Finale Des 1. Aktes (Zur Serenade!), Aus Der Operette 'Eine Nacht In Venedig', Gem Chor Orchester (Klav). Par STRAUSS JOHANN (FILS). gemCh Klav/ Répertoire / Choeur

14 Sprüche Nach Worten Von Abraham A Santa Clara, F. Soli, Chor U Bläser, 1, 1, 2, 1-2, 0, 0, 0. Par STROBL OTTO. Soli Ch/ Répertoire / Choeur

Avez-vous également le sentiment que votre chorale pourrait être beaucoup plus fougueux ? Que vos chanteurs s'accrochent aux notes et n'écoutent pas les uns aux autres assez ? Et que le public devrait supporter réellement n'a plus de rester assis ?Si donc, cet ouvrage exhaustif sur la réalisation choral pour pop, jazz et la musique gospel contient les réponses à ces questions : basé sur sa vaste expérience dans la conduite de la chorale, Martin Carbow discute des questions centrales telles que la répétition des méthodes de travail de choeur sans notes, de formation et, par-dessus tout, le sillon dans le choeur des oreilles. En plus d'expliquer les termes techniques, traitant de problèmes rythmiques et présentant des exercices, il a finalement aussi révèle ses secrets de groove. Christoph Schönherr explore la question de l'improvisation vocale dans des chorales, la relation de la parole et les sons ainsi que l'importance de la réalisation et le rôle de la chorale dans le choeur de jazz et pop, parmi d'autres. Cet ouvrage fournit également des informations sur davantage les cours de formation pour choeur terrible... / Divers

This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweetheart') - offers choirs attractive literature to expand their repertoires and to perform concerts for many different occasions. The creative choral director has many possibilities for performing this music: thus instruments can be added, or - if there are difficulties due to pronouncing a foreign language - a small ensemble can sing the song, while the remainder of the choir hums the music in the background. The selected songs about themes of love and love's sorrow, dance, festival and celebration, are traditional folksongs which are well-known and popular in the countries of their origin. In puttingtogether this collection special emphasis has been placed on the musical quality of the settings. In addition to traditional settings, many songs in new arrangments by contemporary composers have been included. The settings range in difficulty from easy to moderately difficult. / Musique traditionnelle / Répertoire / Choeur

Arrangeur: Alfred Mann. Par HAENDEL GEORG FRIEDRICH. The best-known and most beloved large-scale musical work in the English-speaking world, Messiah was first performed in Dublin over 200 years ago to benefit local charities. Since that time, it has given millions of performers their primary experience in singing classical music. Today it is the supreme example of the English oratorio. A meditation on the life of Christ, the work is a brilliant amalgam of traditional Italian opera, English anthem, and German Passion. Reprinted from the authoritative edition prepared by noted musical scholar Alfred Mann, this inexpensive, full-score edition will be welcomed by students, musicians, singers, and music lovers who will want to study and savor every detail of this glorious masterpiece. Reprint of the Rutgers University Documents of Music, 1959, 1961, and 1965 editions. Handel's masterpiece Messiah, the most frequently performed of his choral works, composed in 1741. An inspiring sacred oratorio with spontaneous melodies, and bright orchestration from the first aria Every Valley Shall Be Exalted, to the thunderous final Amen chorus. Complete full score, edited by Alfred Mann./ Répertoire / Choeur

Choeur Seul. Par POULENC FRANCIS. The Litanies a la Viergne Noire signaled a new phase in Poulenc’s career, one marked by religious choral works of a mysterious, ethereal, and often extremely moving nature. Not surprisingly this was influenced by personal losses in his life. A beautiful work for female (SSA) voices, which features a modal, chant-like style, which avoids conventional cadences. Available here is the chorus part./ Répertoire / Choeur

Par GALVANI MARCO. On Christmas Morn for mixed voice a cappella by Marco Galvani. / Choral Music / Répertoire / Voix Mixtes

Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis” in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus”. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn”. The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus”. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound. Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy. - Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn” - Idiomatic piano reduction (BA 5694-90)/ Répertoire / Piano

Par MENDELSSOHN-BARTHOLDY FELIX. One of the most frequently performed of all choral works, reprinted in the definitive German edition. / Hymnes et chorals / Répertoire / Choeur

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features. Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition. A reproduction of the Breitkopf and Hartel edition. / Musique religieuse / Répertoire / Choeur

Par L'ESTRANGE ALEXANDER. Ce volume est une introduction toe-dans-le-eau certains de la grande et beaucoup aimé folksons américain. Deux chansons individuelles sont présentés ici, Oh Shenandoah et Simple Gifts, qui sont complétés par un medley rugissante des airs de danse liight-hearted ligne sous le titre ' choisirait-il et Hoe vers le bas. Si vous cherchez répertoire simple et enrichissante pour votre choeur débutant, vous n'examiner pas plus loin que la chorale Basics - la série parfaite pour les chanteurs de tous âges. Les simples 3-partie chorales dispositions pour soprano, alto et une partie combinée pour voix d'hommes font le parfait de série pour les chorales avec une pénurie de mâles ou dont les mâles chanteurs ont voix instable ou changeant. La riche variété de répertoire est tenue d'être un succès auprès des jeunes chanteurs et les capacités techniques des chorales à ce niveau ont été prises en considération. Accompagnements piano simples et idiomatiques ont été inclus et visent à appuyer les lignes vocales, sans mettre la pression sur le personnel.../ Répertoire / Choeur