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DULCIMER
Brass ensemble
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Andrew Lloyd Webber: All I Ask Of You: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
from The Phantom of the Opera-Né en 1948 à Londres Andrew Lloyd Webber a comp...
(+)
from The Phantom of the Opera-Né en 1948 à Londres Andrew Lloyd Webber a composé la musique de nombreuses comédies musicales célèbres dans le monde entier ; de l?opéra-rock Jesus Christ Superstar à Evita Cats Starlight Express et bien entendu The Phantom Of The Opera (Le Fantôme de l?Opéra) écrit en 1986. Dans les années 80 il compose également un superbe Requiem dont les airs Hosanna et Pie Jesu sont les plus connus du grand public. Andrew Lloyd Webber excelle dans la création de mélodies à succès pleines de sensibilité et d?émotion telles que Memory et Don?t Cry For Me Argentina suscitant l?admiration à travers le monde.All I AskOf You extrait de la comédie musicale The Phantom of the Opera est un duo interprété par deux personnages majeurs de la comédie musicale Christine et Raoul. L?intrigue de l?histoire est basée sur le roman de l?écrivain français Gaston Leroux. Le personnage principal (Le Fantôme de l?Opéra) est un être étrange défiguré et masqué qui vit et hante les sous-sols de l?Opéra de Paris. Son amour obsessionnel pour la jeune cantatrice Christine le pousse à promouvoir sa carrière à tout prix. Mais quand il s?aperçoit qu?elle est éprise de Raoul Vicomte de Chagny et ami d?enfance de la cantatrice la fureur s?empare de lui. Il élabore de nombreux complots aussi terrifiants que dramatiques mais finit par cesser de poursuivre Christine et disparaît à jamais.All I Ask Of You a été repris à juste titre par divers grands interprètes dont Barbra Streisand et de nombreux arrangements en ont été réalisés. Cette superbe version pour Orchestre d?Harmonie est signée Peter Kleine Schaars.
49.99 GBP - Sold by Musicroom UK
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Andrew Lloyd Webber: All I Ask Of You: Brass Band: Score
Brass ensemble
De Haske Publications
from The Phantom of the Opera-Né en 1948 à Londres Andrew Lloyd Webber a comp...
(+)
from The Phantom of the Opera-Né en 1948 à Londres Andrew Lloyd Webber a composé la musique de nombreuses comédies musicales célèbres dans le monde entier ; de l?opéra-rock Jesus Christ Superstar à Evita Cats Starlight Express et bien entendu The Phantom Of The Opera (Le Fantôme de l?Opéra) écrit en 1986. Dans les années 80 il compose également un superbe Requiem dont les airs Hosanna et Pie Jesu sont les plus connus du grand public. Andrew Lloyd Webber excelle dans la création de mélodies à succès pleines de sensibilité et d?émotion telles que Memory et Don?t Cry For Me Argentina suscitant l?admiration à travers le monde.All I AskOf You extrait de la comédie musicale The Phantom of the Opera est un duo interprété par deux personnages majeurs de la comédie musicale Christine et Raoul. L?intrigue de l?histoire est basée sur le roman de l?écrivain français Gaston Leroux. Le personnage principal (Le Fantôme de l?Opéra) est un être étrange défiguré et masqué qui vit et hante les sous-sols de l?Opéra de Paris. Son amour obsessionnel pour la jeune cantatrice Christine le pousse à promouvoir sa carrière à tout prix. Mais quand il s?aperçoit qu?elle est éprise de Raoul Vicomte de Chagny et ami d?enfance de la cantatrice la fureur s?empare de lui. Il élabore de nombreux complots aussi terrifiants que dramatiques mais finit par cesser de poursuivre Christine et disparaît à jamais.All I Ask Of You a été repris à juste titre par divers grands interprètes dont Barbra Streisand et de nombreux arrangements en ont été réalisés. Cette superbe version pour Orchestre d?Harmonie est signée Peter Kleine Schaars.
10.99 GBP - Sold by Musicroom UK
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Torstein Aagaard-Nilsen: Elegy and March: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. ...
(+)
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. The composer:Elegy and March was one of my first original compositions (no quotations no folk-tunes) and it was one of my earliest attempts to experiment with form. The elegy-part is quite obvious but the march is not quite a march. If the elegy-part tells a sad story then the march should tell a happy story. My problem is that I don¬?t think life is like that. Result: the march collapses! De liefhebbers van de muziek van de Scandinaviër Aagaard-Nilsen kunnen hun hart ophalen bij dit bijzondere werk. In de tweedelige compositie zijn de delen thematisch aan elkaarverwant. De Elegy is een verstild werkje met prachtige klankvelden. Alle instrumenten komen aan bod maar nooit tegelijk. Hoe anders is dat in de mars waarbij ragfijn orkestspel wordt gevraagd. De componist: Elegy and March was een van mijn eerste originele werken (geen citaten geen volksliedjes) en het was een van mijn eerste pogingen om te experimenteren met vorm. De elegie deel is vrij duidelijk maar de mars is niet helemaal een mars. Als het elegie-deel een triest verhaal vertelt dan zou de mars een gelukkig verhaal moeten vertellen. Mijn idee is dat dat in het echte leven ook niet zo is. Resultaat: de mars stort totaal in!Weer iets totaal anders van de Noorse meester!
