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Mel
DULCIMER
Chamber Orchestra
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R. Riehm: Uncertain Melodie: Ensemble: Score
Chamber Orchestra
Ricordi
Uncertain Melodie
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Christopher D. Wiggins: Polish Melodie Nocturne Gigue (Br Ens No2): Brass
Chamber Orchestra
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Polish Melodie Nocturne Gigue (Br Ens No2)
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Rolf Riehm: Uncertain Melodie: Ensemble: Instrumental Work
Chamber Orchestra
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Uncertain Melodie
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Samir Odeh-Tamimi: Li-Umm-Kamel (Set mit 3 Spielpartituren): Ensemble: Score &
Chamber Orchestra
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Li-Umm-Kamel (Set mit 3 Spielpartituren)
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Drollerie-Polka Op. 231 (STRAUSS JOHANN (FILS))
Chamber Orchestra
Doblinger
Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultiv...
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Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultivierte Geselligkeit ohne Musik kaum denkbar ist, konnte das traditionsreiche Verlagshaus Doblinger kaum einen besseren Titel als 'Wiener Melange' für seine Reihe mit Alt-Wiener Tanzmusik wählen, in der effektvolle und gut spielbare Bearbeitungen populärer Kompositionen von Johann Strauß Sohn u. a. erschienen sind. Die Besetzung orientiert sich an den Gepflogenheiten bürgerlicher Haus- und Salonmusik - was dem ungarischen Fürsten die eigene Hofkapelle im Ballsaal seiner Wiener Residenz, war dem Geheimen Rat das Streichquartett im großbürgerlichen Salon (oft übernahm dabei der klangstärkere Kontrabass die Stelle des Cellos)./ Répertoire / Musique de Chambre
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Wien Bleibt Wien (SCHRAMMEL JOHANN)
Chamber Orchestra
[Part]
Schott
Par SCHRAMMEL JOHANN. March/ Répertoire / Orchestre de Salon
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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kammersymphonie Op, 9 (SCHOENBERG ARNOLD)
Chamber Orchestra
[Study Score / Miniature]
Universal Edition
Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different ex...
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Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre
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Michael Nyman: Michael Nyman: MGV (Musique A Grande Vitesse): Orchestra: Score
Chamber Orchestra
[Sheet music]
Chester
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed m...
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Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993. This piece of sheet music runs continuously but was conceived as an abstract imaginary journey; or rather five inter-connected journeys each ending with a slow mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic melodic harmonic motivic textural -constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9 11 or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally MGV begins in C and ends in E). A later scalic syncopated figure (again first heard over C E and A)begins the second section featuring Brass in D flat. The topography of MGV should be experienced without reference to planning description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey while the temptation to treat MGV as a concerto grosso with the Michael Nyman band as the ripeno was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.
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Bohuslav Martinu: Serenade no. 3 H 218: Chamber Ensemble: Parts
Chamber Orchestra
Barenreiter
Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in...
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Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
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5 Moments Musicaux op. 48: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Simrock
Oboe Clarinet Bassoon (parts). Hummel B
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Canons classiques: Vocal Tutor
Chamber Orchestra
EMB (Editio Musica Budapest)
'...The present collection has been conceived right from the outset so as to for...
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'...The present collection has been conceived right from the outset so as to form an organic component of and a supplement to the teaching of solfeggio. The original text and their relevant translations have been omitted with the intention that the pedagogical aim namely that which is achieved through solmization could be proprely emphasized. There is hardly any need to recommend these pieces for cultivation. Luckily enough solfeggio has become so wide-spread and in particular singing canons has gained such popularity that its praise would suggest an irony of the same kind as Erasmus' eulogy of foolishness. Nevertheless it cannot be left unsaid how immensely this domaincontributes to raising the musical standards of the greatest number of people possibile.' (Antal Molnár)
10.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Complete Piano Trios And Quartets: Piano Ensemble:
Chamber Orchestra
Dover Publications
Fine edition contains all eight Piano trios the two Piano quartets and the Pian...
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Fine edition contains all eight Piano trios the two Piano quartets and the Piano quintet reprinted from the definitive Breitkopf and Hartel editions. All of these works display the melodic richness inventiveness and inimitable grace that characterize Mozart's finest compositions. Indispensable for pianists and chamber musicians.
25.40 GBP - Sold by Musicroom UK
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String Quartets For Beginning Ensembles - Vol.3 (SUZUKI SHINICHI)
Chamber Orchestra
[Sheet music]
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Intermediate
Alfred Publishing
Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1,...
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Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J. S. Bach) * Gavotte in G Minor, Gavotte en Rondeaufrom Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J. S. Bach) * Bourree, Bourrees I and II from Suite III in C Major for Violoncello, BWV 1009 (J. S. Bach). / Niveau : Intermédiaire / Recueil / Orchestre de Chambre
33.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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