Singspiel zu Weihnachten. Par BOHM RAINER. makes use of well-known Christmas carols / Opéra-opérette / Répertoire / Choeur d'Enfants 1 Partie, Paroisse et Instrument

Price Tag was Jessie J?s first global hit debuting at number one in the UK before reaching the top of the charts in ten countries around the world. This choral arrangement is ideal for school and community choirs and is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols.

A Roman War Song is a chorus from the opera Rienzi by Richard Wagner. It has been arranged here for TTBB Male Voice Chorus with Piano accompaniment by Percy E. Fletcher with thelyrics translated into English by George Ellerton.Rienzi was one of the composer’s earlier operas but remains one of his most popular. Structured in five acts it was written from 1838-1840 and firstperformed in 1842. The plot revolves around the life of revolutionary Cola di Rienzi who helps to overthrow the established nobility in Rome before the populace also turns against him.Richard Wagner(1813-1883) was a German composer best known for his operas most famously his Ring cycle. His complex textures and shifting tonality is sometimes seen as marking the birth of modern music.

The Black Knight (Op.25) is a secular cantata for chorus and orchestra composed in 1893. It takes its text from a poem from H. W. Longfellow which is itself a translation of a poem in German by Ludwig Uhland. The choral parts act as a backing to the orchestra showing how Elgar was developing his orchestration techniques and talents although this development went unnoticed until the sudden success of the Enigma Variations in 1899. Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment which allowed his music to be fresh and unencumbered.

Vocal score of this popular comic opera composed by Arthur Sullivan and W. S. Gilbert which premiered at the London Royalty Theatre in March 1875. Includes full vocal score (The Learned Judge Angelina (the Plaintiff) Edwin (the Defendant) Counsel for the Plaintiff Foreman of the Jury First Bridesmaid) with Piano accompaniment.

The popular band Five for Fighting hit the Hot 100 and the Adult Contemporary charts with this meaningful song that explores life's mysteries. A great pop feature! Available separately: SATB SAB and SSA. ShowTrax CD also available. Performance Time: Approx. 3:15

Massenet's adaptation of the Goethe novel was completed in 1892 and reinvigorated interest in in a text that was otherwise critically ignored and forgotten. It was frist performed at the Imperial Opera Vienna in February 1892.This full vocal score presents the Opera in its English translation.

Op. 147 - Harmony Parts-Diabelliâ??s church music has unjustly largely fallen into oblivion. In his 'Pastoral Mass in F' the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes the work is of easy to medium difficulty and is therefore extremely suitable for amateur choirs with orchestra. The 'Pastoral Mass' is suitable for performance both at Christmas time and beyond.

Your students will love to sing the songs from Disney's Camp Rock and this value-packed five-song collection makes it fun and affordable!Perfect for group singing in the classroom choir or community the songs have been carefully arranged for young unison voices with optional harmonies.The hot performance tracks on the CD (not included) will provide sing-along fun for singers of all ages and the professionally-produced accompaniment tracks are perfect for that special performance in your classroom or on stage!

Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-?I have never experienced such silence or seen an audience moved in this way.?(Felix Mendelssohn Bartholdy)Up to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach?s ?St Matthew Passion?. Originally composed for Vespers on Good Friday and even longer in duration than the ?St John Passion? it reconstructs the story of Christ?s Passion with immense musical emotional and spiritual intensity.And so this monumental and complex composition has come to rank amongst the high points of Western culture. For good reason the ?rediscovery? of Johann Sebastian Bach?s music began in 1829 with theperformance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.The autograph manuscript is regarded as one of Bach?s most beautiful the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further special feature is the coloured ink with which he wrote the biblical text and the music of the chorale ?O Lamm Gottes unschuldig?.This facsimile edition reproduces the autograph score of the ?St Matthew Passion? for the first time in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work?s composition and the characteristics of the manuscript.Martina Rebmann (Staatsbibliothek zu Berlin) provides further details regarding the history of the autograph manuscript; with a preface by Barbara Schneider-Kempf general director of the Staatsbibliothek.BÄRENREITER FACSIMILEThe seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:- a facsimile in high-quality colour printing- scholarly commentary- attractive cover designFacsimile of the authograph score in the Staatsbibliothek zu Berlin - Preussischer Kulturbesitz.With a commentary by Christoph Wolff Martina Rebmann and Barbara Schneider-Kempf.Documenta musicologica II 47166 pages of facsimile and approx. 30 pages commentary (Eng/Ger)Format: 37.5 x 24cm; Half-leather binding hardbackISBN 978-3-7618-2294-4

Klemens-Maria-Hofbauer-Messe. Par TITTEL ERNST. Styria 5112/ Répertoire / Choeur