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Al
DULCIMER
Choral SSATB
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Flexible Instrumentation (128)
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Musique originale (124)
Pennywhistle (123)
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Organ, Trumpet (duet) (121)
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Flute, Orchestra (116)
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Timpani (115)
Choral SSATTB (111)
Flûte à Bec Alto et Basse Co… (111)
2 Trumpets (duet) (109)
Quatuor (108)
3 Recorders (trio) (108)
2 Violas, Piano (107)
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Choeur SAM (92)
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Musique Légère (74)
Voix Mixtes (74)
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Violon 1 (6 parts) Violon 2 (6… (72)
2 Euphoniums (72)
Orgue, 2 Hautbois, Basson Et C… (71)
Piano Trio: Violin, Viola, Pia… (71)
Flute, Basso continuo (71)
2 Violins, Piano (70)
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Flûte Traversière, Hautbois,… (68)
Fanfare Band (68)
Symphonic Band (68)
Book (68)
Soprano (67)
Clarinette, Alto et Piano (66)
Choral, Orchestra (65)
Horn Ensemble (65)
Chanson (64)
Edition Critique des oeuvres d… (63)
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Lap Steel Guitar (62)
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1 Piano, 6 hands (60)
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A Cappella (57)
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Guitar, Orchestra (56)
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Xylophone (54)
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Djembe (53)
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Violon Principal, 2 Violons, 2… (52)
Solistes SATB, Choeur SATB, 2 … (52)
2 Bassoons (duet) (52)
Cajon (52)
Flûte Traversière Alto et Gu… (51)
Voice and Orchestra (51)
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Cello Ensemble (50)
2 French horns (duet) (50)
2 Violons, Alto Et Basse Conti… (50)
Solistes SATB, Choeur SATB, 2 … (49)
Saxophone Quintet: 5 Saxophone… (49)
Clarinette et Orchestre (49)
2 Saxophones Alto et Piano ou … (49)
Flûte Traversière, Hautbois,… (48)
2 Violons, Alto, Violoncelle e… (48)
Trumpet, Orchestra (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Orchestre Scolaire (48)
Clavecin Et Instruments A Cord… (48)
3 Trumpets (trio) (48)
Alto (Partie séparée) (48)
Drum Fanfare (48)
Violon, Violoncelle et Alto (47)
Violon, Alto et Piano (47)
Conga (47)
Diverses Formations (47)
Clarinette, Viola and Piano (t… (47)
Solistes SATB, Choeur SATB, Fl… (46)
Oeuvres Théâtrales/Oratorios… (46)
Clavecin Et Cordes (46)
Voix et Instruments Divers (46)
String Trio: 3 violins (46)
4 Cellos (45)
Guitar, String Quartet (45)
Cello, String Bass (duet) (45)
Electric bass, Drums (45)
Trio A Cordes (45)
Bass Trombone and Piano (45)
Ensemble Instrumental (45)
Hautbois 1 Clarinette en Sib 1… (44)
4 Euphoniums (44)
2 Violons, Alto et Violoncelle… (44)
Trompette ou Cornet, Euphonium… (44)
Soli and Orchestra (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Ensemble à Cordes (44)
Cordes (44)
Trombone Alto et Piano (44)
Solistes SSATTB, Choeur SATB, … (43)
Saxophone Baryton (43)
Solistes SATB, Choeur SATB, 2 … (43)
Ensemble Instrumental et Petit… (43)
2 Violons et Alto (43)
Solistes SATB, Choeur SATB, 4 … (43)
Chamber Music (43)
Violin, Organ (43)
Lyrics only (43)
Recorder, Guitar (duet) (42)
Tambour (42)
Lute (42)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
Cor des Alpes et Piano (41)
Saxophone Alto, Saxophone Tén… (41)
Medium Voice (41)
Quintette Avec Piano (41)
4 Saxophones (Soprano, Alto, T… (41)
Choeur d'Enfants, Solistes, In… (41)
3 Saxophones (Alto, Ténor) et… (41)
Brass Quartet: 2 trumpets, 2 t… (41)
