Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Par SMITH MELANIE. This book is designed as a workbook to teach theory specifically relevant to the cello at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of cello theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of cello theory. No matter who uses this book, it will give a strong foundation to cello theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the cello - learning about line and space notes - learning musical symbols - and how to draw music. / Niveau : Débutant / All Styles - Theory and Harmony / Méthode / Violoncelle

A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.

A Must-Have Collection of Well-Known Songs, Including Many Cello Features. If you've been learning to play the cello for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which originally featured cello! / Pop and rock / Recueil / Violoncelle

Par DUNCAN CRAIG. Arrangements that are designed to be enjoyed in a number of settings. Companion books for violin and viola are available. Each offers the melody and harmony part along with piano accompaniment. Suggested uses are: solo cello with piano accompaniment, cello duets, cello and violin duets, trios with violin, cello and viola duets, and trios with viola. / Niveau : Débutant / Christmas - Solos / Recueil / Violoncelle

Cello Part. Par . This book contains nine pieces from ABRSM's Grade 3 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. / Date parution : 2023-08-12/ Recueil / Violoncelle

Cello Part. Par . This book contains nine pieces from ABRSM's Grade 2 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. / Date parution : 2023-08-12/ Recueil / Violoncelle

Cello Part. Par . This book contains nine pieces from ABRSM's Grade 1 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. / Date parution : 2023-08-12/ Recueil / Violoncelle

Par WILSON MARK. Stringtastic Book 2: Cello teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: Teacher’s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Violoncelle

Par BLACKWELL KATHY / DAVID. for cello Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell\'s trademark attractive and engaging compositions that appeal to learners of all ages. / Date parution : 2022-11-10/ Recueil / Violoncelle

from The Carnival of Animals. Par SAINT-SAENS CAMILLE. Probably one of the best known solo cello works in the world. This beautiful, serene piece comes from Saint-Saëns’ “Carnival of the Animals”. The cello part is edited by Jacqueline du Pré. Camille Saint-Saens' The Swan from The Carnival of Animals suite, arranged here for Cello and Piano accompaniment. The Cello part edited by Jaqueline du Pre. / Niveau : Intermédiaire / Répertoire / Violoncelle

Par SMITH MELANIE. Book 2 in the Melanie Smith cello theory series introduces students to new music and theory concepts which are fundamental in developing a deeper understanding of the cello. Book 2 will begin by covering the theory involving the ranges of notes for the cello and then moves into specific theory concepts such as note and rest values and time signatures. The final section of Book 2 focuses on musical terms and includes a comprehensive review of all instructional concepts covered in the book. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Méthode / Violoncelle

Par SCULTHORPE PETER. Sculthorpe uses the Plainsong Requiem Mass as the source material for this work for Solo Cello, using the music to reflect the words of the Latin text. This is a most interesting concept, particularly so as the timbral and expressive qualities of the cello seem appropriate for this type of work (or influenced-type of work, at least). The cello has a very rich and warm tonal quality to it, which Sculthopre exploits in this adventurous composition. This piece will present an enjoyable and most interesting challenge to both advancing and accomplished cellists alike. '. . .draws its inspiration from plainsong and maintains a wonderful sense of space and stillness.' Helen Wallace, BBC Music Magazine, October 1995 / Niveau : Elémentaire / Répertoire / Violoncelle

Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker) Content : Prelude - Allemande - Courante - Sarabande Portrait of Resi - Grove I/II - Finale: Latin moto perpetuo