12.99 GBP - Sold by Musicroom UK
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Torstein Aagaard-Nilsen: Elegy and March: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. ...
(+)
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. The composer:Elegy and March was one of my first original compositions (no quotations no folk-tunes) and it was one of my earliest attempts to experiment with form. The elegy-part is quite obvious but the march is not quite a march. If the elegy-part tells a sad story then the march should tell a happy story. My problem is that I don¬?t think life is like that. Result: the march collapses! De liefhebbers van de muziek van de Scandinaviër Aagaard-Nilsen kunnen hun hart ophalen bij dit bijzondere werk. In de tweedelige compositie zijn de delen thematisch aan elkaarverwant. De Elegy is een verstild werkje met prachtige klankvelden. Alle instrumenten komen aan bod maar nooit tegelijk. Hoe anders is dat in de mars waarbij ragfijn orkestspel wordt gevraagd. De componist: Elegy and March was een van mijn eerste originele werken (geen citaten geen volksliedjes) en het was een van mijn eerste pogingen om te experimenteren met vorm. De elegie deel is vrij duidelijk maar de mars is niet helemaal een mars. Als het elegie-deel een triest verhaal vertelt dan zou de mars een gelukkig verhaal moeten vertellen. Mijn idee is dat dat in het echte leven ook niet zo is. Resultaat: de mars stort totaal in!Weer iets totaal anders van de Noorse meester!
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Jacob de Haan: Elegy I: Brass Band: Score
Brass ensemble
De Haske Publications
Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème épon...
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Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème éponyme de John Donne. La jalousie peut déclencher de nombreuses émotions qui vont de la déception de la peine et du regret à la colère ou à la folie. Toutes ces émotions ont trouvé leur place dans cette composition inspirée de trois formes d?art différentes : la poésie (Elegy I) la peinture (La Jalousie - Edvard Munch) ; la chanson (Je ne l?ose dire - Pierre Certon). La résonance affective et émotionnelle est forte. En un instant l?auditeur est touché par ce qu'il entend.
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Jacob de Haan: Elegy I: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème épon...
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Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème éponyme de John Donne. La jalousie peut déclencher de nombreuses émotions qui vont de la déception de la peine et du regret à la colère ou à la folie. Toutes ces émotions ont trouvé leur place dans cette composition inspirée de trois formes d?art différentes : la poésie (Elegy I) la peinture (La Jalousie - Edvard Munch) ; la chanson (Je ne l?ose dire - Pierre Certon). La résonance affective et émotionnelle est forte. En un instant l?auditeur est touché par ce qu'il entend.
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Ian Wilson: Seascape With High Cliffs: Brass Band: Score
Brass ensemble
Ricordi London
For Brass Band-Ian Wilson was born in Belfast in 1964 and obtained the first D.P...
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For Brass Band-Ian Wilson was born in Belfast in 1964 and obtained the first D.Phil in composition to be awarded by the University of Ulster . His music has been performed and broadcast on six continents. About Seascape with high cliffs he says: ?the piece was inspired by a visit I made some years ago to the Cliffs of Moher on the west coast of Ireland. The cliffs are hundreds of feet above the swelling sea with the Aran islands in thedistance barely visible the day I was there. Seabirds were floating in the strong breeze below me.?
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Glenn Miller Suite, A (Bband Sc And Pts) (MILLER GLENN)
Brass ensemble
[Sheet music]
I.M.P.
Par MILLER GLENN. Un arrangement classique par Mark Freeh, offrant une suite en ...
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Par MILLER GLENN. Un arrangement classique par Mark Freeh, offrant une suite en quatre mouvements de nombres de Glenn Miller classique dont In the Mood, Moonlight Serenade, Pennsylvanie 6-5000 et patrouille américaine./ Répertoire / Brass Band
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All Cried Out: Brass Band: Score & Parts
Brass ensemble
Music Sales
La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Cla...
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La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke alors à la recherche d?une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d?Alison Moyet et la musique pop électronique innovante de Vince Clarke s?unissent au sein du groupe Yazoo dont des chansons comme Only You et Don?t Go rencontrent un vif succès. Quelques années après Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out une chanson particulièrement expressive. L?arrangement de Peter Kleine Schaars reste très fidèle à l?ambiance de la chanson d?origine.
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All Cried Out: Brass Band: Score
Brass ensemble
Music Sales
La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Cla...