5 Part Ensemble (Clavier, Guit… (41)
Trompette, Trombone et Piano (40)
4 Instruments à Cordes (4 Boi… (40)
Flûte à Bec Alto ou Flûte T… (40)
Brass Quartet: 2 trumpets, hor… (40)
2 Trompettes ou Cornets et Cor… (40)
Saxophone Soprano, Saxophone A… (40)
Trombone, Organ (40)
Horn and Orchestra (40)
Flûte à Bec, Guitare et Musi… (40)
Choeur SATB et Basse Continue (40)
Cor en Fa (40)
Flûte Traversière, Violon Et… (40)
Flûte Traversière Violon, Al… (39)
Flûte Traversière, Alto Et G… (39)
2 Cornets, Cor en Mib et Tuba (39)
Accordion, String(s) (39)
Oboe and Orchestra (39)
5 Recorders (39)
Flûte à Bec Alto, Cordes et … (38)
Trumpet ensemble (38)
3 Voix Egales (38)
Solistes SATB, Choeur SATB, 2 … (38)
Piano, Bass, Drums (trio) (38)
Quatuor avec Piano (38)
Saxhorn or Euphonium (38)
Viola, Guitar (duet) (38)
Vocal duet (38)
Soprano, Piano (38)
4 Violons, Cordes et Basse Con… (37)
Solistes SAT, Choeur SATB, 2 F… (37)
2 Violins and Basso (37)
Partition D'Orchestre In 16 Po… (37)
3 Flûtes Traversières et Pia… (37)
Quintette à Cordes (37)
Trumpet, Trombone (duet) (37)
Descant (Soprano) Recorder, Ba… (37)
Libretto (37)
3 Trombones (trio) (37)
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Violon Solo, Violoncelle Solo,… (36)
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Violon Principal, 2 Violons, A… (36)
Flûte Traversière, Violon et… (36)
Quintette de Cuivres (36)
Piccolo (36)
Hautbois, Clarinette et Basson… (36)
2 Trompettes Sib, 1 Cor, 1 Tro… (36)
2 Clarinets, Piano (36)
4 Violons, 2 Altos, Violoncell… (36)
2 Violons, Cordes Et Basse Con… (36)
Balalaïka Et Piano (36)
Voice, String Quartet (35)
Autoharp (35)
Percussions Diverses (35)
2 Cellos, Piano (35)
Woodwind Quartet: any 4 woodwi… (35)
Drum set and Piano (35)
Flûte Traversière, Alto et V… (34)
Voice, Organ (34)
Bugle (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Choeur Mixte et Orchestre (33)
Tuba Solo (33)
Flûte Traversière, Alto et H… (33)
Saxophone and Orchestra (33)
3 Clarinettes en Sib et Clarin… (33)
2 Hautbois, 2 Clarinettes, Tim… (32)
Flute and String Quartet (32)
DVD Opera and Ballets (32)
Violon, Alto, Violoncelle et C… (32)
Flûte Traversière Alto et Ha… (32)
Batterie Fanfare En Sib (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Musique de chambre (32)
Flute, Viola and harp (32)
Viola da Gamba (32)
5 Saxophones (Soprano, Alto, 2… (32)
Handbells (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
2 Trompettes (duo) (32)
Duos (32)
Flûte à Bec Alto ou Flûte T… (31)
Flûte Traversière, Clarinett… (31)
4 Tubas (31)
Bass Clarinet, Piano (31)
Flûte à Bec Alto, 2 Flûtes … (30)
Ensemble D'Altos (30)
Flûte Traversière ou Flûte … (30)
Tuba en Do et Piano (30)
Saxhorn en Sib Basse Continue (30)
Plectrum Orchestra (30)
Violon 2 (30)
Ocarina (30)
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Madrigaux (30)
Clarinet, Violin, Cello, Piano… (30)
Batterie Fanfare En Mib (30)
English horn, Piano (29)
Alto, Violoncelle et Contrebas… (29)
Saxophone en Mib et Piano (29)
Solistes SATB, Choeur SATB, 2 … (29)
Baritone Ukulele (29)
Solistes SATB, Choeur SATB, 2 … (29)
Flûte à Bec Alto ou Flûte T… (29)
4 Parties Mixtes (29)
Guitare Flatpick et Plectre (29)
Guitare Tablatures Flatpick et… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
Orchestre De Chambre (28)
Flûte Traversière, Violon, 2… (28)
Trompette ou Flûte à Bec ou … (28)
Violon, Alto, Guitare et Violo… (28)
Flûte à Bec Alto et Basse Co… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Violon, 2 Altos et Violoncelle… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Instruments Acoustiques (28)
Clavier ou Orgue Electronique (28)
C Trumpetor et Trompette Sib/C… (28)
Violon 1 (28)
2 Saxophones Alto (28)
Alto, Cordes et Basse Continue… (28)
Soprano Saxophone and Piano (28)
Cello, Organ (28)
Solistes STTBB, Choeur SATB, 2… (27)
