It is created out of nothing and develops into sound. This choral improvisation on the kyrie from 'Messe à trois voix' by André Caplet gives the singers space to shape the piece themselves while nevertheless being self-contained. A short concert piece for experienced musicians. / Choeur SSAA A Cappella

TaReKiTa. for SSAA unaccompanied TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slides, andcaptivating melodies built on the Jog raga.

Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. For children's or female choir and piano.

Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers and Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles this delightful setting for SSAA choir a cappella has been arranged by Kirby Shaw.

Here's a stunning new a cappella setting of the #1 pop hit by Bette Midler. These powerful lyrics and a timeless melody will create an unforgettable concert moment. Magical! Available for SATB SSAA and TTBB a cappella. Performance Time: Approx. 3:40.

from Les Misérables-Create a moment of magic in concert with Fantine's famous song of broken dreams from the hit musical Les Misérables in a mesmerizing a cappella setting. Available separately: SATB SSAA TTBB. Duration: ca. 3:20.

Aunu Aunu Balti Kajas-The second selection from a set of Five Latvian Folk Songs this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful with off-the-beat accents strewn in and the melody line weaving through the four-part women's arrangement. Featured in the 2001 National ACDA concert this makes a fine festival or competition selection. Moderately difficult. Available: SSAA a cappella.

with Joyful Joyful We Adore Thee-This exciting and upbeat a cappella version of the traditional spiritual Mary Had A Baby has been combined with Beethoven's ever-popular tune from the Ninth Symphony Joyful Joyful We Adore Thee. New seasonal lyrics for the Beethoven will be perfect for any winter concert! SSAA version.

What a fun and smart arrangement of this popular song originally penned by Hughie Cannon! A standard for jazz and Dixieland bands the fun of this piece is now captured in a new SSAA voicing for women. This gem is great for concert and show choirs.

Looking for a work for advanced treble chorus? This a cappella work for SSAA (div) is successful in worship or concert settings alike. The thought provoking text is set to lush harmony with well-crafted part writing.

This arrangement of the traditional spiritual is a powerhouse women's selection for your concert! Partner-style singing and full four-part singing go hand-in-hand along with a solo opportunity for your soprano. Available: SSAA; PianoTrax CD.

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.

This jubilant new work is a fine festival selection. It can be performed with the 4-hands piano accompaniment or with small orchestra added which also makes it suitable for an any-time concert program.

Glory to God in the Highest-Now available for women's voices! Here is an exuberant celebration of the birth of Christ through layered African polyrhythms and call-and-response vocal phrases. The singers encourage the audience to rejoice shout and clap withthem making this selection a wonderful processional or concert opener. Percussion Yoruba translation and pronunciation are included. Available separately: SATB SSAA a cappella. Duration: ca. 2:30.