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DULCIMER
Alto Saxophone and Piano
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What Else Can I Play? Alto Saxophone Grade 3
Alto Saxophone and Piano
[Sheet music]
I.M.P.
What Else Can I Play? Alto Saxophone Grade 3 makes learning more fun with carefu...
(+)
What Else Can I Play? Alto Saxophone Grade 3 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to breathing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment. Each book in the What Else Can I Play? series presents carefully graded pieces with a variety of musical styles ranging from classical and jazz through to showtunes and popular songs. This series will bring enthusiasm to learning your instrument and provide an entertaining alternative for those pupils who are working towards, or have recently completed exams. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano
13.26 EUR - Sold by LMI-partitions
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What Else Can I Play? Alto Saxophone Grade 1
Alto Saxophone and Piano
[Sheet music]
I.M.P.
What Else Can I Play? Alto Saxophone Grade 1 makes learning more fun with carefu...
(+)
What Else Can I Play? Alto Saxophone Grade 1 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to bowing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano
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Jazz Standards
Alto Saxophone and Piano
[Sheet music + Audio access]
Schott
14 Most Beautiful Jazz Songs. Bars enfumés et mélancolie ? le feeling du jazz ...
(+)
14 Most Beautiful Jazz Songs. Bars enfumés et mélancolie ? le feeling du jazz se retrouve dans les grands standards comme Lullaby of Birdland, Chattanooga Choo Choo ou encore What a Wonderful World, arrangés ici par le célèbre auteur Dirko Juchem pour le Schott Saxophone Lounge, à côté d'autres standards populaires. On y trouve 14 pièces en arrangements faciles pour saxophones alto et ténor./ Recueil / Saxophone Alto et Piano
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James Rae: Take Ten: Alto Saxophone: Instrumental Album
Alto Saxophone and Piano
-
Intermediate
Universal Edition
Take Ten: Popular Pieces From Bach To Bacharach is arranged for Alto Saxophone w...
(+)
Take Ten: Popular Pieces From Bach To Bacharach is arranged for Alto Saxophone with Piano accompaniment and is suited to grades 2 to 6. From Duke Ellington's Satin Doll to Bach's Minuet In G this book is sure to get you playing many different genres of music and really exploring what your Alto Saxophone can do. Selected as part of the ABRSM Alto and Baritone Saxophone examinations grades 3-5.
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Solos for the Alto Saxophone Player: Alto Saxophone and Accomp.: Instrumental
Alto Saxophone and Piano
Hal Leonard
Although many outstanding composers have written for the saxophone its comparat...
(+)
Although many outstanding composers have written for the saxophone its comparatively late invention leaves a great void in its literature - namely that of pre-20th Century music. If the saxophonist wishes to perform this music he must turn to transcriptions and that is what we find in this volume. Selected and edited by Larry Teal always with the qualities and limitations of the instrument in mind these pieces for Alto Saxophone with Piano accompaniment range in era and style from Haydn to Granados. Selected for the ABRSM Alto and Baritone examinations grades 6 and 7.
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
(+)
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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