3 Euphoniums et Piano ou Clavi… (27)
Flûte Traversière, Hautbois,… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Trio (2 Soli Avec Réduction D… (27)
Saxophone Alto et Concert Band… (27)
2 Trombones, Piano (27)
Flute and Strings Trio (27)
2 French horns, Piano (27)
Violin, Horn and Piano (27)
Choeur A Cappella (27)
Saxophone, Clarinet (duet) (27)
Choral Soprano solo, SATB, Key… (27)
Batterie-Fanfare (26)
Flûte à Bec Alto ou Flûte T… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Marches militaires (26)
String Trio: 3 cellos (26)
2 Violons, Alto, Violoncelle (26)
Saxophone Alto Solo (26)
Piano Quartet: piano, 2 violin… (26)
Saxophone Alto et Orchestre à… (26)
Recorder, Bass Continuo (26)
Voix et Piano Réduction (26)
String quintet (26)
Drums-Marching band (26)
Concert Band ou Harmonie et Ba… (26)
Violon, Instruments à Cordes … (26)
Alto Solo (26)
Violin, Viola and Orchestra (26)
Trompette en Do ou et Trompett… (26)
Choeur SATTB (26)
Bagpipe (26)
Guitare ou Luth (26)
3 Percussions (26)
Trombone ensemble (26)
Soprano Saxophone (26)
Flûte Traversière ou Flûte … (25)
Choeur SATB, 2 Violons, Alto e… (25)
Solistes SATB, Choeur SATB/SAT… (25)
2 Violons, Alto, Violoncelle o… (25)
Children choir, Instruments (25)
Organ, Piano (duet) (25)
Flûte, Alto Et Harpe (25)
Quatuor Variable (25)
Clarinette et Quatuor à Corde… (25)
Choral SATTB (25)
Chorale d'Enfants et Piano (25)
Trompette Solo (25)
2 Cornets et Piano ou Orgue (25)
3 Tubas (25)
String quartet: 4 violins (25)
Flûte à Bec, 2 Violons, Alto… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Choeur SSATB, 2 Flûtes Traver… (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Violon (2), Alto et Contrebass… (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois (Flûte), Violon, Alt… (24)
Flûte Traversière, Hautbois,… (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Quatuor de Cordes (24)
2 Violons, 2 Altos, Violon ou … (24)
Clarinette ou Trompette ou Vio… (24)
Quatuor à Cordes et Guitare (24)
Flûte Traversière, Violon, V… (24)
Guitar and Bass Tablatures, Ch… (24)
2 Violons, Alto, Violoncelle e… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Trompette, Instruments à Cord… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Trombone Solo (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Flûte A Bec Soprano Et Flûte… (24)
Tuba et Euphonium (24)
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Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
Choral SSATB
Peters
Music runs through the story of Arion which begins with a singing competition i...
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Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship. At the end of his song he jumps overboard and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble but it is also his salvation. The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.” However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there. Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this
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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
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Alma Afflitta, Che Fai? (Arme Seele, Was Machst Du?)
Choral SSATB
[Sheet music]
Carus Verlag
Partita Dell'Amante. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité...
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Partita Dell'Amante. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 4 (op. 1 #4)/ Répertoire / Choeur SSATB
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Ist Nicht Ephraim Mein Teurer Sohn (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
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Mi Saluta Costei (Es Grüßt Mich Die Schöne)
Choral SSATB
[Sheet music]
Carus Verlag
Saluto Nocevole. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : m...