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La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke alors à la recherche d?une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d?Alison Moyet et la musique pop électronique innovante de Vince Clarke s?unissent au sein du groupe Yazoo dont des chansons comme Only You et Don?t Go rencontrent un vif succès. Quelques années après Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out une chanson particulièrement expressive. L?arrangement de Peter Kleine Schaars reste très fidèle à l?ambiance de la chanson d?origine.
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Michael Nyman: For John Cage Brass Ensemble: Brass Ensemble: Score
Brass ensemble
[Sheet music]
Chester
Score for this piece which was comissioned by London Brass and first performed ...
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Score for this piece which was comissioned by London Brass and first performed in 1992.Quoting composer: The piece was completed without title on 12th August 1992. A title once considered was Canons Chorales and Waltzes butthis was dropped since there was only one canon (the opening) and only genuine waltz (apart from a passage towards the end which superimposes the canon over a waltz rhythm). The following day I read the paper that John Cage haddied - the day I finished writing. For this reason but mainly because Cage was the most revolutionary practical music thinker of the 20th century this piece is dedicated to him. His influence on my music may be perceived underthe 'very un-Cagein' surface: though stylistically there may be little in For John Cage that may have been to his taste I hope he would at least have appreciated its diversity its non-simultaneous multiplicity.Parts areavailable on hire or special order. Duration 15 minutes.
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The Canadian Brass: The Canadian Brass Christmas: Brass Ensemble: Score
Brass ensemble
Canadian Brass
Contents: Bring a Torch Jeannette Isabella £ Ding Dong! Merrily on High! Â...
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Contents: Bring a Torch Jeannette Isabella £ Ding Dong! Merrily on High! £ Go Tell It on the Mountain £ God Rest Ye Merry Gentlemen £ Here We Come A-Wassailing £ The Huron Carol £ I Saw Three Ships £ Sussex Carol.
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David Well: Step Aside: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Excuse me may I play along? Could you step aside please? ‘Step Asideâ...
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Excuse me may I play along? Could you step aside please? ‘Step Aside’ is a pleasant competition both between two tempi and among the different parts. After a short slow introduction it is the drummer who without asking the questions above sets the high pace. As soon as this rapid movement has been established ‘part 1’ takes the lead but the other parts obviously don’t want to miss a thing and follow in rapid succession. At the end of the composition the various parts ‘compete’ in order to be able to play solo for a while but soon others join in again asking ‘Excuse me may I play along?’
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David Well: Step Aside: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Excuse me may I play along? Could you step aside please? ‘Step Asideâ...
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Excuse me may I play along? Could you step aside please? ‘Step Aside’ is a pleasant competition both between two tempi and among the different parts. After a short slow introduction it is the drummer who without asking the questions above sets the high pace. As soon as this rapid movement has been established ‘part 1’ takes the lead but the other parts obviously don’t want to miss a thing and follow in rapid succession. At the end of the composition the various parts ‘compete’ in order to be able to play solo for a while but soon others join in again asking ‘Excuse me may I play along?’
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Leslie Pearson: Christmas Is Coming: Brass Ensemble: Score and Parts
Brass ensemble
Brass Wind Publications
London Brass Band Series-Leslie Pearson's Christmas Is Coming scored for 3 Trum...
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London Brass Band Series-Leslie Pearson's Christmas Is Coming scored for 3 Trumpets 3 Trombones Tuba 2 Percussion ÂOrgan and Keyboard. 'When I set out to arrange traditional Christmas carols I was determined that they should not be yet another run-of-the-mill strophic verse-by-verse version of our Christmas heritage. I have tried to treat each carol in the collection as the basis for a Petite Fantasie - a continuous single-movement of variations on the original tune. Of course the carol is heard in its traditional form at some point during the arrangement but hopefully its appeal is enhanced without destroying the traditional concept. Inparticular White Christmas Silent Night and the middle sections of Hark the Herald and Christmas is Coming have the soft 'lush' treatment. Christmas is Coming has a humorous opening and a 'Noblimente' end. The collection is in all a delightful mixture of musical styles through the ages.' Leslie Pearson
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Doing: Brass Band: Score
Brass ensemble
Wilhelm Hansen
Doing for Brass Band composed by Per Nørgård in 1968 consist of three variat...
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Doing for Brass Band composed by Per Nørgård in 1968 consist of three variations on the Beatles-tune You can´t do that – with the following titles of movements: I.: I´ll do itII: You can´t do thatIII: It´s done
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Roderick Elms: A Windy Christmas: Brass Ensemble: Score and Parts
Brass ensemble
Camden Music
A riotous romp through a collection of Christmas favourites A Windy Christmas i...
