrich Feld: Sonata for Alto Saxophone and Piano: Alto Saxophone: Artist
Alto Saxophone and Piano
Leduc, Alphonse
Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by v...
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Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by virtuoso Saxophonists. Composed in 1989-90 the Sonata is elaborate and quirky and successfully exploits many extended techniques on the instrument. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Sonata for Alto Saxophone and Piano Feld's style is deeply rooted in the Czechmusical tradition but he also integrated the main styles of 20th century Western music. The Sonata is made up of four movements 1. Allegro ritmico 2. Adagio/Bells of liberty 3. Allegro vivo/Scherzo and 4. Allegro con fuoco. Each movement of the Sonata presents different challenges from fast staccato semiquaver flourishes to the lyrical slurred passages. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced saxophonists.
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Henri Tomasi: Concerto For Alto Saxophone And Orchestra: Alto Saxophone:
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi ...
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Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi (1901-1971) was dedicated to Marcel Mule a renowned French Saxophonist. It was written as a Paris Conservatoire Contest piece and was performed by Mule himself in 1949. This publication is the Alto Saxophone and Piano adaptation of the Concerto. Written in two movements it begins with a secretive introduction leading to a cadenza that reminds of the introduction. It follows on the second part with an Allegro which finishes unexpectedly on an intense suite of fast notes to congregate on a strong Largo. Henri Tomasi is the French composer conductor and winner of the Grand Prix de Rome in 1927 He composed a variety of concerti (16) for Trumpet Violin Viola Clarinet Trombone Horn Oboe Flute as well as Ballets Orchestra Ballades and other pieces.
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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Jean Rivier: Concertino Pour Alto Et Orchestre: Saxophone: Instrumental Work
Alto Saxophone and Piano
Salabert
Piano reduction of Jean Rivier's Concertino for Viola and Orchestra. This versio...
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Piano reduction of Jean Rivier's Concertino for Viola and Orchestra. This version includes part for Viola and Piano reduction of original Orchestral material.
12.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Sonata Op. 120 No. 1 in F minor: Alto Saxophone and Accomp.:
Alto Saxophone and Piano
Lauren Keiser Music Publishing
Transcription of Brahms viola sonata.
28.50 GBP - Sold by Musicroom UK
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Concerto
Alto Saxophone and Piano
-
Intermediate/advanced
Editions Marc Reift (Swiss import)
/ Saxophone Alto Et Piano (Orgue) / niveau : 8 / Partition
22.50 EUR - Sold by LMI-partitions
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