Dowland Suite is extracted and adapted material from Mike Svoboda's music theater Robin Hood - to good, to be true (2012) for mezzo soprano and brass quintet which was premiered at the Lucerne Festival in September 2013 / Brass Quintet

Two fantastic pieces; J.S. Bach's Jesu Joy Of Man's Desiring and Vivaldi's Allegro from Double Trumpet Concerto. In both of these Baroque Gems it is essential that an appropriate tempo is set immediately and maintained without effort. The arranger suggests metronome values around 84 for the Bach piece and 116 for the Vivaldi.In the Bach always have awareness of where the melody lies and give careful consideration to whether the dotted quaver - semiquaver rhythm is played with a triplet feel or in strict time. In the Vivaldi the solo parts could be played on just about any pitch of Trumpet though it would be best if the twosoloists could use the same pitch of Trumpet whatever that may be. Players that own natural Trumpets and never play them might see this as an ideal opportunity to let them off!The Latin section needs to be played with good rhythm and a sense of fun. The shock notes is Trumpets Horn and Trombone bars 73-74 are best omitted unless absolutely tight.

La référence GB3560 de l'éditeur Billaudot dont l'auteur célèbre est Weber Alain, qui a pour titre LIMINAIRE, a été écrite et composée pour Ensemble Instrumental et Petit Orchestre et plus particulièrement pour 2 Trompettes, Cor, Trombone Et Tuba. Cette partition musicale appartient à la catégorie Classique. / 2 Trompettes, Cor, Trombone Et Tuba / Partition

Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet.

Op. 33 for Brass Quintet. Commissioned by the Three Choirs Festival 1992 and premiered by the London Gabrieli Brass Consort.This is a short piece for brass quintet in one movement. The polyphony of the introduction gives wayto massed chords which in turn lead to the first main section. This is a funeral march during which all the instruments have solos in turn. The trombone is first then trumpet I; horn; later in duet with trumpet II; finallythere is long solo for the tuba.The second section is a series of fanfares on trumpets joined by the horn which alternate with successive phrases of a chorale melody on the lower instruments - horn trombone and tuba. MitFried and Freud ich far dahin is Martin Luther’s masterly and very beautiful re-creation in German of the Nunc dimittus. The massed chords of the introduction then return and the piece ends with the polyphony with which itbegan.Parts available: SOS04782

Par SAMITZ NICO. Qu'il s'agisse de la paix intérieure, de la paix entre ses quatre murs ou de la paix entre les États, sa recherche doit toujours être maintenue, même si elle est parfois loin d'être facile. Cette mélodie simple et émouvante, jouée par le cor et le trombone, vise à rendre le monde un peu plus paisible. / Date parution : 2023-03-11/ Répertoire / Quintette de Cuivres