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A riotous romp through a collection of Christmas favourites A Windy Christmas is broadly based on Ding dong! Merrily on high; Angels from the realms of glory; O come all ye faithful; Silent Night; I saw three ships; Here we come a-wassailing; The Sussex Carol; God rest you merry gentlemen; Quelle est cette odeur agréable?; Jingle Bells; Away in a manger and We wish you a merry Christmas.The piece is scored for a standard brass quintet. It lasts 7' 30' but an optional cut can be made if performed as an encore reducing the length to 4' 35'.
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Peter Martin: Scottish Dances: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...
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Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
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Peter Martin: Scottish Dances: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Scottish Dances is based on three Scottish traditionals: Cock of the North The ...
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Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding
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Sir Malcolm Arnold: English Dances Set 1 Op. 27: No. 1: Brass Band: Score and
Brass ensemble
[Score and Parts]
De Haske Publications
Andantino-English Dances Set I opus 27 is a light classic composition that wa...
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Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick
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Johan de Meij: Hobbits: Brass Band: Score and Parts
Brass ensemble
[Score and Parts]
Amstel Music
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The ...
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from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
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Johan de Meij: Journey in the Dark: Brass Band: Score and Parts
Brass ensemble
Amstel Music
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The ...
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from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
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Griffenfeldt
Brass ensemble
[Score and Parts]
Norsk Noteservice
Par . Here we present 'Griffenfeldt», a folk-dance in the style of a Norwegian ...
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Par . Here we present 'Griffenfeldt», a folk-dance in the style of a Norwegian «reinlender». This arrangement can be used as the first item in a concert, or after an interval. The musicians can come on stage as they join in. That is why two of the measures are notated 'repeat till ready', here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted. Be sure to play with a bouncy but singing style, not with short and harsh articulations. Do the trills on the beat, but these can also be omitted if it makes it too difficult. To bring out the folk music style a little extra, you can ask the musicians to play on the 'backbeat', i.e. emphasize the last half of each quarter-note. In addition, the music will really come to life if all 'solo' places are done standing up. The musician Ånon Egeland tells this story: «This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.» / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres
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Cole Porter: So in Love: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
L?auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dè...
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L?auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dès son plus jeune âge. Plus tard il suit un cursus universitaire à Yale puis à Paris. Sa vie a suscité bien des commentaires. En 1918 il épouse Linda Lee Thomas. Le couple partage sa vie entre Paris Venise New York et Hollywood où Cole Porter se consacre à la composition de musiques de films. Le mariage est heureux en dépit de l?homosexualité notoire de Cole Porter. En 1937 il est victime d?un grave accident qui le laisse handicapé à vie. Cole Porter restera meurtri par cette expérience. Son épouse meurt en 1954. Quatre ans plus tard il est amputé de la jambe droite. Son appétit de vivre et saflamme créatrice s?éteignent. Il meurt en 1964.Cole Porter a composé de superbes chansons et comédies musicales dont certaines sont encore très appréciées de nos jours. Il suffit d?évoquer I?ve Got You Under My Skin ou Every Time We Say Goodbye. Sa musique a été reprise par de nombreux artistes : des crooners et grandes vedettes du jazz telles que Frank Sinatra Ella Fitzgerald et Oscar Peterson aux cantatrices Renée Fleming et Kiri Te Kanawa. Certains artistes pop notamment U2 ou Tom Waits ont également fait une incursion dans son riche répertoire.So in Love est une chanson romantique extraite de la comédie musicale Kiss Me Kate (1948).
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Cole Porter: So in Love: Brass Band: Score
Brass ensemble
De Haske Publications
L?auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dè...
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L?auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dès son plus jeune âge. Plus tard il suit un cursus universitaire à Yale puis à Paris. Sa vie a suscité bien des commentaires. En 1918 il épouse Linda Lee Thomas. Le couple partage sa vie entre Paris Venise New York et Hollywood où Cole Porter se consacre à la composition de musiques de films. Le mariage est heureux en dépit de l?homosexualité notoire de Cole Porter. En 1937 il est victime d?un grave accident qui le laisse handicapé à vie. Cole Porter restera meurtri par cette expérience. Son épouse meurt en 1954. Quatre ans plus tard il est amputé de la jambe droite. Son appétit de vivre et saflamme créatrice s?éteignent. Il meurt en 1964.Cole Porter a composé de superbes chansons et comédies musicales dont certaines sont encore très appréciées de nos jours. Il suffit d?évoquer I?ve Got You Under My Skin ou Every Time We Say Goodbye. Sa musique a été reprise par de nombreux artistes : des crooners et grandes vedettes du jazz telles que Frank Sinatra Ella Fitzgerald et Oscar Peterson aux cantatrices Renée Fleming et Kiri Te Kanawa. Certains artistes pop notamment U2 ou Tom Waits ont également fait une incursion dans son riche répertoire.So in Love est une chanson romantique extraite de la comédie musicale Kiss Me Kate (1948).
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