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Saluto Nocevole. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : mixolydisch - SWV 12 (op. 1 #12)/ Répertoire / Choeur SSATB
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D'Orrida Selce Alpina (Grausiger Frelsen Der Alpen)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 6 (op...
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Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 6 (op. 1 #6)/ Répertoire / Choeur SSATB
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Die Mit Tränen Säen (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
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Fiamma, Ch'Allaccia E Laccio (Brand, Der Entfesselt Und Fessel Bist Du)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : F-Dur - SWV 10 (op...
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Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : F-Dur - SWV 10 (op. 1 #10)/ Répertoire / Choeur SSATB
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Gott, Lass Sich Freuen Alle, Die Auf Dich Trauen (HARTMANN HEINRICH)
Choral SSATB
[Sheet music]
Carus Verlag
Tonalité : B-Dur -. Par HARTMANN HEINRICH. Gattungen: Motetten, Psalmen, deutsc...
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Tonalité : B-Dur -. Par HARTMANN HEINRICH. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Langue : Allemand / Mottet / Répertoire / Choeur SSATB
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Psalm 51 (WAGENER GREGOR)
Choral SSATB
[Sheet music]
Carus Verlag
Tonalité : Phrygisch -. Par WAGENER GREGOR. Gattungen: Motetten, Psalmen, deuts...
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Tonalité : Phrygisch -. Par WAGENER GREGOR. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: Psalmvertonungen - Langue : Allemand / Mottet / Répertoire / Choeur SSATB
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Der Herr Ist König III - Psalm 93 (PACHELBEL JOHANN)
Choral SSATB
[Sheet music]
Carus Verlag
Psalm 93. Par PACHELBEL JOHANN. Tonalité : C-Dur - / Mottet / Répertoire / Ch...
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Psalm 93. Par PACHELBEL JOHANN. Tonalité : C-Dur - / Mottet / Répertoire / Choeur SSATB
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Lobet Gott In Seinem Heiligtum (ALBERT HEINRICH)
Choral SSATB
[Sheet music]
Carus Verlag
Par ALBERT HEINRICH. Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautb...
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Par ALBERT HEINRICH. Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand / Mottet / Répertoire / Choeur SSATB
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Jauchzet Dem Herrn, Alle Welt (SCHONDLINGER ANTON)
Choral SSATB
[Sheet music]
Carus Verlag
Par SCHONDLINGER ANTON. Gattungen: Psalmen, deutsch - Verwendung / Anlässe: L H...
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Par SCHONDLINGER ANTON. Gattungen: Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Pianoingsten - Langue : Allemand / Psaumes / Répertoire / Choeur SSATB
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Psalm 6 (BUREN JOHN VAN)
Choral SSATB
[Sheet music]
Carus Verlag
Par BUREN JOHN VAN. Psalmen, deutsch - Verwendung / Anlässe: Psalmvertonungen -...
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Par BUREN JOHN VAN. Psalmen, deutsch - Verwendung / Anlässe: Psalmvertonungen - Langue : Allemand / Psaumes / Répertoire / Choeur SSATB
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John Joubert: Be Not Afeard: Soprano & SATB: Vocal Score
Choral SSATB
SSATB A Cappella
[Sheet music]
Novello & Co Ltd.
Be Not Afeard is a work by John Joubert for Solo Soprano and Unaccompanied SATB...
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Be Not Afeard is a work by John Joubert for Solo Soprano and Unaccompanied SATB Choir. Commissioned by Music Sales to commemorate William Shakespeare's death the 400th anniversary of which falls in 2016 the work sets a speech from Act 3 Scene 2 of his final play 'The Tempest'. The work lasts around 4 and a half minutes.
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Choral SSATB
SSATB, Orchestra, Basso continuo
[Sheet music]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre
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Cymbalum Sionium Sive Cantiones Sacrae 1615
Choral SSATB
SSATB A Cappella
Barenreiter
/ Chant/Vocal/Choeur
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Ride La Primavera (Es Lächelt Das Frühjahr)
Choral SSATB
[Sheet music]
Carus Verlag
Stagioni Contrarie Alla Sua Ninfa. Aus: Italienische Madrigale. Par SCHUTZ HEINR...
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Stagioni Contrarie Alla Sua Ninfa. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : mixolydisch - SWV 7 (op. 1 #7)/ Répertoire / Choeur SSATB
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Henri Duparc: La vie antérieure: Mixed Choir: Vocal Score
Choral SSATB
SSATB, Piano
Carus Verlag
The harmonic turns and piano configurations in La vie ant?rieure ??? the ???form...
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The harmonic turns and piano configurations in La vie ant?rieure ??? the ???former life??? ??? seem almost exuberantly lyrical. At the beginning the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry ???C???est l? que j???ai v?cu!??? [I have lived there] which expresses the fervent yearning to return to a past life the collective desperately reinforces the longing for the past. Once more the women???s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude creating a moment that is completely in the present.
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Ich Freue Mich Im Herren (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalit...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalité : a-Moll - Horn, Paul (Arr.) - Scandrett, Robert (Trad.) - #14 / Psaumes / Répertoire / Choeur SSATB
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Herr, Laß Meine Klage (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalit...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalité : F-Dur - Horn, Paul (Arr.) - Scandrett, Robert (Trad.) - #17/ Répertoire / Choeur SSATB
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Wem Ein Tugendsam Weib Bescheret Ist (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalit...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalité : dorisch - Horn, Paul (Arr.) - Scandrett, Robert (Trad.) - #22/ Répertoire / Choeur SSATB
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John Tavener: The Lament Of The Mother Of God: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
[Sheet music]
Chester
This work for soprano solo and SATB chorus was commissioned by the Norwich Festi...
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This work for soprano solo and SATB chorus was commissioned by the Norwich Festival of Contemporary Church Music.Tavener:'In the Orthodox Church the Lament of the Mother of God is normally sung on Holy and Great Friday. Inits full length it lasts about half and hour and it is intoned by the Priest or Bishop while the people venerate the Epitaphios (or Shroud of the Dead Christ) which is in the centre of the church and decorated withflowers.The Lament must be sung with an ikon-like stillness and great purity. It grows in intensity as it climbs in tessitura but without anything sudden or remotely melodramatic.For the Orthodox Church there is never thesense of absolute desolation felt by the Western Church on Good Friday. Hence the cry of the Mother of God 'Dost thou change my grief to gladness by thy Resurrection?' followed by the full forces: 'Rise O God and judge theearth.'Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
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Heinrich Schütz: Gib unsern Fürsten und aller Obrigkeit no.5 SWV373: SATB: Vocal
Choral SSATB
Barenreiter
From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Ge...
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Gib unsern Fürsten und aller Obrigkeit No.5 SWV 373 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.
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Quella Damma Son Io (Wie Jene Hirschkuh Bin Ich)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 11 (o...
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Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 11 (op. 1 #11)/ Répertoire / Choeur SSATB
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Sospir Che Del Bel Petto (Seufzer, Der Du Dem Busen)
Choral SSATB
[Sheet music]
Carus Verlag
Sospiro Della Sua Donna. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonal...
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Sospiro Della Sua Donna. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 14 (op. 1 #14)/ Répertoire / Choeur SSATB
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Dunque Addio, Care Selve (Lebet Wohl Denn, Geliebte Wälder)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 15 (...
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Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 15 (op. 1 #15)/ Répertoire / Choeur SSATB
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Giunto E Pur, Lidia (Nah Ist Gekommen, Lydia)
Choral SSATB
[Sheet music]
Carus Verlag
Partita Dell'Amante. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité...
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Partita Dell'Amante. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : a-Moll - SWV 18 (op. 1 #18)/ Répertoire / Choeur SSATB
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Selve Beate, Se Sospirando (Glückliche Wälder)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 3 (o...
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Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 3 (op. 1 #3)/ Répertoire / Choeur SSATB
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Io Moro, Ecco Ch'Io Moro (Ich Sterbe, Siehe, Nun Sterb' Ich)
Choral SSATB
[Sheet music]
Carus Verlag
Bacio Chiesto Con Arguzia. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Ton...
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Bacio Chiesto Con Arguzia. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : dorisch - SWV 13 (op. 1 #13)/ Répertoire / Choeur SSATB
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